love poem

Wanting is — what?
Summer redundant,
Blueness abundant,
— Where is the blot?
Beamy the world, yet a blank all the same,
— Framework which waits for a picture to frame:
What of the leafage, what of the flower?
Roses embowering with naught they embower!
Come then, complete incompletion, O comer,
Pant through the blueness, perfect the summer!
Breathe but one breath
Rose-beauty above,
And all that was death
Grows life, grows love,

We were two lovers; let me lie by her,
My tomb beside her tomb. On hers inscribe —
" I loved him; but my reason bade prefer
Duty to love, reject the tempter's bribe
Of rose and lily when each path diverged,
And either I must pace to life's far end
As love should lead me, or, as duty urged,
Plod the worn causeway arm-in-arm with friend.
So, truth turned falsehood: " How I loathe a flower ,
How prize the pavement! " still caressed his ear —
The deafish friend's — through life's day, hour by hour,

I promise nothing: friends will part;
All things may end, for all began;
And truth and singleness of heart
Are mortal even as is man.

But this unlucky love should last
When answered passions thin to air;
Eternal fate so deep has cast
Its sure foundation of despair.

[A friend of Lord Byron's, who was with him at Ravenna when he wrote these Stanzas, says: " They were composed, like many others, with no view of publication, but merely to relieve himself in a moment of suffering. He had been painfully excited by some circumstances which appeared to make it necessary that he should immediately quit Italy, and in the day and the hour that he wrote the song was labouring under an access of fever." — So reads the note in the Edition of 1831. It is to be remarked, however, that Byron was not at Ravenna but at Venice on the date of the poem.]

[First published in the Edition of 1900 from a manuscript in the possession of Mr. Murray.]

I cannot talk of Love to thee,
Though thou art young and free and fair
There is a spell thou dost not see,
That bids a genuine love despair.

And yet that spell invites each youth,
For thee to sigh, or seem to sigh;
Makes falsehood wear the garb of truth,
And Truth itself appear a lie.

If ever Doubt a place possest
In woman's heart, 't were wise in thine:
Admit not Love into thy breast,

The " Origin of Love!" — Ah! why
That cruel question ask of me,
When thou mayst read in many an eye
He starts to life on seeing thee?'
And shouldst thou seek his end to know:
My heart forebodes, my fears foresee,
He'll linger long in silent woe;
But live — until I cease to be.
[First published, 1814.]

[This poem stood in the original manuscript of Childe Harold in the place of the stanzas of Canto I. inscribed To Inez .]

O H never talk again to me
Of northern climes and British ladies;
It has not been your lot to see,
Like me, the lovely girl of Cadiz.
Although her eye be not of blue,
Nor fair her locks, like English lasses,
How far its own expressive hue
The languid azure eye surpasses!

Prometheus-like, from heaven she stole

[First printed in Edition of 1898 from a manuscript at Newstead.]

The Moralists tell us that Loving is Sinning,
And always are prating about and about it,
But as Love of Existence itself's the beginning,
Say, what would Existence itself be without it?

They argue the point with much furious Invective,
Though perhaps 't were no difficult task to confute it;
But if Venus and Hymen should once prove defective,

Oh yes, I will own we were dear to each other;
The friendships of childhood, though fleeting, are true;
The love which you felt was the love of a brother,
Nor less the affection I cherish'd for you.

But Friendship can vary her gentle dominion,
The attachment of years in a moment expires;
Like Love, too, she moves on a swift-waving pinion,
But glows not, like Love, with unquenchable fires.

Full oft have we wander'd through Ida together,
And bless'd were the scenes of our youth, I allow:

WHO PRESENTED TO THE AUTHOR A LOCK OF HAIR BRAIDED WITH HIS OWN, AND APPOINTED A NIGHT IN DECEMBER TO MEET HIM IN THE GARDEN

[This poem is addressed to the " Mary" of the lines beginning, " This faint resemblance of thy charms."]

These locks, which fondly thus entwine,
In firmer chains our hearts confine
Than all th'unmeaning protestations
Which swell with nonsense love orations.
Our love is fix'd, I think we 've proved it,
Nor time, nor place, nor art have moved it;
Then wherefore should we sigh and whine,