horse

HAVE you ever been down to my countree
Where the trees are green and tall?
The days are long and the heavens are high,
But the people there are small.
There is no work there; it is always play;
The sun is sweet in the morn;
But a thousand dark things walk at night
In the land where I was born.

Have you ever been down to my countree
Where the birds made happy Spring?
The parrots screamed from the honey-trees,
And the jays hopped chattering.

Mother, the light has grown grey in the sky; I do not know what
the time is.
There is no fun in my play, so I have come to you. It is
Saturday, our holiday.
Leave off your work, mother; sit here by the window and tell
me where the desert of Tepantar in the fairy tale is.
The shadow of the rains has covered the day from end to end.
The fierce lightning is scratching the sky with its nails.
When the clouds rumble and it thunders, I love to be afraid
in my heart and cling to you.

PART I
On either side the river lie
Long fields of barley and of rye,
That clothe the wold and meet the sky;
And thro' the field the road runs by
To many-tower'd Camelot;
And up and down the people go,
Gazing where the lilies blow
Round an island there below,
The island of Shalott.

Willows whiten, aspens quiver,
Little breezes dusk and shiver
Thro' the wave that runs for ever
By the island in the river
Flowing down to Camelot.

PART I
On either side the river lie
Long fields of barley and of rye,
That clothe the wold and meet the sky;
And thro' the field the road runs by
To many-tower'd Camelot;
The yellow-leaved waterlily
The green-sheathed daffodilly
Tremble in the water chilly
Round about Shalott.

Willows whiten, aspens shiver.
The sunbeam showers break and quiver
In the stream that runneth ever
By the island in the river
Flowing down to Camelot.

The hunt is up, the hunt is up,
And it is well nigh day;
And Harry our king is gone hunting,
To bring his deer to bay.

The east is bright with morning light,
And darkness it is fled;
And the merry horn wakes up the morn
To leave his idle bed.

Behold the skies with golden dyes
Are glowing all around;
The grass is green, and so are the treen,
All laughing with the sound.

The horses snort to be at the sport,
The dogs are running free;

Oh, Paddy dear, and did you hear
The news that's going round,
On the head of bold Ned Kelly
They have placed two thousand pound.
And on Steve Hart, Joe Byrne and Dan
Two thousand more they'd give,
But if the price was doubled, boys,
The Kelly gang would live.
'Tis hard to think such plucky hearts
In crime should be employed,
'Tis by police persecution
They have all been much annoyed.
Revenge is sweet, and in the bush
They can defy the law,
Such sticking up and plundering
You never saw before.

I ride on the mountain tops, I ride;
I have found my life and am satisfied.
Onward I ride in the blowing oats,
Checking the field-lark's rippling notes --
   Lightly I sweep
   From steep to steep:
Over my head through the branches high
Come glimpses of a rushing sky;
The tall oats brush my horse's flanks;
Wild poppies crowd on the sunny banks;
A bee booms out of the scented grass;
A jay laughs with me as I pass.

I ride on the hills, I forgive, I forget
   Life's hoard of regret --

A poem moves forward,
Like the passages and percussions of trains in progress
A pattern of recurrence, a hammer of repetetiveoccurrence

a slow less and less heard
low thunder under all passengers

Steel sounds tripping and tripled and
Grinding, revolving, gripping, turning, and returning
as the flung carpet of the wide countryside spreads out on
each side in billows

And in isolation, rolled out, white house, red barn, squat silo,
Pasture, hill, meadow and woodland pasture

Three jolly gentlemen,
In coats of red,
Rode their horses
Up to bed.

Three jolly gentlemen
Snored till morn,
Their horses champing
The golden corn.

Three jolly gentlemen
At break of day,
Came clitter-clatter down the stairs
And galloped away.

'Tis eight o'clock,--a clear March night,
The moon is up,--the sky is blue,
The owlet, in the moonlight air,
Shouts from nobody knows where;
He lengthens out his lonely shout,
Halloo! halloo! a long halloo!

--Why bustle thus about your door,
What means this bustle, Betty Foy?
Why are you in this mighty fret?
And why on horseback have you set
Him whom you love, your Idiot Boy?

Scarcely a soul is out of bed;
Good Betty, put him down again;
His lips with joy they burr at you;