house

Gone are the days
when you could walk on water.
When you could walk.

The days are gone.
Only one day remains,
the one you're in.

The memory is no friend.
It can only tell you
what you no longer have:

a left hand you can use,
two feet that walk.
All the brain's gadgets.

Hello, hello.
The one hand that still works
grips, won't let go.

That is not a train.
There is no cricket.
Let's not panic.

Let's talk about axes,
which kinds are good,

Deep St. Mary's bell had sounded,
And the twelve notes gently rounded
Endless chimneys that surrounded
My abode in Trinity.
(Letter G, Old Court, South Attics),
I shut up my mathematics,
That confounded hydrostatics --
Sink it in the deepest sea!

In the grate the flickering embers
Served to show how dull November’s
Fogs had stamped my torpid members,
Like a plucked and skinny goose.
And as I prepared for bed, I
Asked myself with voice unsteady,
If of all the stuff I read, I

Little Ann and her mother were walking one day
Through London's wide city so fair,
And business obliged them to go by the way
That led them through Cavendish Square.
And as they pass'd by the great house of a Lord,
A beautiful chariot there came,
To take some most elegant ladies abroad,
Who straightway got into the same.

The ladies in feathers and jewels were seen,
The chariot was painted all o'er,
The footmen behind were in silver and green,
The horses were prancing before.

I have been reading Pomfret's "Choice" this spring,
A pretty kind of--sort of--kind of thing,
Not much a verse, and poem none at all,
Yet, as they say, extremely natural.
And yet I know not. There's an art in pies,
In raising crusts as well as galleries;
And he's the poet, more or less, who knows
The charm that hallows the least truth from prose,
And dresses it in its mild singing clothes.
Not oaks alone are trees, nor roses flowers;
Much humble wealth makes rich this world of ours.

A pathetic tale of the sea I will unfold,
Enough to make one's blood run cold;
Concerning four fishermen cast adrift in a dory.
As I've been told I'll relate the story.
T'was on the 8th April on the afternoon of that day
That the village of Louisburg was thrown into a wild state or dismay,

And the villagers flew to the beach in a state of wild uproar
And in a dory they found four men were cast ashore.
Then the villagers, in surprise assembled about the dory,
And they found that the bottom of the boat was gory;

A little child stood thinking, sorrowfully and ill at ease,
In a forest beneath the branches of the tall pine trees -
And his big brown eyes with tears seemed dim,
While one soft arm rested on a huge dog close by him.

And only four summers had passed o'er his baby head,
And, poor little child, his twin brother was dead,
Who had died but a few days before,
And now he must play alone, for he'd see him no more.

And for many generations 'tis said for a truth

Already I am no longer looked at with lechery or love.
My daughters and sons have put me away with marbles and dolls,
Are gone from the house.
My husband and lovers are pleasant or somewhat polite
And night is night.

It is a real chill out,
The genuine thing.
I am not deceived, I do not think it is still summer
Because sun stays and birds continue to sing.

It is summer-gone that I see, it is summer-gone.
The sweet flowers indrying and dying down,
The grasses forgetting their blaze and consenting to brown.

Sherwood in the twilight, is Robin Hood awake?
Grey and ghostly shadows are gliding through the brake,
Shadows of the dappled deer, dreaming of the morn,
Dreaming of a shadowy man that winds a shadowy horn.

Robin Hood is here again: all his merry thieves
Hear a ghostly bugle-note shivering through the leaves,
Calling as he used to call, faint and far away,
In Sherwood, in Sherwood, about the break of day.

Merry, merry England has kissed the lips of June:
All the wings of fairyland were here beneath the moon,

A gentleman, to give us somewhat new,
Hath brought up OXFORD with him to show you;
Pray be not frighted--Tho the scaene and gown's
The Universities, the wit's the town's;
The lines each honest Englishman may speake:
Yet not mistake his mother-tongue for Greeke,
For stil 'twas part of his vow'd liturgie:--
From learned comedies deliver me!
Wishing all those that lov'd 'em here asleepe,
Promising SCHOLARS, but no SCHOLARSHIP.

You'd smile to see, how he do's vex and shake,

I

Love me Sweet, with all thou art,
Feeling, thinking, seeing;
Love me in the lightest part,
Love me in full being.

II

Love me with thine open youth
In its frank surrender;
With the vowing of thy mouth,
With its silence tender.

III

Love me with thine azure eyes,
Made for earnest grantings;
Taking colour from the skies,
Can Heaven's truth be wanting?

IV

Love me with their lids, that fall
Snow-like at first meeting;