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After the Battle

Night closed around the conqueror's way,
And lightnings show'd the distant hill,
Where those who lost that dreadful day
Stood few and faint, but fearless still.
The soldier's hope, the patriot's zeal,
For ever dimm'd, for ever crost --
Oh! who shall say what heroes feel,
When all but life and honour's lost?

The last sad hour of freedom's dream,
And valour's task, moved slowly by,
While mute they watch'd, till morning's beam
Should rise and give them light to die.
There's yet a world, where souls are free,

After The Battle

WE crown’d the hard-won heights at length,
Baptiz’d in flame and fire;
We saw the foeman’s sullen strength,
That grimly made retire—

Saw close at hand, then saw more far
Beneath the battle-smoke
The ridges of his shatter’d war,
That broke and ever broke.

But one, an English household’s pride,
Dear many ways to me,
Who climb’d that death-path by my side,
I sought, but could not see.

Last seen, what time our foremost rank
That iron tempest tore;

After Prayers, Lie Cold

Arise my body, my small body, we have striven
Enough, and He is merciful; we are forgiven.
Arise small body, puppet-like and pale, and go,
White as the bed-clothes into bed, and cold as snow,
Undress with small, cold fingers and put out the light,
And be alone, hush'd mortal, in the sacred night,
-A meadow whipt flat with the rain, a cup
Emptied and clean, a garment washed and folded up,
Faded in colour, thinned almost to raggedness
By dirt and by the washing of that dirtiness.
Be not too quickly warm again. Lie cold; consent

After a Tempest

The day had been a day of wind and storm;--
The wind was laid, the storm was overpast,--
And stooping from the zenith, bright and warm
Shone the great sun on the wide earth at last.
I stood upon the upland slope and cast
My eye upon a broad and beauteous scene,
Where the vast plain lay girt by mountains vast,
And hills o'er hills lifted their heads of green,
With pleasant vales scooped out and villages between.

The rain-drops glistened on the trees around,
Whose shadows on the tall grass were not stirred,

After

"How fared you when you mortal were?
What did you see on my peopled star?"
"Oh well enough," I answered her,
"It went for me where mortals are!

"I saw blue flowers and the merlin's flight
And the rime on the wintry tree,
Blue doves I saw and summer light
On the wings of the cinnamon bee."

Africa

The sun sought thy dim bed and brought forth light,
The sciences were sucklings at thy breast;
When all the world was young in pregnant night
Thy slaves toiled at thy monumental best.
Thou ancient treasure-land, thou modern prize,
New peoples marvel at thy pyramids!
The years roll on, thy sphinx of riddle eyes
Watches the mad world with immobile lids.
The Hebrews humbled them at Pharaoh's name.
Cradle of Power! Yet all things were in vain!
Honor and Glory, Arrogance and Fame!
They went. The darkness swallowed thee again.

Africa

A thousand years of darkness in her face,
She turns at last from out the centurys' blight
Of labored moan and dull oppression's might,
To slowly mount the rugged path and trace
Her measured step unto her ancient place.
And upward, ever upward towards the light
She strains, seeing afar the day when right
Shall rule the world and justice leaven the race.

Now bare her swarthy arm and firm her sword,
She stands where Universal Freedom bleeds,
And slays in holy wrath to save the word
Of nations and their puny, boasting creeds.

Affliction IV

Broken in pieces all asunder,
Lord, hunt me not,
A thing forgot,
Once a poor creature, now a wonder,
A wonder tortur'd in the space
Betwixt this world and that of grace.

My thoughts are all a case of knives,
Wounding my heart
With scatter'd smart,
As wat'ring pots give flowers their lives.
Nothing their fury can control,
While they do wound and prick my soul.

All my attendants are at strife,
Quitting their place
Unto my face:
Nothing performs the task of life:
The elements are let loose to fight,

Affair With Various Endings

I. Kempton, Pennsylvania


Perhaps the last of the light
lifting this evening from the field of wheat

means something. Perhaps the view
includes us, and we are not errors
in the landscape

or meant to be erased. The painter, it's true,
prefers not to preserve
our figures in the brush

of hills layered into green. Perhaps he too
is careless with the truth. What lies

have you had to tell to land you here

outside Kempton, with the creek rising behind us?
How did the story sound? If I say your hand