Oh, the beautiful city of Kabul wears a rugged mountain skirt,
And The rose is jealous of its lash-like thorns.
The dust of Kabul's blowing soil smarts lightly in my eyes,
But I love her, for knowledge and love both come from her dust.

I sing bright praises to her colourful tulips,
The beauty of her trees makes me blush.
How sparkling the water flows from Pul-i-Mastaan!
May Allah protect such beauty from the evil eye of man!

Khizr chose Kabul to Paradise,
For her mountains brought him near to heaven's delights.

What is it about the Abyss
that tempts the young poet to kiss
the air and head for the nearest cliff? This
unreasonable attachment to the bliss
of falling -- what accounts for it? Unlike the hiss
announcing a reptilian presence, the word Abyss
creates the object of our dread: it exists, it is,
widening like the gulf between whis-
key and wine, and we, drunk on neither, miss
the days when we, too, tumbled headlong out of heaven, pissed

The sky was a midnight blue
velvet cloth draping
a birdcage and no moon
but the breeze was whistling
and the sound of a car
on Valentine Place was
the rush of a waterfall
on the phone in New York City
and that's when the muse
turned up with curly brown locks
she was a poet, too, and wanted
me to give her an assignment
she was willing to trade
fifteen minutes of inspiration
in return for a phone call
from Frank O'Hara in heaven
sipping espresso and Irish whiskey
and then a morning swim

Toward the last
The truth of others was untruth to me;
The justice of others injustice to me;
Their reasons for death, reasons with me for life;
Their reasons for life, reasons with me for death;
I would have killed those they saved,
And save those they killed.
And I saw how a god, if brought to earth,
Must act out what he saw and thought,
And could not live in this world of men
And act among them side by side
Without continual clashes.
The dust's for crawling, heaven's for flying --
Wherefore, O soul, whose wings are grown,

I rode one evening with Count Maddalo
Upon the bank of land which breaks the flow
Of Adria towards Venice: a bare strand
Of hillocks, heap'd from ever-shifting sand,
Matted with thistles and amphibious weeds,
Such as from earth's embrace the salt ooze breeds,
Is this; an uninhabited sea-side,
Which the lone fisher, when his nets are dried,
Abandons; and no other object breaks
The waste, but one dwarf tree and some few stakes
Broken and unrepair'd, and the tide makes
A narrow space of level sand thereon,

Stranger, that massy, mouldering pile,
Whose ivied ruins load the ground,
Reechoed once to pious strains
By holy sisters breathed around.

There many a noble virgin came
To bid the world she loved....adieu;
There, victim of parental pride,
To years of hopeless grief withdrew.

Yes, proud St. Claire! thy costly walls
Have witnessed oft the mourner's pain;
And hearts in joyless durance bound,
Which sighed for kindred hearts in vain.

But never more within thy cells
Shall beauty breathe the fruitless sigh,

Written at Twelve Years of Age, in imitation of Ovid's Epistles.


Are love and pow'r incapable to meet?
And must they all be wretched who are great?
Enslav'd by titles, and by forms confin'd,
For wretched victims to the state design'd.
What rural maid, that my sad fortune knows,
Would quit her cottage to embrace my woes?
Would be this cursed sacrifice to pow'r,
This wretched daughter of Rome's emperour?
When sick with sighs to absent Ovid given,
I tire with vows the unrelenting Heaven,

A ball will bounce; but less and less. It's not
A light-hearted thing, resents its own resilience.
Falling is what it loves, and the earth falls
So in our hearts from brilliance,
Settles and is forgot.
It takes a sky-blue juggler with five red balls

To shake our gravity up. Whee, in the air
The balls roll around, wheel on his wheeling hands,
Learning the ways of lightness, alter to spheres
Grazing his finger ends,
Cling to their courses there,
Swinging a small heaven about his ears.

On a mountain top above the clouds
That streamed like a sea below me
I said that peak is the thought of Budda,
And that one is the prayer of Jesus,
And this one is the dream of Plato,
And that one there the song of Dante,
And this is Kant and this is Newton,
And this is Milton and this is Shakespeare,
And this the hope of the Mother Church,
And this -- why all these peaks are poems,
Poems and prayers that pierce the clouds.
And I said "What does God do with mountains
That rise almost to heaven?"

For God has given us a language of monosyllables to prevent our clipping.

For a toad enjoys a finer prospect than another creature to compensate his lack.

Tho' toad I am the object of man's hate.
Yet better am I than a reprobate. who has the worst of prospects.
For there are stones, whose constituent particles are little toads.

For the spiritual musick is as follows.

For there is the thunder-stop, which is the voice of God direct.

For the rest of the stops are by their rhimes.