The Old Year

The Old Year's gone away
To nothingness and night:
We cannot find him all the day
Nor hear him in the night:
He left no footstep, mark or place
In either shade or sun:
The last year he'd a neighbour's face,
In this he's known by none.

All nothing everywhere:
Mists we on mornings see
Have more of substance when they're here
And more of form than he.
He was a friend by every fire,
In every cot and hall -
A guest to every heart's desire,
And now he's nought at all.


The Old Times Were the Best

Friends, my heart is half aweary
Of its happiness to-night:
Though your songs are gay and cheery,
And your spirits feather-light,
There's a ghostly music haunting
Still the heart of every guest
And a voiceless chorus chanting
That the Old Times were the best.

CHORUS

All about is bright and pleasant
With the sound of song and jest,
Yet a feeling's ever present
That the Old Times were the best.


The Old Guitar

Neglected now is the old guitar
And moldering into decay;
Fretted with many a rift and scar
That the dull dust hides away,
While the spider spins a silver star
In its silent lips to-day.

The keys hold only nerveless strings--
The sinews of brave old airs
Are pulseless now; and the scarf that clings
So closely here declares
A sad regret in its ravelings
And the faded hue it wears.

But the old guitar, with a lenient grace,
Has cherished a smile for me;
And its features hint of a fairer face


The Parting 2

1

The lady of Alzerno's hall
Is waiting for her lord;
The blackbird's song, the cuckoo's call
No joy to her afford.
She smiles not at the summer's sun,
Nor at the winter's blast;
She mourns that she is still alone
Though three long years have passed.

2

I knew her when her eye was bright,
I knew her when her step was light
And blithesome as a mountain doe's,
And when her cheek was like the rose,
And when her voice was full and free,


The Panther

His vision, from the constantly passing bars,
has grown so weary that it cannot hold
anything else. It seems to him there are
a thousand bars; and behind the bars, no world.

As he paces in cramped circles, over and over,
the movement of his powerful soft strides
is like a ritual dance around a center
in which a mighty will stands paralyzed.

Only at times, the curtain of the pupils
lifts, quietly--. An image enters in,
rushes down through the tensed, arrested muscles,


The Other One

I wait for, full of thoughts provoking,
But not a gay and pretty wife,
Not the sincere and gentle talking
About the old time and life.

And not a mistress: I am bored
With languor whispers, languor looks,
And with delights, a lot and more,
And more tortures that I took.

I wait for him, who’s sent by Deities,
Who is my friend by sacred rights,
Because my heart has pined for centuries
For silence and for heaven’s heights.

And how wrong was he, the merciless,
Who lost eternity at once,


The Onion, Memory

Divorced, but friends again at last,
we walk old ground together
in bright blue uncomplicated weather.
We laugh and pause
to hack to bits these tiny dinosaurs,
prehistoric, crenelated, cast
between the tractor ruts in mud.

On the green, a junior Douglas Fairbanks,
swinging on the chestnut's unlit chandelier,
defies the corporation spears--
a single rank around the bole,
rusty with blood.
Green, tacky phalluses curve up, romance
A gust--the old flag blazes on its pole.

In the village bakery


The Old Witch in the Copse

I am a Witch, and a kind old Witch,
There's many a one knows that--
Alone I live in my little dark house
With Pillycock, my cat.
A girl came running through the night,
When all the winds blew free:--
"O mother, change a young man's heart
That will not look on me.
O mother, brew a magic mead
To stir his heart so cold."
"Just as you will, my dear," said I;
"And I thank you for your gold."
So here am I in the wattled copse
Where all the twigs are brown,
To find what I need to brew my mead


The Old Wife and the New

He sat beneath the curling vines
That round the gay verandah twined,
His forehead seamed with sorrow’s lines,
An old man with a weary mind.

His young wife, with a rosy face
And brown arms ambered by the sun,
Went flitting all about the place—
Master and mistress both in one.

What caused that old man’s look of care?
Was she not blithe and fair to see?
What blacker than her raven hair,
What darker than her eyes might be?

The old man bent his weary head;


The Old Poet

I will be glad because it is the Spring;
I will forget the winter in my heart--
Dead hopes and withered promise; and will wring
A little joy from life ere life depart.

For spendthrift youth with passion-blinded eyes,
Stays not to see how woods and fields are bright;
He hears the phantom voices call, he flies
Upon the track of some unknown delight.

To him the tender glory of the May,
White wonder of the blossom, and the clear,
Soft green leaves that opened yesterday,


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