kiss

When we two parted
In silence and tears,
Half broken-hearted
To sever for years,
Pale grew thy cheek and cold,
Colder thy kiss;
Truly that hour foretold
Sorrow to this.

The dew of the morning
Sank chill on my brow -
It felt like the warning
Of what I feel now.
Thy vows are all broken,
And light is thy fame:
I hear thy name spoken,
And share in its shame.

They name thee before me,
A knell in mine ear;
A shudder come o'er me -
Why wert thou so dear?

When the lucent skies of morning flush with dawning rose once more,
And waves of golden glory break adown the sunrise shore,
And o'er the arch of heaven pied films of vapor float.
There's joyance and there's freedom when the fishing boats go out.

The wind is blowing freshly up from far, uncharted caves,
And sending sparkling kisses o'er the brows of virgin waves,
While routed dawn-mists shiver­oh, far and fast they flee,
Pierced by the shafts of sunrise athwart the merry sea!

When I bring you coloured toys, my child, I understand why there
is such a play of colours on clouds, on water, and why flowers are
painted in tints-when I give coloured toys to you, my child.
When I sing to make you dance, I truly know why there is music
in leaves, and why waves send their chorus of voices to the heart
of the listening earth-when I sing to make you dance.
When I bring sweet things to your greedy hands, I know why
there is honey in the cup of the flower, and why fruits are

DANCINDA.

"NO, fair DANCINDA, no; you strive in vain
"To calm my care and mitigate my pain ;
"If all my sighs, my cares, can fail to move,
"Ah! sooth me not with fruitless vows of love."

Thus STREPHON spoke. DANCINDA thus reply'd :
`What must I do to gratify your pride?
`Too well you know (ungrateful as thou art)
`How much you triumph in this tender heart;
`What proof of love remains for me to grant?
Yet still you teize me with some new complaint.
Oh ! would to heav'n ! -- but the fond wish is vain --

I scanned two lines with some surmise
As over Keats I chanced to pore:
'And there I shut her wild, wild eyes
With kisses four.'

Says I: 'Why was it only four,
Not five or six or seven?
I think I would have made it more,--
Even eleven.

'Gee! If she'd lured a guy like me
Into her gelid grot
I'd make that Belle Dame sans Merci
Sure kiss a lot.

'Them poets have their little tricks;
I think John counted kisses for,

What the bee is to the floweret,
When he looks for honey-dew,
Through the leaves that close embower it,
That, my love, I'll be to you.

She. --

What the bank, with verdure glowing,
Is to waves that wander near,
Whispering kisses, while they're going,
That I'll be to you, my dear.

She. --

But they say, the bee's a rover,
Who will fly, when sweets are gone,
And, when once the kiss is over,
Faithless brooks will wander on.

He. --

When she says Margarita she means Daiquiri.
When she says quixotic she means mercurial.
And when she says, "I'll never speak to you again,"
she means, "Put your arms around me from behind
as I stand disconsolate at the window."

He's supposed to know that.

When a man loves a woman he is in New York and she is in Virginia
or he is in Boston, writing, and she is in New York, reading,
or she is wearing a sweater and sunglasses in Balboa Park and he
is raking leaves in Ithaca

We stand in the rain in a long line
waiting at Ford Highland Park. For work.
You know what work is--if you're
old enough to read this you know what
work is, although you may not do it.
Forget you. This is about waiting,
shifting from one foot to another.
Feeling the light rain falling like mist
into your hair, blurring your vision
until you think you see your own brother
ahead of you, maybe ten places.
You rub your glasses with your fingers,
and of course it's someone else's brother,

What lips my lips have kissed, and where, and why,
I have forgotten, and what arms have lain
Under my head till morning; but the rain
Is full of ghosts tonight, that tap and sigh
Upon the glass and listen for reply,
And in my heart there stirs a quiet pain
For unremembered lads that not again
Will turn to me at midnight with a cry.
Thus in winter stands the lonely tree,
Nor knows what birds have vanished one by one,
Yet knows its boughs more silent than before:
I cannot say what loves have come and gone,

Husbands are things that wives have to get used to putting up with.
And with whom they breakfast with and sup with.
They interfere with the discipline of nurseries,
And forget anniversaries,
And when they have been particularly remiss
They think they can cure everything with a great big kiss,
And when you tell them about something awful they have done they just
look unbearably patient and smile a superior smile,
And think, Oh she'll get over it after a while.
And they always drink cocktails faster than they can assimilate them,