girl

What d'ye think, lad; what d'ye think,
As the roaring crowds go by?
As the banners flare and the brasses blare
And the great guns rend the sky?
As the women laugh like they'd all gone mad,
And the champagne glasses clink:
Oh, you're grippin' me hand so tightly, lad,
I'm a-wonderin': what d'ye think?

D'ye think o' the boys we used to know,
And how they'd have topped the fun?
Tom and Charlie, and Jack and Joe --
Gone now, every one.
How they'd have cheered as the joy-bells chime,

The schools marched in procession in happiness and pride,
The city bands before them, the soldiers marched beside;
Oh, starched white frocks and sashes and suits that high schools wear,
The boy scout and the boy lout and all the rest were there,
And all flags save Australia's flag waved high in sun and air!

The Girls' High School, and Grammar School and colleges of stone
Flew all flags from their walls and towers – all flags except our own!
And down here in the alleys where Premiers never come,

The woman in the pointed hood
And cloak blue-gray like a pigeon's wing,
Whose orchard climbs to the balsam-wood,
Has done a cruel thing.

To her back door-step came a ghost,
A girl who had been ten years dead,
She stood by the granite hitching-post
And begged for a piece of bread.

Now why should I, who walk alone,
Who am ironical and proud,
Turn, when a woman casts a stone
At a beggar in a shroud?

I saw the dead girl cringe and whine,
And cower in the weeping air--

Three weeks gone and the combatants gone
returning over the nightmare ground
we found the place again, and found
the soldier sprawling in the sun.

The frowning barrel of his gun
overshadowing. As we came on
that day, he hit my tank with one
like the entry of a demon.

Look. Here in the gunpit spoil
the dishonoured picture of his girl
who has put: Steffi. Vergissmeinnicht.
in a copybook gothic script.

We see him almost with content,
abased, and seeming to have paid

Sarcophagi, urns, were all covered with lifelike scenes,
fauns dancing with girls from a Bacchanalian choir,
paired-off, goat-footed creatures puffing their cheeks,
forcing ear-splitting notes from the blaring horns.
Cymbals and drumbeats, the marble is seen and is heard.
How delightful the fruit in the beaks of fluttering birds!
No startling noise can scare them, or scare away love,
Amor, whose torch waves more gladly in this happy throng.
So fullness overcomes death, and the ashes within

With the man I love who loves me not,
I walked in the street-lamps' flare;
We watched the world go home that night
In a flood through Union Square.

I leaned to catch the words he said
That were light as a snowflake falling;
Ah well that he never leaned to hear
The words my heart was calling.

And on we walked and on we walked
Past the fiery lights of the picture shows --
Where the girls with thirsty eyes go by
On the errand each man knows.

And on we walked and on we walked,

Fold her hands upon her breast,
And let her sweetly sleep.
She has found a perfect rest,
Beneath her winding sheet.
II
Her weary limbs are now at rest,
And free from toil and pain;
Her weary soul from earth has left,
But in Heaven lives again.
III
Death has closed her mild blue eyes,
That once was full of mirth,
Her lovely form once full of life,
Will now return to earth.
IV
Touch her gently, let her lie,
This forsaken girl forlorn;
Tears may fall from strangers' eyes,

Not much of a dog yet,
that smudge in the distance, beyond the reach

of focus. It's just an impressionist
gesture, a guess. From the edge of the clearing, the farmhouse
materializes, settles

into wall & stone. The water,
making the surface

of the stream, makes
reflections. So why shouldn't the dog

accept limits, become

a figure? Is it like the girl who sits
in the hall closet and says she's not
hiding? She's inside—

listening without the burden

After the movie, when the lights come up,
He takes her powdered hand behind the wings;
She, all in yellow, like a buttercup,
Lifts her white face, yearns up to him, and clings;
And with a silent, gliding step they move
Over the footlights, in familiar glare,
Panther-like in the Tango whirl of love,
He fawning close on her with idiot stare.
Swiftly they cross the stage. O lyric ease!
The drunken music follows the sure feet,
The swaying elbows, intergliding knees,
Moving with slow precision on the beat.

Oh, never let on to your own true love
That ever you drank a drop;
That ever you played in a two-up school
Or slept in a sly-grog shop;
That ever a bad girl nursed you round –
That ever you sank so low.
But she pulled you through, and it's only you
And your old mate Harry know.

"Billy the Link" they called you then,
And it makes me sad to think
Of the strenuous days when it took three cops
And a pimp to couple the Link.
"Mister Linkhurst" they call you now,
And your kitchen garden grows;