The Old Whim Horse

He's an old grey horse, with his head bowed sadly,
   And with dim old eyes and a queer roll aft,
With the off-fore sprung and the hind screwed badly,
   And he bears all over the brands of graft;
And he lifts his head from the grass to wonder
   Why by night and day the whim is still,
Why the silence is, and the stampers' thunder
   Sounds forth no more from the shattered mill.

In that whim he worked when the night winds bellowed
   On the riven summit of Giant's Hand,


The Old Poet

I will be glad because it is the Spring;
I will forget the winter in my heart--
Dead hopes and withered promise; and will wring
A little joy from life ere life depart.

For spendthrift youth with passion-blinded eyes,
Stays not to see how woods and fields are bright;
He hears the phantom voices call, he flies
Upon the track of some unknown delight.

To him the tender glory of the May,
White wonder of the blossom, and the clear,
Soft green leaves that opened yesterday,


The Old Place

SO the last day’s come at last, the close of my fifteen year—
The end of the hope, an’ the struggles, an’ messes I’ve put in here.
All of the shearings over, the final mustering done,—
Eleven hundred an’ fifty for the incoming man, near on.
Over five thousand I drove ’em, mob by mob, down the coast;
Eleven-fifty in fifteen year…it isn’t much of a boast.

Oh, it’s a bad old place! Blown out o’ your bed half the nights,
And in the summer the grass burnt shiny an’ bare as your hand, on the heights:


The Old Bush Road

DEAR old road, wheel-worn and broken,
Winding through the forest green,
Barred with shadows and with sunshine,
Misty vistas drawn between.
Grim, scarred bluegums ranged austerely,
Lifting blackened columns each
To the large, fair fields of azure,
Stretching ever out of reach.
See the hardy bracken growing
Round the fallen limbs of trees;
And the sharp reeds from the marshes,
Washed across the flooded leas;
And the olive rushes, leaning
All their pointed spears to cast


The Ode of Tarafah

A young gazelle there is in the tribe, dark-lipped, fruit-shaking,

flaunting a double necklace of pearls and topazes,

holding aloof, with the herd grazing in the lush thicket,

nibbling the tips of the arak-fruit, wrapped in her cloak.

Her dark lips part in a smile, teeth like a comomile

on a moist hillock shining amid the virgin sands,

whitened as it were by the sun's rays, all but her gums

that are smeared with colyrium -- she gnaws not against them;


The Ocean Said to Me Once

The ocean said to me once,
"Look!
Yonder on the shore
Is a woman, weeping.
I have watched her.
Go you and tell her this --
Her lover I have laid
In cool green hall.
There is wealth of golden sand
And pillars, coral-red;
Two white fish stand guard at his bier.

"Tell her this
And more --
That the king of the seas
Weeps too, old, helpless man.
The bustling fates
Heap his hands with corpses
Until he stands like a child
With a surplus of toys."


The Nympholept

There was a boy -- not above childish fears --
With steps that faltered now and straining ears,
Timid, irresolute, yet dauntless still,
Who one bright dawn, when each remotest hill
Stood sharp and clear in Heaven's unclouded blue
And all Earth shimmered with fresh-beaded dew,
Risen in the first beams of the gladdening sun,
Walked up into the mountains. One by one
Each towering trunk beneath his sturdy stride
Fell back, and ever wider and more wide
The boundless prospect opened. Long he strayed,


The Microbe

The Microbe is so very small
You cannot make him out at all,
But many sanguine people hope
To see him through a microscope.
His jointed tongue that lies beneath
A hundred curious rows of teeth;
His seven tufted tails with lots
Of lovely pink and purple spots,
On each of which a pattern stands,
Composed of forty separate bands;
His eyebrows of a tender green;
All these have never yet been seen--
But Scientists, who ought to know,
Assure us that they must be so....
Oh! let us never, never doubt


The Night Journey

Hands and lit faces eddy to a line;
The dazed last minutes click; the clamour dies.
Beyond the great-swung arc o’ the roof, divine,
Night, smoky-scarv’d, with thousand coloured eyes

Glares the imperious mystery of the way.
Thirsty for dark, you feel the long-limbed train
Throb, stretch, thrill motion, slide, pull out and sway,
Strain for the far, pause, draw to strength again.…

As a man, caught by some great hour, will rise,
Slow-limbed, to meet the light or find his love;


The Nightingale

A Conversation Poem, April, 1798

No cloud, no relique of the sunken day
Distinguishes the West, no long thin slip
Of sullen light, no obscure trembling hues.
Come, we will rest on this old mossy bridge!
You see the glimmer of the stream beneath,
But hear no murmuring: it flows silently.
O'er its soft bed of verdure. All is still.
A balmy night! and though the stars be dim,
Yet let us think upon the vernal showers
That gladden the green earth, and we shall find
A pleasure in the dimness of the stars.


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