All the wonderful music,
Wouldn’t dare the clouds to return,
Overtop the grave site,
And leave me scratching, screaming.
The most beautiful people,
Would never call the sun here,
Overtop my engraved rock,
And leave me warm, screaming.
All the hate in the world,
Would pull me out backwards,
Spin me for the world to see,
And pull the spine out of the back of me.
My fingernails will turn to wood,
And the splinters underneath are mine to keep,
My heart will turn from black to red,

Scrambled eggs and whiskey
in the false-dawn light. Chicago,
a sweet town, bleak, God knows,
but sweet. Sometimes. And
weren't we fine tonight?
When Hank set up that limping
treble roll behind me
my horn just growled and I
thought my heart would burst.
And Brad M. pressing with the
soft stick and Joe-Anne
singing low. Here we are now
in the White Tower, leaning
on one another, too tired
to go home. But don't say a word,
don't tell a soul, they wouldn't
understand, they couldn't, never
in a million years, how fine,

Scorn not the Sonnet; Critic, you have frowned,
Mindless of its just honours; with this key
Shakspeare unlocked his heart; the melody
Of this small lute gave ease to Petrarch's wound;
A thousand times this pipe did Tasso sound;
With it Camoens soothed an exile's grief;
The Sonnet glittered a gay myrtle leaf
Amid the cypress with which Dante crowned
His visionary brow: a glow-worm lamp,
It cheered mild Spenser, called from Faery-land
To struggle through dark ways; and when a damp
Fell round the path of Milton, in his hand

Fear it has faded and the night:
The bells all peal the hour of nine:
The schoolgirls hastening through the light
Touch the unknowable Divine.

What leavening in my heart would bide!
Full dreams a thousand deep are there:
All luminants succumb beside
The unbound melody of hair.

Joy the long timorous takes the flute:
Valiant with colour songs are born:
Love the impatient absolute
Lives as a Saviour in the morn

Get thou behind me Shadow-Death!
Oh ye Eternities delay!

217

Savior! I've no one else to tell—
And so I trouble thee.
I am the one forgot thee so—
Dost thou remember me?
Nor, for myself, I came so far—
That were the little load—
I brought thee the imperial Heart
I had not strength to hold—
The Heart I carried in my own—
Till mine too heavy grew—
Yet—strangest—heavier since it went—
Is it too large for you?

(Revelations, iii. 1-6)

"Write to Sardis," saith the Lord,
"And write what He declares,
He whose Spirit, and whose word,
Upholds the seven stars:
All thy works and ways I search,
Find thy zeal and love decay'd;
Thou art call'd a living church,
But thou art cold and dead.

"Watch, remember, seek, and strive,
Exert thy former pains;
Let thy timely care revive,
And strengthen what remains;
Cleanse thine heart, thy works amend,
Former times to mind recall,
Lest my sudden stroke descend,

Maurice, weep not, I am not here under this pine tree.
The balmy air of spring whispers through the sweet grass,
The stars sparkle, the whippoorwill calls,
But thou grievest, while my soul lies rapturous
In the blest Nirvana of eternal light!
Go to the good heart that is my husband,
Who broods upon what he calls our guilty love: --
Tell him that my love for you, no less than my love for him,
Wrought out my destiny -- that through the flesh
I won spirit, and through spirit, peace.
There is no marriage in heaven,
But there is love.

Argument.

To leap from the promontory of LEUCADIA was believed by the Greeks to be
a remedy for hopeless love, if the self-devoted victim escaped with
life. Artemisia lost her life in the dangerous experiment: and Sappho is
said thus to have perished, in attempting to cure her passion for Phaon.


SAPPHO

(Scene the promontory of Leucadia.)

This is the spot:--'tis here Tradition says
That hopeless Love from this high towering rock
Leaps headlong to Oblivion or to Death.
Oh 'tis a giddy height! my dizzy head

The twilight's inner flame grows blue and deep,
And in my Lesbos, over leagues of sea,
The temples glimmer moonwise in the trees.
Twilight has veiled the little flower face
Here on my heart, but still the night is kind
And leaves her warm sweet weight against my breast.
Am I that Sappho who would run at dusk
Along the surges creeping up the shore
When tides came in to ease the hungry beach,
And running, running, till the night was black,
Would fall forespent upon the chilly sand
And quiver with the winds from off the sea?

I cannot tell what this love may be
That cometh to all but not to me.
It cannot be kind as they'd imply,
Or why do these gentle ladies sigh?
It cannot be joy and rapture deep,
Or why do these gentle ladies weep?
It cannot be blissful, as 'tis said,
Or why are their eyes so wondrous red?

If love is a thorn, they show no wit
Who foolishly hug and foster it.
If love is a weed, how simple they
Who gather and gather it, day by day!
If love is a nettle that makes you smart,
Why do you wear it next your heart?