One Christmas was so much like another, in those years around the sea-town corner now and out of all sound except the distant speaking of the voices I sometimes hear a moment before sleep, that I can never remember whether it snowed for six days and six nights when I was twelve or whether it snowed for twelve days and twelve nights when I was six.

A child said, What is the grass? fetching it to me with full
hands;
How could I answer the child?. . . .I do not know what it
is any more than he.

I guess it must be the flag of my disposition, out of hopeful
green stuff woven.

Or I guess it is the handkerchief of the Lord,
A scented gift and remembrancer designedly dropped,
Bearing the owner's name someway in the corners, that we
may see and remark, and say Whose?

Or I guess the grass is itself a child. . . .the produced babe
of the vegetation.

First came the primrose,
On the bank high,
Like a maiden looking forth
From the window of a tower
When the battle rolls below,
So look'd she,
And saw the storms go by.

Then came the wind-flower
In the valley left behind,
As a wounded maiden, pale
With purple streaks of woe,
When the battle has roll'd by
Wanders to and fro,
So totter'd she,
Dishevell'd in the wind.

Then came the daisies,
On the first of May,
Like a banner'd show's advance
While the crowd runs by the way,
With ten thousand flowers about them

A middle-northern March, now as always--
gusts from the South broken against cold winds--
but from under, as if a slow hand lifted a tide,
it moves--not into April--into a second March,

the old skin of wind-clear scales dropping
upon the mold: this is the shadow projects the tree
upward causing the sun to shine in his sphere.

So we will put on our pink felt hat--new last year!
--newer this by virtue of brown eyes turning back
the seasons--and let us walk to the orchid-house,
see the flowers will take the prize tomorrow

O Month when they who love must love and wed!
Were one to go to worlds where May is naught,
And seek to tell the memories he had brought
From earth of thee, what were most fitly said?
I know not if the rosy showers shed
From apple-boughs, or if the soft green wrought
In fields, or if the robin's call be fraught
The most with thy delight. Perhaps they read
Thee best who in the ancient time did say
Thou wert the sacred month unto the old:
No blossom blooms upon thy brightest day
So subtly sweet as memories which unfold

It seems wrong that out of this bird,
Black, bold, a suggestion of dark
Places about it, there yet should come
Such rich music, as though the notes'
Ore were changed to a rare metal
At one touch of that bright bill.

You have heard it often, alone at your desk
In a green April, your mind drawn
Away from its work by sweet disturbance
Of the mild evening outside your room.

A slow singer, but loading each phrase
With history's overtones, love, joy
And grief learned by his dark tribe
In other orchards and passed on

There was a King of Thule
Whom a Witch-wife stole at birth;
In a country known but newly,
All under the dumb, huge Earth.

That King's in a Forest toiling;
And he never the green sward delves
But he sees all his green waves boiling
Over his sands and shelves;

In these sunsets vast and fiery,
In these dawns divine he sees
Hy-Brasil, Mannan and Eire,
And the Isle of Appletrees;

He watches, heart-still and breathless,
The clouds through the deep day trailing,

I hid my heart in a nest of roses,
Out of the sun's way, hidden apart;
In a softer bed than the soft white snow's is,
Under the roses I hid my heart.
Why would it sleep not? why should it start,
When never a leaf of the rose-tree stirred?
What made sleep flutter his wings and part?
Only the song of a secret bird.

Lie still, I said, for the wind's wing closes,
And mild leaves muffle the keen sun's dart;
Lie still, for the wind on the warm seas dozes,
And the wind is unquieter yet than thou art.

Alone at night
in the wet city

the country's wit
is not memorable.

The wind has blown
all the trees down

but these anxieties
remain erect, being

the heart's deliberate
chambers of hurt

and fear whether
from a green apartment

seeming diamonds or
from an airliner

seeming fields. It's
not simple or tidy

though in rows of
rows and numbered;

the literal drifts
colorfully and

the hair is combed
with bridges, all

compromises leap

I’ve watched the Seasons passing slow, so slow,
In the fields between La Bassée and Bethune;
Primroses and the first warm day of Spring,
Red poppy floods of June,
August, and yellowing Autumn, so
To Winter nights knee-deep in mud or snow,
And you’ve been everything.

Dear, you’ve been everything that I most lack
In these soul-deadening trenches—pictures, books,
Music, the quiet of an English wood,
Beautiful comrade-looks,
The narrow, bouldered mountain-track,
The broad, full-bosomed ocean, green and black,