The Only Day In Existence

The early sun is so pale and shadowy,
I could be looking up at a ghost
in the shape of a window,
a tall, rectangular spirit
looking down at me in bed,
about to demand that I avenge
the murder of my father.
But the morning light is only the first line
in the play of this day--
the only day in existence--
the opening chord of its long song,
or think of what is permeating
the thin bedroom curtains

as the beginning of a lecture
I will listen to until it is dark,


The One-Legged Man

Propped on a stick he viewed the August weald;
Squat orchard trees and oasts with painted cowls;
A homely, tangled hedge, a corn-stalked field,
And sound of barking dogs and farmyard fowls.

And he’d come home again to find it more
Desirable than ever it was before.
How right it seemed that he should reach the span
Of comfortable years allowed to man!
Splendid to eat and sleep and choose a wife,
Safe with his wound, a citizen of life.
He hobbled blithely through the garden gate,


The Old Poet

I will be glad because it is the Spring;
I will forget the winter in my heart--
Dead hopes and withered promise; and will wring
A little joy from life ere life depart.

For spendthrift youth with passion-blinded eyes,
Stays not to see how woods and fields are bright;
He hears the phantom voices call, he flies
Upon the track of some unknown delight.

To him the tender glory of the May,
White wonder of the blossom, and the clear,
Soft green leaves that opened yesterday,


The Nightingale

WHEN the moon a golden-pale
Lustre on my casement flings,
An enchanted nightingale
In the haunted silence sings.

Strange the song—its wondrous words
Taken from the primal tongue,
Known to men, and beasts, and birds,
When the care-worn world was young

Listening low, I hear the stars
Through her strains move solemnly,
And on lonesome banks and bars
Hear the sobbing of the sea.

And my memory dimly gropes
Hints to gather from her song
Of forgotten fears and hopes,


The Monster

When we might make with happy heart
This world a paradise,
With bombs we blast brave men apart,
With napalm carbonize.
Where we might till the sunny soil,
And sing for joy of life,
We spend our treasure and our toil
In bloody strife.

The fields of wheat are sheening gold,
The flocks have silver fleece;
The signs are sweetly manifold
Of plenty, praise and peace.
Yet see! The sky is like a cowl
Where grimy toilers bore


The Milkmaid

Under a daisied bank
There stands a rich red ruminating cow,
   And hard against her flank
A cotton-hooded milkmaid bends her brow.

   The flowery river-ooze
Upheaves and falls; the milk purrs in the pail;
   Few pilgrims but would choose
The peace of such a life in such a vale.

   The maid breathes words--to vent,
It seems, her sense of Nature's scenery,
   Of whose life, sentiment,
And essence, very part itself is she.

   She bends a glance of pain,


The Night-Fire

No engines shrieking rescue storm the night,
And hose and hydrant cannot here avail;
The flames laugh high and fling their challenging light,
And clouds turn gray and black from silver-pale.
The fire leaps out and licks the ancient walls,
And the big building bends and twists and groans.
A bar drops from its place; a rafter falls
Burning the flowers. The wind in frenzy moans.
The watchers gaze, held wondering by the fire,
The dwellers cry their sorrow to the crowd,
The flames beyond themselves rise higher, higher,


The New Dog

Into the gravity of my life,
the serious ceremonies
of polish and paper
and pen, has come

this manic animal
whose innocent disruptions
make nonsense
of my old simplicities--

as if I needed him
to prove again that after
all the careful planning,
anything can happen.


The Neighbor

Strange violin, why do you follow me?
In how many foreign cities did you
speak of your lonely nights and those of mine.
Are you being played by hundreds? Or by one?

Do in all great cities men exist
who tormented and in deep despair
would have sought the river but for you?
And why does your playing always reach me?

Why is it that I am always neighbor
to those lost ones who are forced to sing
and to say: Life is infinitely heavier
than the heaviness of all things.



The Nativity of Christ

Behold the father is his daughter's son,
The bird that built the nest is hatched therein,
The old of years an hour hath not outrun,
Eternal life to live doth now begin,
The Word is dumb, the mirth of heaven doth weep,
Might feeble is, and force doth faintly creep.

O dying souls, behold your living spring;
O dazzled eyes, behold your sun of grace;
Dull ears, attend what word this Word doth bring;
Up, heavy hearts, with joy your joy embrace.
From death, from dark, from deafness, from despairs


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