husband

Why look the distant mountains
So gloomy and so drear?
Are rain clouds passing o’er them,
Or is the tempest near?
No shadow of the tempest
Is there, nor wind nor rain—
’Tis Charon that is passing by,
With all his gloomy train.

The young men march before him,
In all their strength and pride;
The tender little infants,
They totter by his side;
The old men walk behind him,
And earnestly they pray—
Both old and young imploring him
To grant some brief delay.

DAME FORTUNE often loves a laugh to raise,
And, playing off her tricks and roguish ways,
Instead of giving us what we desire,
Mere quid pro quo permits us to acquire.
I've found her gambols such from first to last,
And judge the future by experience past.
Fair Cloris and myself felt mutual flame;
And, when a year had run, the sprightly dame
Prepared to grant me, if I may be plain,
Some slight concessions that would ease my pain.
This was her aim; but whatsoe'er in view,
'Tis opportunity we should pursue;

WHAT various ways in which a thing is told
Some truth abuse, while others fiction hold;
In stories we invention may admit;
But diff'rent 'tis with what historick writ;
Posterity demands that truth should then
Inspire relation, and direct the pen.

ALACIEL'S story's of another kind,
And I've a little altered it, you'll find;
Faults some may see, and others disbelieve;
'Tis all the same:--'twill never make me grieve;
Alaciel's mem'ry, it is very clear,
Can scarcely by it lose; there's naught to fear.

Have the poets left in the garment a place for a patch to be patched by me; and did you know the abode of your beloved after reflection?2

The vestige of the house, which did not speak, confounded thee, until it spoke by means of signs, like one deaf and dumb.

Verily, I kept my she-camel there long grumbling, with a yearning at the blackened stones, keeping and standing firm in their own places.

It is the abode of a friend, languishing in her glance, submissive in the embrace, pleasant of smile.

He tells you when you've got on
too much lipstick
And helps you with your girdle
when your hips stick.

I saw an aged Beggar in my walk;
And he was seated, by the highway side,
On a low structure of rude masonry
Built at the foot of a huge hill, that they
Who lead their horses down the steep rough road
May thence remount at ease. The aged Man
Had placed his staff across the broad smooth stone
That overlays the pile; and, from a bag
All white with flour, the dole of village dames,
He drew his scraps and fragments, one by one;
And scanned them with a fixed and serious look
Of idle computation. In the sun,

THIS winter's weather it waxeth cold,
   And frost it freezeth on every hill,
And Boreas blows his blast so bold
   That all our cattle are like to spill.
Bell, my wife, she loves no strife;
   She said unto me quietlye,
Rise up, and save cow Crumbock's life!
   Man, put thine old cloak about thee!

He. O Bell my wife, why dost thou flyte?
   Thou kens my cloak is very thin:
It is so bare and over worn,
   A cricke thereon cannot renn.
Then I'll no longer borrow nor lend;

There were no romping children at Doctor Quibble's door;
Long past the silver wedding, no toys lay on the floor,
But to relieve her longings, to soothe her vain regrets,
His good wife had contrived to raise a family of pets.

What! a family of pets?
Yes! a family of pets;
His good wife had contrived to raise a family of pets.

A Spanish alto, Polly, who sang from early morn;
A bearded actor, Billy, who play'd the double horn;
A mimic man, Falsetto, who scaled the treble staff,

Water-fetching goes the noble
Brahmin's wife, so pure and lovely;
He is honour'd, void of blemish.
And of justice rigid, stern.
Daily from the sacred river
Brings she back refreshments precious;--
But where is the pail and pitcher?
She of neither stands in need.
For with pure heart, hands unsullied,
She the water lifts, and rolls it
To a wondrous ball of crystal
This she bears with gladsome bosom,
Modestly, with graceful motion,
To her husband in the house.

She to-day at dawn of morning

A FAMOUS painter, jealous of his wife;
Whose charms he valued more than fame or life,
When going on a journey used his art,
To paint an ASS upon a certain part,
(Umbilical, 'tis said) and like a seal:
Impressive token, nothing thence to steal.

A BROTHER brush, enamoured of the dame;
Now took advantage, and declared his flame:
The Ass effaced, but God knows how 'twas done;
Another soon howe'er he had begun,
And finished well, upon the very spot;
In painting, few more praises ever got;