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1

The lady of Alzerno's hall
Is waiting for her lord;
The blackbird's song, the cuckoo's call
No joy to her afford.
She smiles not at the summer's sun,
Nor at the winter's blast;
She mourns that she is still alone
Though three long years have passed.

2

I knew her when her eye was bright,
I knew her when her step was light
And blithesome as a mountain doe's,
And when her cheek was like the rose,
And when her voice was full and free,

Line the inside of the little box
With your precious skin
And make yourself cozy
Just as you would in your own home

Make space voyages inside her
Gather stars make time squirt its milk
And sleep in the clouds

Just don't go around pretending
You're more important than her length
And wiser than her width

If you do we'll sell her for a song
Your box and everything inside her
To the first fleecer to the wind

We don't care about profit
And we don't keep spoiled goods

Why was that baleful Creature made,
Which seeks our Quiet to invade,
And screams ill Omens through the Shade?

'Twas, sure, for every Mortals good,
When, by wrong painting of her Brood,
She doom'd them for the Eagle's Food:

Who proffer'd Safety to her Tribe,
Wou'd she but shew them or describe,
And serving him, his Favour bribe.

When thus she did his Highness tell;
In Looks my Young do all excel,
Nor Nightingales can sing so well.

You'd joy to see the pretty Souls,

The Orange bears with soft friendly eyes
Who played with me when I was ten,
Christ, before I'd left home they'd had
Their paws smashed in the rolls, their backs
Seared by hot slag, their soft trusting
Bellies kicked in, their tongues ripped
Out, and I went down through the woods
To the smelly crick with Whitman
In the Haldeman-Julius edition,
And I just sat there worrying my thumbnail
Into the cover---What did he know about
Orange bears with their coats all stunk up with soft coal

Propped on a stick he viewed the August weald;
Squat orchard trees and oasts with painted cowls;
A homely, tangled hedge, a corn-stalked field,
And sound of barking dogs and farmyard fowls.

And he’d come home again to find it more
Desirable than ever it was before.
How right it seemed that he should reach the span
Of comfortable years allowed to man!
Splendid to eat and sleep and choose a wife,
Safe with his wound, a citizen of life.
He hobbled blithely through the garden gate,

He sat beneath the curling vines
That round the gay verandah twined,
His forehead seamed with sorrow’s lines,
An old man with a weary mind.

His young wife, with a rosy face
And brown arms ambered by the sun,
Went flitting all about the place—
Master and mistress both in one.

What caused that old man’s look of care?
Was she not blithe and fair to see?
What blacker than her raven hair,
What darker than her eyes might be?

The old man bent his weary head;

He's an old grey horse, with his head bowed sadly,
   And with dim old eyes and a queer roll aft,
With the off-fore sprung and the hind screwed badly,
   And he bears all over the brands of graft;
And he lifts his head from the grass to wonder
   Why by night and day the whim is still,
Why the silence is, and the stampers' thunder
   Sounds forth no more from the shattered mill.

In that whim he worked when the night winds bellowed
   On the riven summit of Giant's Hand,

The sheep were shorn and the wool went down
At the time of our local racing;
And I'd earned a spell -- I was burnt and brown --
So I rolled my swag for a trip to town
And a look at the steeplechasing.
Twas rough and ready--an uncleared course
As rough as the blacks had found it;
With barbed-wire fences, topped with gorse,
And a water-jump that would drown a horse,
And the steeple three times round it.

There was never a fence the tracks to guard, --
Some straggling posts defined 'em:

OFT have I seen in wedlock with surprise,
That most forgot from which true bliss would rise
When marriage for a daughter is designed,
The parents solely riches seem to mind;
All other boons are left to heav'n above,
And sweet SIXTEEN must SIXTY learn to love!
Yet still in other things they nicer seem,
Their chariot-horses and their oxen-team
Are truly matched;--in height exact are these,
While those each shade alike must have to please;
Without the choice 'twere wonderful to find,
Or coach or wagon travel to their mind.

Of all the people in the mornings at the mall,
It's the old liberators I like best,
Those veterans of the Bulge, Anzio, or Monte Cassino
I see lost in Automotive or back in Home Repair,
Bored among the paints and power tools.
Or the really old ones, the ones who are going fast,
Who keep dozing off in the little orchards
Of shade under the distant skylights.
All around, from one bright rack to another,
Their wives stride big as generals,
Their handbags bulging like ripe fruit.
They are almost all gone now,