hero

O Mother Earth! upon thy lap
Thy weary ones receiving,
And o'er them, silent as a dream,
Thy grassy mantle weaving,
Fold softly in thy long embrace
That heart so worn and broken,
And cool its pulse of fire beneath
Thy shadows old and oaken.

Shut out from him the bitter word
And serpent hiss of scorning;
Nor let the storms of yesterday
Disturb his quiet morning.
Breathe over him forgetfulness
Of all save deeds of kindness,
And, save to smiles of grateful eyes,

This book is not about heroes. English Poetry is not yet fit to speak
of them. Nor is it about deeds or lands, nor anything about glory, honour,
dominion or power,
except War.
Above all, this book is not concerned with Poetry.
The subject of it is War, and the pity of War.
The Poetry is in the pity.
Yet these elegies are not to this generation,
This is in no sense consolatory.

They may be to the next.
All the poet can do to-day is to warn.
That is why the true Poets must be truthful.

SCENE: St. Petersburg. Period: the present time. A ballroom in the winter palace of the prince---. The ladies in character costumes and masks. The gentlement in official dress and unmasked, with the exception of six tall figures in scarlet kaftans, who are treated with marked distinction as they move here and there among the promenaders. Quadrille music throughout the dialogue.

Elephants of the Gun-Teams

We lent to Alexander the strength of Hercules,
The wisdom of our foreheads, the cunning of our knees.
We bowed our necks to service--they ne'er were loosed again,--
Make way there, way for the ten-foot teams
Of the Forty-Pounder train!


Gun-Bullocks

Those heroes in their harnesses avoid a cannon-ball,
And what they know of powder upsets them one and all;
Then we come into action and tug the guns again,--
Make way there, way for the twenty yoke

"Flowers, only flowers -- bring me dainty posies,
Blossoms for forgetfulness," that was all he said;
So we sacked our gardens, violets and roses,
Lilies white and bluebells laid we on his bed.
Soft his pale hands touched them, tenderly caressing;
Soft into his tired eyes came a little light;
Such a wistful love-look, gentle as a blessing;
There amid the flowers waited he the night.

"I would have you raise me; I can see the West then:
I would see the sun set once before I go."

Some celebrate the beauty
of knights, or infantry,
or billowing flotillas
at battle on the sea.
Warfare has its glory,
but I place far above
these military splendors
the one thing that you love.

For proof of this contention
examine history:
we all remember Helen,
who left her family,
her child, and royal husband,
to take a stranger's hand:
her beauty had no equal,
but bowed to love's command.

As love then is the power

'Tis time the heart should be unmoved,
Since others it hath ceased to move:
Yet, though I cannot be beloved,
Still let me love!

My days are in the yellow leaf;
The flowers and fruits of love are gone;
The worm, the canker, and the grief
Are mine alone!

The fire that on my bosom preys
Is lone as some volcanic isle;
No torch is kindled at its blaze--
A funeral pile.

The hope, the fear, the jealous care,

Missolonghi, Jan. 22, 1824

'Tis time this heart should be unmoved,
Since others it hath ceased to move:
Yet, though I cannot be beloved,
Still let me love!

My days are in the yellow leaf;
The flowers and fruits of love are gone;
The worm, the canker, and the grief,
Are mine alone!

The fire that on my bosom preys
Is lone as some volcanic isle;
No torch is kindled at its blaze—
A funeral pile!

The hope, the fear, the jealous care,
The exalted portion of the pain

Is Death so cunning now that all her blowe
Aymes at the heade? Doth now her wary Bowe
Make surer worke than heertofore? The steele
Slew warlike heroes onely in the heele.
New found out slights, when men themselves begin
To be theyr proper Fates by new found sinne.
Tis cowardize to make a wound so sure;
No Art in killing where no Art can cure.
Was it for hate of learning that she smote
This upper shoppe where all the Muses wrought?
Learning shall crosse her drift, and duly trie
All wayes and meanes of immortalitie.

Now that our hero has come back to us
in his white pants and we know his nose
trembling like a flag under fire,
we see the calm cold river is supporting
our forces, the beautiful history.

To be more revolutionary than a nun
is our desire, to be secular and intimate
as, when sighting a redcoat, you smile
and pull the trigger. Anxieties
and animosities, flaming and feeding

on theoretical considerations and
the jealous spiritualities of the abstract
the robot? they're smoke, billows above