When Life

Is cut close, blades and bones,
And the stench of sewers is everywhere,
Blood-sloshed floors,
And guards count the dead
With the blink of an eyelid, then hurry home
To supper and love, what saves us
From going mad is to carry a vacant stare
And a quiet half-dead dream.


When I Have Passed Away

When I have passed away and am forgotten,
And no one living can recall my face,
When under alien sod my bones lie rotten
With not a tree or stone to mark the place;

Perchance a pensive youth, with passion burning,
For olden verse that smacks of love and wine,
The musty pages of old volumes turning,
May light upon a little song of mine,

And he may softly hum the tune and wonder
Who wrote the verses in the long ago;
Or he may sit him down awhile to ponder


Wednesday, the Tete a Tete

DANCINDA.

"NO, fair DANCINDA, no; you strive in vain
"To calm my care and mitigate my pain ;
"If all my sighs, my cares, can fail to move,
"Ah! sooth me not with fruitless vows of love."

Thus STREPHON spoke. DANCINDA thus reply'd :
`What must I do to gratify your pride?
`Too well you know (ungrateful as thou art)
`How much you triumph in this tender heart;
`What proof of love remains for me to grant?
Yet still you teize me with some new complaint.
Oh ! would to heav'n ! -- but the fond wish is vain --


What Do I Care

What do I care, in the dreams and the languor of spring,
That my songs do not show me at all?
For they are a fragrance, and I am a flint and a fire,
I am an answer, they are only a call.

But what do I care, for love will be over so soon,
Let my heart have its say and my mind stand idly by,
For my mind is proud and strong enough to be silent,
It is my heart that makes my songs, not I.


Submitted by Venus


Wert Thou but illthat I might show thee

961

Wert Thou but ill—that I might show thee
How long a Day I could endure
Though thine attention stop not on me
Nor the least signal, Me assure—

Wert Thou but Stranger in ungracious country—
And Mine—the Door
Thou paused at, for a passing bounty—
No More—

Accused—wert Thou—and Myself—Tribunal—
Convicted—Sentenced—Ermine—not to Me
Half the Condition, thy Reverse—to follow—
Just to partake—the infamy—

The Tenant of the Narrow Cottage, wert Thou—
Permit to be


We Cover TheeSweet Face

482

We Cover Thee—Sweet Face—
Not that We tire of Thee—
But that Thyself fatigue of Us—
Remember—as Thou go—
We follow Thee until
Thou notice Us—no more—
And then—reluctant—turn away
To Con Thee o'er and o'er—

And blame the scanty love
We were Content to show—
Augmented—Sweet—a Hundred fold—
If Thou would'st take it—now—


Weep On, Weep On

Weep on, weep on, your hour is past,
Your dreams of pride are o'er;
The fatal chain is round you cast,
And you are men no more.
In vain the hero's heart hath bled;
The sage's tongue hath warn'd in vain;
Oh, Freedom! once thy flame hath fled,
It never lights again!

Weep on -- perhaps in after days,
They'll learn to love your name,
When many a deed may wake in praise
That long hath slept in blame.
And when they tread the ruin'd isle,
Where rest, at length, the lord and slave,


When All My Five and Country Senses See

When all my five and country senses see,
The fingers will forget green thumbs and mark
How, through the halfmoon's vegetable eye,
Husk of young stars and handfull zodiac,
Love in the frost is pared and wintered by,
The whispering ears will watch love drummed away
Down breeze and shell to a discordant beach,
And, lashed to syllables, the lynx tongue cry
That her fond wounds are mended bitterly.
My nostrils see her breath burn like a bush.

My one and noble heart has witnesses


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