The Apostasy

One star
Is better far
Than many precious stones;
One sun, which is by its own luster seen,
Is worth ten thousand golden thrones;
A juicy herb, or spire of grass,
In useful virtue, native green,
An em'rald doth surpass,
Hath in 't more value, though less seen.

No wars,
Nor mortal jars,
Nor bloody feuds, nor coin,
Nor griefs which those occasions, saw I then;
Nor wicked thieves which this purloin;
I had not thoughts that were impure;
Esteeming both women and men


The Ape, the Monkey, and Baboon

The ape, the monkey and baboon did meet,
And breaking of their fast in Friday street,
Two of them swore together solemnly
In their three natures was a sympathy.

Nay, quoth baboon,
I do deny that strain:
I have more knavery in me
than you twain.

Why, quoth the ape, I have a horse at will
In Paris Garden for to ride on still,
And there show tricks. Tush, quoth the monkey,
For better tricks in great men's houses lie.

Tush, quoth baboon,
when men do know I come,


The Ancestral Dwelling

Dear to my heart are the ancestral dwellings of America,
Dearer than if they were haunted by ghosts of royal splendour;
These are the homes that were built by the brave beginners of a nation,
They are simple enough to be great, and full of a friendly dignity.

I love the old white farmhouses nestled in New England valleys,
Ample and long and low, with elm-trees feathering over them:
Borders of box in the yard, and lilacs, and old-fashioned Howers,
A fan-light above the door, and little square panes in the windows,


The Amateur Rider

Him goin' to ride for us! Him -- with the pants and the eyeglass and all.
Amateur! don't he just look it -- it's twenty to one on a fall.
Boss must be gone off his head to be sending out steeplechase crack
Out over fences like these with an object like that on his back.
Ride! Don't tell me he can ride. With his pants just as loose as balloons,
How can he sit on a horse? and his spurs like a pair of harpoons;
Ought to be under the Dog Act, he ought, and be kept off the course.


The Abnormal Is Not Courage

The Poles rode out from Warsaw against the German
Tanks on horses. Rode knowing, in sunlight, with sabers,
A magnitude of beauty that allows me no peace.
And yet this poem would lessen that day. Question
The bravery. Say it's not courage. Call it a passion.
Would say courage isn't that. Not at its best.
It was impossib1e, and with form. They rode in sunlight,
Were mangled. But I say courage is not the abnormal.
Not the marvelous act. Not Macbeth with fine speeches.
The worthless can manage in public, or for the moment.


Tegner's Drapa

Heard a voice, that cried,
"Balder the Beautiful
Is dead, is dead!"
And through the misty air
Passed like the mournful cry
Of sunward sailing cranes.

I saw the pallid corpse
Of the dead sun
Borne through the Northern sky.
Blasts from Niffelheim
Lifted the sheeted mists
Around him as he passed.

And the voice forever cried,
"Balder the Beautiful
Is dead, is dead!"
And died away
Through the dreary night,
In accents of despair.

Balder the Beautiful,


Tempora Mutantur

Letters, letters, letters, letters!
Some that please and some that bore,
Some that threaten prison fetters
(Metaphorically, fetters
Such as bind insolvent debtors) -
Invitations by the score.

One from COGSON, WILES, and RAILER,
My attorneys, off the Strand;
One from COPPERBLOCK, my tailor -
My unreasonable tailor -
One in FLAGG'S disgusting hand.

One from EPHRAIM and MOSES,
Wanting coin without a doubt,
I should like to pull their noses -
Their uncompromising noses;


Tam Lin

O I forbid you, maidens a',
That wear gowd on your hair,
To come or gae by Carterhaugh,
For young Tam Lin is there.

There's nane that gaes by Carterhaugh
But they leave him a wad,
Either their rings, or green mantles,
Or else their maidenhead.

Janet has kilted her green kirtle
A little aboon her knee,
And she has broded her yellow hair
A little aboon her bree,
And she's awa to Carterhaugh
As fast as she can hie.

When she came to carterhaugh
Tam Lin was at the well,


Taking Leave of a Friend

Blue mountains to the north of the walls,
White river winding about them;
Here we must make separation
And go out through a thousand miles of dead grass.

Mind like a floating wide cloud,
Sunset like the parting of old acquaintances
Who bow over their clasped hands at a distance.
Our horses neigh to each others
as we are departing.


Syringa

Orpheus liked the glad personal quality
Of the things beneath the sky. Of course, Eurydice was a part
Of this. Then one day, everything changed. He rends
Rocks into fissures with lament. Gullies, hummocks
Can't withstand it. The sky shudders from one horizon
To the other, almost ready to give up wholeness.
Then Apollo quietly told him: "Leave it all on earth.
Your lute, what point? Why pick at a dull pavan few care to
Follow, except a few birds of dusty feather,
Not vivid performances of the past." But why not?


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