laughter

Addict of Punch and Judy shows
I was when I was small;
My kiddy laughter, I suppose,
Rang louder than them all.
The Judge with banter I would bait,
The Copper was a wretch;
But oh how I would hiss my hate
For grim Jack Ketch.
II
Although a grandsire grey I still
Love Punch and Judy shows,
And with my toddlers help to fill
Enthusiastic rows.
How jolly is their mirth to see,
And what a sigh they fetch,
When Punch begs to be shown and he

"Vocat aestus in umbram"
Nemesianus Es. IV.

E. P. Ode pour l'élection de son sépulchre

For three years, out of key with his time,
He strove to resuscitate the dead art
Of poetry; to maintain "the sublime"
In the old sense. Wrong from the start --

No, hardly, but, seeing he had been born
In a half savage country, out of date;
Bent resolutely on wringing lilies from the acorn;
Capaneus; trout for factitious bait:

"Idmen gar toi panth, os eni Troie
Caught in the unstopped ear;

When you were there, and you, and you,
Happiness crowned the night; I too,
Laughing and looking, one of all,
I watched the quivering lamplight fall
On plate and flowers and pouring tea
And cup and cloth; and they and we
Flung all the dancing moments by
With jest and glitter. Lip and eye
Flashed on the glory, shone and cried,
Improvident, unmemoried;
And fitfully and like a flame
The light of laughter went and came.
Proud in their careless transience moved
The changing faces that I loved.

Look here's that uninvited
Alien presence look it's here

A shudder on the ocean of tea in the cup
Rust taking hold
On the edges of our laughter
A snake coiled in the depths of the mirror

Will I be able to hide you
From your face in mine

Look it's the third shadow
On our imagined walk
Unexpected abyss
Between our words
Hoofs clattering
Below the vaults of our palates

Will I be able
On this unrest-field
To raise you a tent of my hands

DEDICATED TO LUCY BATES

(Being a reminiscence of certain private theatricals.)


Oh, cabaret dancer, I know a dancer,
Whose eyes have not looked on the feasts that are vain.
I know a dancer, I know a dancer,
Whose soul has no bond with the beasts of the plain:
Judith the dancer, Judith the dancer,
With foot like the snow, and with step like the rain.

Oh, thrice-painted dancer, vaudeville dancer,
Sad in your spangles, with soul all astrain,

People who are afraid of themselves
Multiply themselves into families
And so divide themselves
And so become less afraid.

People who might have to go out
Into clanging strangers' laughter,
Crowd under roofs, make compacts
To no more than smile at each other.

People who might meet their own faces
Or surprise their own voices in doorways
Build themselves rooms without mirrors
And live between walls without echoes.

People who might meet other faces
And unknown voices round corners

A Lay Made About the Year Of The City CCCLX

I

Lars Porsena of Closium
By the Nine Gods he swore
That the great house of Tarquin
Should suffer wrong no more.
By the Nine Gods he swore it,
And named a trysting day,
And bade his messengers ride forth,
East and west and south and north,
To summon his array.

II

East and west and south and north
The messengers ride fast,
And tower and town and cottage
Have heard the trumpet's blast.
Shame on the false Etruscan

A woman with no face walked into the light;
A boy, in a brown-tree norfolk suit,
Holding on
Without hands
To her seeming skirt.

She stopped,
And he stopped,
And I, in terror, stopped, staring.

Then I saw a group of shadowy figures behind her.

It was a wild wet morning
But the little world was spinning on.

Liplessly, somehow, she addressed it:
The book must be opened
And the park too.

I might have tittered
But my teeth chattered

I hid the love within my heart,
And lit the laughter in my eyes,
That when we meet he may not know
My love that never dies.

But sometimes when he dreams at night
Of fragrant forests green and dim,
It may be that my love crept out
And brought the dream to him.

And sometimes when his heart is sick
And suddenly grows well again,
It may be that my love was there
To free his life of pain.

Let it not your wonder move,
Less your laughter, that I love.
Though I now write fifty years,
I have had, and have, my peers.
Poets, though divine, are men;
Some have loved as old again.
And it is not always face,
Clothes, or fortune gives the grace,
Or the feature, or the youth;
But the language and the truth,
With the ardor and the passion,
Gives the lover weight and fashion.
If you then would hear the story,
First, prepare you to be sorry
That you never knew till now