Beachcomber

I

When I have come with happy heart to sixty years and ten,
I'll buy a boat and sail away upon a summer sea;
And in a little lonely isle that's far and far from men,
In peace and praise I'll spend the days the Gods allow to me.
For I am weary of a strife so pitiless and vain;
And in a far and fairy isle, bewilderingly bright,
I'll learn to know the leap and glow of rapture once again,
And welcome every living dawn with wonder and delight.
II
And there I'll build a swan-white house above the singing foam,


Ballad of Broken Flutes

In dreams I crossed a barren land,
A land of ruin, far away;
Around me hung on every hand
A deathful stillness of decay;
And silent, as in bleak dismay
That song should thus forsaken be,
On that forgotten ground there lay
The broken flutes of Arcady.

The forest that was all so grand
When pipes and tabors had their sway
Stood leafless now, a ghostly band
Of skeletons in cold array.
A lonely surge of ancient spray
Told of an unforgetful sea,
But iron blows had hushed for aye


Ave An Ode for the Shelley Centenary, 1892

I
O tranquil meadows, grassy Tantramar,
Wide marshes ever washed in clearest air,
Whether beneath the sole and spectral star
The dear severity of dawn you wear,
Or whether in the joy of ample day
And speechless ecstasy of growing June
You lie and dream the long blue hours away
Till nightfall comes too soon,
Or whether, naked to the unstarred night,
You strike with wondering awe my inward sight, --
II

You know how I have loved you, how my dreams


Autumn Evening

A tower stands by the edge of a wood, an old weathered tower with moss and creepers growing across the peepholes, with green moss in the cracks and corners, and withered woodbine hanging like stiff, dry hair down over the red stone. High up on the east side is the only window in the crumbling walls.



Australian Federata

AUSTRALIA! land of lonely lake
And serpent-haunted fen;
Land of the torrent and the fire
And forest-sundered men:
Thou art not now as thou shalt be
When the stern invaders come,
In the hush before the hurricane,
The dread before the drum.
A louder thunder shall be heard
Than echoes on thy shore,
When o’er the blackened basalt cliffs
The foreign cannon roar—
When the stand is made in the sheoaks’ shade
When heroes fall for thee,
And the creeks in gloomy gullies run


Aubade

JANE, Jane,
Tall as a crane,
The morning light creaks down again;

Comb your cockscomb-ragged hair,
Jane, Jane, come down the stair.

Each dull blunt wooden stalactite
Of rain creaks, hardened by the light,

Sounding like an overtone
From some lonely world unknown.

But the creaking empty light
Will never harden into sight,

Will never penetrate your brain
With overtones like the blunt rain.

The light would show (if it could harden)
Eternities of kitchen garden,


At the Opera

THE CURTAIN rose—the play began—
The limelight on the gay garbs shone;
Yet carelessly I gazed upon
The painted players, maid and man,
As one with idle eyes who sees
The marble figures on a frieze.
Long lark-notes clear the first act close,
So the soprano: then a hush—
The tenor, tender as a thrush;
Then loud and high the chorus rose,
Till, with a sudden rush and strong,
It ended in a storm of song.

The curtain fell—the music died—
The lights grew bright, revealing there


At The Beating Of A Drum

Fear ye not the stormy future, for the Battle Hymn is strong,
And the armies of Australia shall not march without a song;
The glorious words and music of Australia's song shall come
When her true hearts rush together at the beating of a drum.

We may not be there to hear it – 'twill be written in the night,
And Australia's foes shall fear it in the hour before the fight.
The glorious words and music from a lonely heart shall come
When our sons shall rush to danger at the beating of the drum.


As the Starved Maelstrom laps the Navies

872

As the Starved Maelstrom laps the Navies
As the Vulture teased
Forces the Broods in lonely Valleys
As the Tiger eased

By but a Crumb of Blood, fasts Scarlet
Till he meet a Man
Dainty adorned with Veins and Tissues
And partakes—his Tongue

Cooled by the Morsel for a moment
Grows a fiercer thing
Till he esteem his Dates and Cocoa
A Nutrition mean

I, of a finer Famine
Deem my Supper dry
For but a Berry of Domingo
And a Torrid Eye.


At That Hour

At that hour when all things have repose,
O lonely watcher of the skies,
Do you hear the night wind and the sighs
Of harps playing unto Love to unclose
The pale gates of sunrise?

When all things repose, do you alone
Awake to hear the sweet harps play
To Love before him on his way,
And the night wind answering in antiphon
Till night is overgone?

Play on, invisible harps, unto Love,
Whose way in heaven is aglow
At that hour when soft lights come and go,


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