girl

To all you ladies now at Bath,
And eke, ye beaux, to you,
With aching heart, and wat'ry eyes,
I bid my last adieu.

Farewell ye nymphs, who waters sip
Hot reeking from the pumps,
While music lends her friendly aid,
To cheer you from the dumps.

Farewell ye wits, who prating stand,
And criticise the fair;
Yourselves the joke of men of sense,
Who hate a coxcomb's air.

Farewell to Deard's, and all her toys,
Which glitter in her shop,
Deluding traps to girls and boys,

It is a beauteous evening, calm and free,
   The holy time is quiet as a Nun
   Breathless with adoration; the broad sun
Is sinking down in its tranquillity;
The gentleness of heaven broods o'er the sea:
   Listen! the mighty Being is awake,
   And doth with his eternal motion make
A sound like thunder--everlastingly.
Dear Child! dear Girl! that walkest with me here,
   If thou appear untouch'd by solemn thought,
   Thy nature is not therefore less divine:
Thou liest in Abraham's bosom all the year;

In Hawaii they Hula
They Tango in Argentina
They Reggae in Jamaica
And they Rumba down in Cuba,
In Trinidad and Tobago
They do the Calypso
And in Spain the Spanish
They really do Flamenco.

In the Punjab they Bhangra
How they dance Kathak in India
Over in Guatemala
They dance the sweet Marimba,
Even foxes dance a lot
They invented the Fox Trot,
In Australia it's true
They dance to the Didgeridoo.

In Kenya they Benga
They Highlife in Ghana
They dance Ballet all over

Sleep, McKade.
  Fold up the day. It was a bright scarf.
  Put it away.
  Take yourself to pieces like a house of cards.

It is time to be a grey mouse under a tall building.
  Go there. Go there now.
  Look at the huge nails. Run behind the pipes.
  Scamper in the walls.
  Crawl towards the beckoning girl, her breasts are warm.
  But here is a dead man. A murderer?
  Kill him with your pistol. Creep past him to the girl.

Sleep, McKade.
  Throw one arm across the bed. Wind your watch.

Be'? So' pputtana, venno la mi' pelle:
Fo la miggnotta, si, sto ar cancelletto:
Lo pijo in quello largo e in quello stretto:
C'è gnent'antro da dì? Che cose belle!

Ma ce sò stat'io puro, sor cazzetto,
Zitella com'e tutte le zitelle;
E mo nun c'è chi avanzi bajocchelle
Su la lana e la paja der mi' letto.

Sai de che me laggn'io? No der mestiere
Che ssarìa bell'e bono, e quanno butta
Nun pò ttrovasse ar monno antro piacere.

Ma de ste dame che stanno anniscoste

The three holy kings with their star's bright ray,--
They eat and they drink, but had rather not pay;
They like to eat and drink away,
They eat and drink, but had rather not pay.

The three holy kings have all come here,
In number not four, but three they appear;
And if a fourth join'd the other three,
Increased by one their number would be.

The first am I,--the fair and the white,
I ought to be seen when the sun shines bright!
But, alas! with all my spices and myrrh,
No girl now likes me,--I please not her.

You see in ancient Rome what folly reign'd;
A folly British men would have disdain'd.
Here's none so weak to pity Cato's case,
Who might have liv'd, and had a handsome place;
But rashly vain, and insolently great,
He perish'd by his fault -- and not his fate.
Thank Heav'n! our patriots better ends pursue,
With something more than glory in their view.
Poets write morals -- priests for martyrs preach --
Neither such fools to practice what they teach.
Though your dear country much you wish to serve,

Those blessèd structures, plot and rhyme--
why are they no help to me now
I want to make
something imagined, not recalled?
I hear the noise of my own voice:
The painter's vision is not a lens,
it trembles to caress the light.
But sometimes everything I write
with the threadbare art of my eye
seems a snapshot,
lurid, rapid, garish, grouped,
heightened from life,
yet paralyzed by fact.
All's misalliance.
Yet why not say what happened?
Pray for the grace of accuracy

Long lines of cliff breaking have left a chasm;
And in the chasm are foam and yellow sands;
Beyond, red roofs about a narrow wharf
In cluster; then a moulder'd church; and higher
A long street climbs to one tall-tower'd mill;
And high in heaven behind it a gray down
With Danish barrows; and a hazelwood,
By autumn nutters haunted, flourishes
Green in a cuplike hollow of the down.

Here on this beach a hundred years ago,
Three children of three houses, Annie Lee,
The prettiest little damsel in the port,

I was a peasant girl from Germany,
Blue-eyed, rosy, happy and strong.
And the first place I worked was at Thomas Greene's.
On a summer's day when she was away
He stole into the kitchen and took me
Right in his arms and kissed me on my throat,
I turning my head. Then neither of us
Seemed to know what happened.
And I cried for what would become of me.
And cried and cried as my secret began to show.
One day Mrs. Greene said she understood,
And would make no trouble for me,
And, being childless, would adopt it.