Margaret, are you grieving
Over Goldengrove unleaving?
Leaves, like the things of man, you
With your fresh thoughts care for, can you?
Ah! as the heart grows older
It will come to such sights colder
By and by, nor spare a sigh
Though worlds of wanwood leafmeal lie;
And yet you will weep and know why.
Now no matter, child, the name:
Sorrow's springs are the same.
Nor mouth had, no nor mind, expressed
What heart heard of, ghost guessed:
It is the blight man was born for,
It is Margaret you mourn for.

Spring am I, too soft of heart
Much to speak ere I depart:
Ask the Summer-tide to prove
The abundance of my love.

Soft-littered is the new-year's lambing fold,
And in the hollowed haystack at its side
The shepherd lies o' night now, wakeful-eyed
At the ewes' travailing call through the dark cold.
The young rooks cheep 'mid the thick caw o' the old:
And near unpeopled stream-sides, on the ground,
By her Spring cry the moorhen's nest is found,
Where the drained flood-lands flaunt their marigold.

Chill are the gusts to which the pastures cower,
And chill the current where the young reeds stand
As green and close as the young wheat on land

(For Arthur Symons)

I was not sorrowful, I could not weep,
And all my memories were put to sleep.

I watched the river grow more white and strange,
All day till evening I watched it change.

All day till evening I watched the rain
Beat wearily upon the window pane

I was not sorrowful, but only tired
Of everything that ever I desired.

Her lips, her eyes, all day became to me
The shadow of a shadow utterly.

All day mine hunger for her heart became
Oblivion, until the evening came,

"Speech"—is a prank of Parliament—
"Tears"—is a trick of the nerve—
But the Heart with the heaviest freight on—
Doesn't—always—move—

688

'Speech'—is a prank of Parliament—
'Tears'—is a trick of the nerve—
But the Heart with the heaviest freight on—
Doesn't—always—move —

WHY art thou silent! Is thy love a plant
   Of such weak fibre that the treacherous air
   Of absence withers what was once so fair?
Is there no debt to pay, no boon to grant?
Yet have my thoughts for thee been vigilant--
   Bound to thy service with unceasing care,
The mind's least generous wish a mendicant
   For nought but what thy happiness could spare.
Speak--though this soft warm heart, once free to hold
   A thousand tender pleasures, thine and mine,

Under the arch of Life, where love and death,
Terror and mystery, guard her shrine, I saw
Beauty enthroned; and though her gaze struck awe,
I drew it in as simply as my breath.
Hers are the eyes which, over and beneath,
The sky and sea bend on thee,—which can draw,
By sea or sky or woman, to one law,
The allotted bondman of her palm and wreath.

This is that Lady Beauty, in whose praise
Thy voice and hand shake still,—long known to thee
By flying hair and fluttering hem,—the beat
Following her daily of thy heart and feet,

The uses of sorrow I comprehend
Better and better at each year’s end.

Deeper and deeper I seem to see
Why and wherefore it has to be

Only after the dark, wet days
Do we fully rejoice in the sun’s bright rays.

Sweeter the crust tastes after the fast
Than the sated gourmand’s finest repast.

The faintest cheer sounds never amiss
To the actor who once has heard a hiss.

To one who the sadness of freedom knows,
Light seem the fetters love may impose.

And he who has dwelt with his heart alone,

Tonight the moon dreams in a deeper languidness,
And, like a beauty on her cushions, lies at rest;
While drifting off to sleep, a tentative caress
Seeks, with a gentle hand, the contour of her breast;

As on a crest above her silken avalanche,
Dying, she yields herself to an unending swoon,
And sees a pallid vision everywhere she’d glance,
In the azure sky where blossoms have been strewn.

When sometime, in her weariness, upon her sphere
She might permit herself to sheda furtive tear,
A poet of great piety, a foe of sleep,