london

In a humble room in London sat a pretty little boy,
By the bedside of his sick mother her only joy,
Who was called Little Pierre, and who's father was dead;
There he sat poor boy, hungry and crying for bread.

There he sat humming a little song, which was his own,
But to the world it was entirely unknown,
And as he sang the song he felt heartsick,
But he resolved to get Madame Malibran to sing his song in public

Then he paused for a moment and clasped his hands,
And running to the looking-glass before it he stands,

Good people of high and low degree,
I pray ye all be advised by me,
And don't believe what the clergy doth say,
That by going to the theatre you will be led astray.

No, in the theatre we see vice punished and virtue rewarded,
The villain either hanged or shot, and his career retarded;
Therefore the theatre is useful in every way,
And has no inducement to lead the people astray.

Because therein we see the end of the bad men,
Which must appall the audience - deny it who can

Whenever I walk in a London street,
I'm ever so careful to watch my feet;
And I keep in the squares,
And the masses of bears,
Who wait at the corners all ready to eat
The sillies who tread on the lines of the street
Go back to their lairs,
And I say to them, "Bears,
Just look how I'm walking in all the squares!"

And the little bears growl to each other, "He's mine,
As soon as he's silly and steps on a line."
And some of the bigger bears try to pretend
That they came round the corner to look for a friend;

After two sittings, now our Lady State
To end her picture does the third time wait.
But ere thou fall'st to work, first, Painter, see
If't ben't too slight grown or too hard for thee.
Canst thou paint without colors? Then 'tis right:
For so we too without a fleet can fight.
Or canst thou daub a signpost, and that ill?
'Twill suit our great debauch and little skill.
Or hast thou marked how antic masters limn
The aly-roof with snuff of candle dim,
Sketching in shady smoke prodigious tools?

About Soho we went before the light;
We went, unresting six, craving new fun,
New scenes, new raptures, for the fevered night
Of rollicking laughter, drink and song, was done.
The vault was void, but for the dawn's great star
That shed upon our path its silver flame,
When La Paloma on a low guitar
Abruptly from a darkened casement came--
Harlem! All else shut out, I saw the hall,
And you in your red shoulder sash come dancing
With Val against me languid by the wall,

And the Communists have nothing to offer but fat cheeks and eyeglasses and
lying policemen
and the Capitalists proffer Napalm and money in green suitcases to the
Naked,
and the Communists create heavy industry but the heart is also heavy
and the beautiful engineers are all dead, the secret technicians conspire for
their own glamour
in the Future, in the Future, but now drink vodka and lament the Security
Forces,
and the Capitalists drink gin and whiskey on airplanes but let Indian brown
millions starve

Dark, dark, lay the drifters, against the red west,
As they shot their long meshes of steel overside;
And the oily green waters were rocking to rest
When Kilmeny went out, at the turn of the tide.
And nobody knew where that lassie would roam,
For the magic that called her was tapping unseen.
It was well nigh a week ere Kilmeny came home,
And nobody knew hwere Kilmeny had been.

She'd a gun at her bow that was Newcastle's best,
And a gun at her stern that was fresh from the Clyde,

Within a pub that's off the Strand and handy to the bar,
With pipe in mouth and mug in hand sat Jobson of the Star.
"Come, sit ye down, ye wond'ring wight, and have a yarn," says he.
"I can't," says I, "because to-night I'm off to Tripoli;
To Tripoli and Trebizond and Timbuctoo mayhap,
Or any magic name beyond I find upon the map.
I go errant trail to try, to clutch the skirts of Chance,
To make once more before I die the gesture of Romance."
The Jobson yawned above his jug, and rumbled: "Is that so?

Releas'd from the noise of the butcher and baker
Who, my old friends be thanked, did seldom forsake her,
And from the soft duns of my landlord the Quaker,

From chiding the footmen and watching the lasses,
From Nell that burn'd milk, and Tom that broke glasses
(Sad mischiefs thro' which a good housekeeper passes!)

From some real care but more fancied vexation,
From a life parti-colour'd half reason half passion,
Here lies after all the best wench in the nation.

"The Southern Transept, hardly known by any other name but Poets' Corner"
DEAN STANLEY

Tread softly here; the sacredest of tombs
Are those that hold your poets. Kings and queens
Are facile accidents of Time and Chance.
Chance sets them on the heights, they climb not there!
But he who from the darkling mass of men
Is on the wing of heavenly thought upborne
To finer ether, and becomes a voice
For all the voiceless, God annointed him:
His name shall be a star, his grave a shrine.