Sonnet XXVI I Ever Love

To Despair

I ever love where never hope appears,
Yet hope draws on my never-hoping care,
And my life's hope would die, but for despair;
My never-certain joy breeds ever-certain fears;
Uncertain dread gives wings unto my hope,
Yet my hope's wings are laden so with fear
As they cannot ascend to my hope's sphere;
Though fear gives them more than a heav'nly scope,
Yet this large room is bounded with despair;
So my love is still fetter'd with vain hope,
And liberty deprives him of his scope,


Sonnet XVII Why Should I Sing in Verse

Why should I sing in verse, why should I frame
These sad neglected notes for her dear sake?
Why should I offer up onto her name
The sweetest sacrifice my youth can make?
Why should I strive to make her live for ever,
That never deigns to give me joy to live?
Why should m'afflicted Muse so much endeavor,
Such honor unto cruelty to give?
If her defects have purchas'd her this fame,
What should her virtues do, her smiles, her love?
If this her worst, how should her best enflame?


Sonnet XLVIII My Cynthia

My Cynthia hath the waters of mine eyes
The ready handmaids on her grace attending
That never fall to ebb, nor ever dries,
For to their flow she never grants an ending.
Th'Ocean never did attend more duly
Upon his Sovereign's course, the night's pale Queen,
Nor paid the impost of his waves more truly,
Than mine to her in truth have ever been.
Yet nought the rock of that hard heart can move,
Where beat these tears with zeal, and fury driveth;
And yet I rather languish in her love


Sonnet XLVIII Cupid, I Hate Thee

Cupid, I hate thee, which I'd have thee know;
A naked starveling ever may'st thou be.
Poor rogue, go pawn thy fascia and thy bow
For some few rags wherewith to cover thee.
Or, if thou'lt not, thy archery forbear,
To some base rustic do thyself prefer,
And when corn's sown or grown into the ear,
Practise thy quiver and turn crow-keeper.
Or, being blind, as fittest for the trade,
Go hire thyself some bungling harper's boy;
They that are blind are often minstrels made;


Sonnet XLVII Read In My Face

Read in my face a volume of despairs,
The wailing Iliads of my tragic woe,
Drawn with my blood and printed with my cares
Wrought by her hand, that I have honor'd so.
Who, whilst I burn, she sings at my soul's wrack,
Looking aloft from turret of her pride;
There my soul's tyrant joys her in the sack
Of her own seat, whereof I made her guide.
There do these smokes that from affliction rise,
Serve as an incense to a cruel Dame;
A sacrifice thrice grateful to her eyes,


Sonnet XLI Why Do I Speak of Joy

Love's Lunacy

Why do I speak of joy, or write of love,
When my heart is the very den of horror,
And in my soul the pains of Hell I prove,
With all his torments and infernal terror?
What should I say? What yet remains to do?
My brain is dry with weeping all too long,
My sighs be spent in uttering my woe,
And I want words wherewith to tell my wrong;
But, still distracted in Love's lunacy,
And, bedlam-like, thus raging in my grief,
Now rail upon her hair, then on her eye,


Sonnet XL But Love

But love whilst that thou mayst be lov'd again,
Now whilst thy May hath fill'd thy lap with flowers;
Now, whilst thy beauty bears without a stain,
Now use thy Summer smiles ere Winter lours.
And whilst thou spread'st unto the rising sun,
The fairest flower that ever saw the light,
Now joy thy time before thy sweet be done;
And, Delia, think thy morning must have night,
And that thy brightness sets at length to west,
When thou wilt close up that which now thou showest,
And think the same becomes thy fading best


Sonnet XIII Behold What Hap

Behold what hap Pygmalion had to frame
And carve his proper grief upon a stone;
My heavy fortune is much like the same:
I work on flint, and that's the cause I moan.
For hapless, lo, ev'n with mine own desires,
I figur'd on the table of my heart
The fairest form, the world's eye admires,
And so did perish by my proper art.
And still I toil, to change the marble breast
Of her, whose sweetest grace I do adore,
Yet cannot find her breath unto my rest:
Hard is her heart, and woe is me, therefore.


Sonnet XI You Not Alone

You not alone, when you are still alone,
O God, from you that I could private be.
Since you one were, I never since was one;
Since you in me, my self since out of me,
Transported from my self into your being;
Though either distant, present yet to either,
Senseless with too much joy, each other seeing,
And only absent when we are together.
Give me my self and take your self again,
Devise some means but how I may forsake you;
So much is mine that doth with you remain,


Sonnet VIII Why, Through Each Aching Vein

Why, through each aching vein, with lazy pace
Thus steals the languid fountain of my heart,
While, from its source, each wild convulsive start
Tears the scorch'd roses from my burning face?
In vain, O Lesbian Vales! your charms I trace;
Vain is the poet's theme, the sculptor's art;
No more the Lyre its magic can impart,
Though wak'd to sound, with more than mortal grace!
Go, tuneful maids, go bid my Phaon prove
That passion mocks the empty boast of fame;
Tell him no joys are sweet, but joys of love,


Pages

Subscribe to RSS - joy