friend

List while the poet trolls
Of MR. CLAYTON HOOPER,
Who had a cure of souls
At Spiffton-extra-Sooper.

He lived on curds and whey,
And daily sang their praises,
And then he'd go and play
With buttercups and daisies.

Wild croquet HOOPER banned,
And all the sports of Mammon,
He warred with cribbage, and
He exorcised backgammon.

His helmet was a glance
That spoke of holy gladness;
A saintly smile his lance;
His shield a tear of sadness.

His Vicar smiled to see

Upon his battlements he stood,
And downward gazed in joyous mood,
On Samos' Isle, that owned his sway,
"All this is subject to my yoke;"
To Egypt's monarch thus he spoke,--
"That I am truly blest, then, say!"

"The immortals' favor thou hast known!
Thy sceptre's might has overthrown
All those who once were like to thee.
Yet to avenge them one lives still;
I cannot call thee blest, until
That dreaded foe has ceased to be."

While to these words the king gave vent,

One night a poem came up to a poet
From now on, it said, you must wear a mask.
What kind of mask? asked the poet.
A rose mask, said the poem.
I've used it already, said the poet,
I've exhausted it.
Then wear the mask that's made out of
a nightingale's song, use that mask.
Oh, it's an old mask, said the poet,
it's all used up.
Nonsense, said the poem, it's the perfect mask,
still, try on the god mask,
now that mask illuminates heaven.
It's a tight mask, said the poet,

DR. BELVILLE was regarded as the CRICHTON of his age:
His tragedies were reckoned much too thoughtful for the stage;
His poems held a noble rank, although it's very true
That, being very proper, they were read by very few.
He was a famous Painter, too, and shone upon the "line,"
And even MR. RUSKIN came and worshipped at his shrine;
But, alas, the school he followed was heroically high -
The kind of Art men rave about, but very seldom buy;
And everybody said
"How can he be repaid -

The REVEREND MICAH SOWLS,
He shouts and yells and howls,
He screams, he mouths, he bumps,
He foams, he rants, he thumps.

His armour he has buckled on, to wage
The regulation war against the Stage;
And warns his congregation all to shun
"The Presence-Chamber of the Evil One,"

The subject's sad enough
To make him rant and puff,
And fortunately, too,
His Bishop's in a pew.

So REVEREND MICAH claps on extra steam,
His eyes are flashing with superior gleam,
He is as energetic as can be,

And there we were together again—
Together again, we three:
Morgan, Fingal, fiddle, and all,
They had come for the night with me.

The spirit of joy was in Morgan’s wrist,
There were songs in Fingal’s throat;
And secure outside, for the spray to drench,
Was a tossed and empty boat.

And there were the pipes, and there was the punch,
And somewhere were twelve years;
So it came, in the manner of things unsought,
That a quick knock vexed our ears.

Home they brought her warrior dead:
She nor swoon'd nor utter'd cry:
All her maidens, watching, said,
"She must weep or she will die."
Then they praised him, soft and low,
Call'd him worthy to be loved,
Truest friend and noblest foe;
Yet she neither spoke nor moved.
Stole a maiden from her place,
Lightly to the warrior stepped,
Took the face-cloth from the face;
Yet she neither moved nor wept.

Rose a nurse of ninety years,

Tramp, tramp, the grim road, the road from Mons to Wipers
(I've 'ammered out this ditty with me bruised and bleedin' feet);
Tramp, tramp, the dim road -- we didn't 'ave no pipers,
And bellies that was 'oller was the drums we 'ad to beat.
Tramp, tramp, the bad road, the bits o' kiddies cryin' there,
The fell birds a-flyin' there, the 'ouses all aflame;
Tramp, tramp, the sad road, the pals I left a-lyin' there,
Red there, and dead there. . . . Oh blimy, it's a shame!

Beside us in our seeking after pleasures,
Through all our restless striving after fame,
Thorough all our search for worldly gains and treasures
There walketh one whom no man likes to name.
Silent he follows, veiled of form and feature,
Indifferent if we sorrow or rejoice,
Yet that day comes when every living creature
Must look upon his face and hear his voice.

When that day comes to you, and Death, unmasking,
Shall bar your path, and say, “Behold the end, ”
What are the questions that he will be asking

When you’ve knocked about the country—been away from home for years;
When the past, by distance softened, nearly fills your eyes with tears—
You are haunted oft, wherever or however you may roam,
By a fancy that you ought to go and see the folks at home.
You forget the family quarrels—little things that used to jar—
And you think of how they’ll worry—how they wonder where you are;
You will think you served them badly, and your own part you’ll condemn,
And it strikes you that you’ll surely be a novelty to them,