Ars Poetica

I have always aspired to a more spacious form
that would be free from the claims of poetry or prose
and would let us understand each other without exposing
the author or reader to sublime agonies.

In the very essence of poetry there is something indecent:
a thing is brought forth which we didn't know we had in us,
so we blink our eyes, as if a tiger had sprung out
and stood in the light, lashing his tail.

That's why poetry is rightly said to be dictated by a daimonion,


A Wife in London December, 1899

I--The Tragedy

She sits in the tawny vapour
   That the City lanes have uprolled,
   Behind whose webby fold on fold
Like a waning taper
   The street-lamp glimmers cold.

A messenger's knock cracks smartly,
   Flashed news is in her hand
   Of meaning it dazes to understand
Though shaped so shortly:
   He--has fallen--in the far South Land . . .

II--The Irony

'Tis the morrow; the fog hangs thicker,
   The postman nears and goes:


A Soul in Prison

(The Doubter lays aside his book.)

"Answered a score of times." Oh, looked for teacher,
is this all you will teach me? I in the dark
reaching my hand for you to help me forth
to the happy sunshine where you stand, "Oh shame,
to be in the dark there, prisoned!" answer you;
"there are ledges somewhere there by which strong feet
might scale to daylight: I would lift you out
with just a touch, but that your need's so slight;
for there are ledges." And I grope and strain,


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