Twirling your blue skirts, travelling the sward
Under the towers of your seminary,
Go listen to your teachers old and contrary
Without believing a word.

Tie the white fillets then about your hair
And think no more of what will come to pass
Than bluebirds that go walking on the grass
And chattering on the air.

Practice your beauty, blue girls, before it fail;
And I will cry with my loud lips and publish
Beauty which all our power shall never establish,
It is so frail.

For I could tell you a story which is true;

"A true Arab knows how to catch a fly in his hands,"
my father would say. And he'd prove it,
cupping the buzzer instantly
while the host with the swatter stared.

In the spring our palms peeled like snakes.
True Arabs believed watermelon could heal fifty ways.
I changed these to fit the occasion.

Years before, a girl knocked,
wanted to see the Arab.
I said we didn't have one.
After that, my father told me who he was,
"Shihab"--"shooting star"--
a good name, borrowed from the sky.
Once I said, "When we die, we give it back?"

A day of seeming innocence,
A glorious sun and sky,
And, just above my picket fence,
Black Bonnet passing by.
In knitted gloves and quaint old dress,
Without a spot or smirch,
Her worn face lit with peacefulness,
Old Granny goes to church.

Her hair is richly white, like milk,
That long ago was fair --
And glossy still the old black silk
She keeps for "chapel wear";
Her bonnet, of a bygone style,
That long has passed away,
She must have kept a weary while
Just as it is to-day.

A girl whose cheeks are covered with paint
Has an advantage with me over one whose ain't.

"'As anybody seen Bill 'Awkins?"
"Now 'ow in the devil would I know?"
"'E's taken my girl out walkin',
An' I've got to tell 'im so --
Gawd -- bless -- 'im!
I've got to tell 'im so."

"D'yer know what 'e's like, Bill 'Awkins?"
"Now what in the devil would I care?"
"'E's the livin', breathin' image of an organ-grinder's monkey,
With a pound of grease in 'is 'air --
Gawd -- bless -- 'im!
An' a pound o' grease in 'is 'air."

"An' s'pose you met Bill 'Awkins,

[Written to the Most Beautiful Woman in the World]


M Sweetheart is the TRUTH BEYOND THE MOON,
And never have I been in love with Woman,
Always aspiring to be set in tune
With one who is invisible, inhuman.

O laughing girl, cold TRUTH has stepped between,
Spoiling the fevers of your virgin face:
Making your shining eyes but lead and clay,
Mocking your brilliant brain and lady's grace.

TRUTH haunted me the day I wooed and lost,
The day I wooed and won, or wooed in play:
Tho' you were Juliet or Rosalind,

Here's a girl from a dangerous town
She crops her dark hair short
so that less of her has to frown
when someone gets hurt.

She folds her memories like a parachute.
Dropped, she collects the peat
and cooks her veggies at home: they shoot
here where they eat.

Ah, there's more sky in these parts than, say,
ground. Hence her voice's pitch,
and her stare stains your retina like a gray
bulb when you switch

Off on the prairie, where the balmy air
Kisses the waving corn,
There lives a farmer, with a daughter fair--
Fair as a summer's morn!
She has a nature gentle as a dove,
Pure as the mountain snows;
Say! is it strange that everyone should love--
Love such a girl as Rose?

Beautiful Rose! lovely Rose!
Pride of the prairie bower!
Everybody loves her--everybody knows
She is the fairest flower.

Rose is a lady yet from early dawn,
Labors her skillful hand;
She is the housewife, now her mother's gone--
Gone to the better land.

It ought to be lovely to be old
to be full of the peace that comes of experience
and wrinkled ripe fulfilment.

The wrinkled smile of completeness that follows a life
lived undaunted and unsoured with accepted lies
they would ripen like apples, and be scented like pippins
in their old age.

Soothing, old people should be, like apples
when one is tired of love.
Fragrant like yellowing leaves, and dim with the soft
stillness and satisfaction of autumn.

And a girl should say:
It must be wonderful to live and grow old.

About me leagues of houses lie,
Above me, grim and straight and high,
They climb; the terraces lean up
Like long grey reefs against the sky.

Packed tier on tier the people dwell;
Each narrow, hollow wall is full;
And in that hive of honeycomb,
Remote and high, I have one cell.

And when I turn into my street
I hear in murmurous retreat
A tide of noises flowing out --
The city ebbing from my feet!

And lo! two long straight walls between,
There dwells a little park serene,