The Record

Fearing that she might go one day
With some fine fellow of her choice,
I called her from her childish play,
And made a record of her voice.
And now that she is truly gone,
I hear it sweet and crystal clear
From out my wheezy gramophone:
"I love you, Daddy dear."

Indeed it's true she went away,
But Oh she went all, all alone;
Into the dark she went for aye,
Poor little mite! ere girlhood grown.
Ah that I could with her have gone!
But this is all I have to show -


The Reaper

Behold her, single in the field,
Yon solitary Highland Lass!
Reaping and singing by herself;
Stop here, or gently pass!
Alone she cuts and binds the grain,
And sings a melancholy strain;
O listen! for the vale profound
Is overflowing with the sound.

No nightingale did ever chaunt
More welcome notes to weary bands
Of travellers in some shady haunt,
Among Arabian sands:
A voice so thrilling ne'er was heard
In spring-time from the cuckoo-bird
Breaking the silence of the seas


The Restoration Of The Royal Family

As when the Paschal week is o'er,
Sleeps in the silent aisles no more
The breath of sacred song,
But by the rising Saviour's light
Awakened soars in airy flight,
Or deepening rolls along;

The while round altar, niche, and shrine,
The funeral evergreens entwine,
And a dark brilliance cast,
The brighter for their hues of gloom,
Tokens of Him, who through the tomb
Into high glory passed:

Such were the lights and such the strains.
When proudly streamed o'er ocean plains


The Quid Pro Quo Or The Mistakes

DAME FORTUNE often loves a laugh to raise,
And, playing off her tricks and roguish ways,
Instead of giving us what we desire,
Mere quid pro quo permits us to acquire.
I've found her gambols such from first to last,
And judge the future by experience past.
Fair Cloris and myself felt mutual flame;
And, when a year had run, the sprightly dame
Prepared to grant me, if I may be plain,
Some slight concessions that would ease my pain.
This was her aim; but whatsoe'er in view,
'Tis opportunity we should pursue;


The Picture on the Wall

'Tis noon of night; the sable clouds,
Hang weeping in the sky;
Alone I sit, where fancies flit
Like spectral shadows by.
Me thinks I see familiar forms,
And on before them all--
So fair, so calm, so wondrous like, wondrous like
The picture on the wall.

Among the brave and loyal,
How many lov'd ones fall!
Whose friends bereft,
Have only left, only left
A picture on the wall.

I hear the press of eager feet,
Upon my parlor floor;
A moment, and my willing arms


The Pennsylvania Disaster

'Twas in the year of 1889, and in the month of June,
Ten thousand people met with a fearful doom,
By the bursting of a dam in Pennsylvania State,
And were burned, and drowned by the flood-- oh! pity their fate!

The embankment of the dam was considered rather weak,
And by the swelled body of water the embankment did break,
And burst o'er the valley like a leaping river,
Which caused the spectators with fear to shiver.

And on rushed the mighty flood, like a roaring big wave,


The Past

The Past is flowing through my thoughts—
Flowing like a sea;
With all its billows dancing bright
Over what?—an undermight
Of darkling loss and destiny.
Still it floweth through my thoughts—
Floweth like a sea;
While of worn hope I ask alway,
Like an unsought cast-astray—
What can the future bring to me?

And hope herself admits: To thee
But a darkening scene—
Only slow days of care and doubt,
Only a dreary lengthening out,


The Olive Tree

Save for a lusterless honing-stone of moon
The sky stretches its flawless canopy
Blue as the blue silk of the Jewish flag
Over the valley and out to sea.
It is bluest just above the olive tree.
You cannot find in twisted Italy
So straight a one; it stands not on a crag,
Is not humpbacked with bearing in scored stone,
But perfectly erect in my front yard,
Oblivious of its fame. The fruit is hard,
Multitudinous, acid, tight on the stem;
The leaves ride boat-like in the brimming sun,


The Old Man's Calendar

OFT have I seen in wedlock with surprise,
That most forgot from which true bliss would rise
When marriage for a daughter is designed,
The parents solely riches seem to mind;
All other boons are left to heav'n above,
And sweet SIXTEEN must SIXTY learn to love!
Yet still in other things they nicer seem,
Their chariot-horses and their oxen-team
Are truly matched;--in height exact are these,
While those each shade alike must have to please;
Without the choice 'twere wonderful to find,
Or coach or wagon travel to their mind.


The Odyssey Book 21

Minerva now put it in Penelope's mind to make the suitors try
their skill with the bow and with the iron axes, in contest among
themselves, as a means of bringing about their destruction. She went
upstairs and got the store room key, which was made of bronze and
had a handle of ivory; she then went with her maidens into the store
room at the end of the house, where her husband's treasures of gold,
bronze, and wrought iron were kept, and where was also his bow, and
the quiver full of deadly arrows that had been given him by a friend


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