love

Coral and clear emerald,
And amber from the sea,
Lilac-coloured amethyst,
Chalcedony;
The lovely Spirit of Air
Floats on a cloud and doth ride,
Clad in the beauties of earth
Like a bride.

So doth she haunt me; and words
Tell but a tithe of the tale.
Sings all the sweetness of Spring
Even in the nightengale?
Nay, but with echoes she cries
Of the valley of love;
Dews on the thorns of her feet,
And darkness above.

What thing unto mine ear
Wouldst thou convey,--what secret thing,
O wandering water ever whispering?
Surely thy speech shall be of her.
Thou water, O thou whispering wanderer,
What message dost thou bring?

Say, hath not Love leaned low
This hour beside thy far well-head,
And there through jealous hollowed fingers said
The thing that most I long to know--
Murmuring with curls all dabbled in thy flow
And washed lips rosy red?

He told it to thee there
Where thy voice hath a louder tone;

MILES and miles of quiet houses, every house a harbour,
Each for some unquiet soul a haven and a home,
Pleasant fires for winter nights, for sun the trellised arbour,
Earth the solid underfoot, and heaven for a dome.

Washed by storms of cleansing rain, and sweetened with affliction,
The hidden wells of Love are heard in one low-murmuring voice
That rises from this close-meshed life so like a benediction
That, listening to it, in my heart I almost dare rejoice.

The stream is flowing from the west;
As if it poured from yonder skies,
It wears upon its rippling breast
The sunset's golden dyes;
And bearing onward to the sea,
'T will clasp the isle that holdeth thee.

I dip my hand within the wave;
Ah! how impressionless and cold!
I touch it with my lip, and lave
My forehead in the gold.
It is a trivial thought, but sweet,
Perhaps the wave will kiss thy feet.

Alas! I leave no trace behind --
As little on the senseless stream

Thyrsis, a youth of the inspired train,
Fair Sacharissa lov'd, but lov'd in vain;
Like Phœbus sung the no less amorous boy;
Like Daphne she, as lovely, and as coy;
With numbers he the flying nymph pursues,
With numbers such as Phœbus' self might use;
Such is the chase when Love and Fancy leads,
O'er craggy mountains, and through flow'ry meads;
Invok'd to testify the lover's care,
Or form some image of his cruel fair:
Urg'd with his fury, like a wounded deer,
O'er these he fled; and now approaching near,

Hence away, thou siren, leave me,
Pish! unclasp those wanton arms,
Sugared words can ne'er deceive me
Though thou prove a thousand charms.
Fie, fie, forbear, no common snare
Can ever my affection chain.
They painted baits and poor deceits
Are all bestowed on me in vain.

I'm no slave to such as you be,
Neither shall that snowy breast,
Rolling eye and lip of ruby,
Ever rob me of my rest.
Go, go, display thy beauty's ray
To some more soon enamoured swain,
Those common wiles of sighs and smiles

My familiar ghost again
Comes to see what he can see,
Critic, son of Conscious Brain,
Spying on our privacy.

Slam the window, bolt the door,
Yet he’ll enter in and stay;
In tomorrow’s book he’ll score
Indiscretions of today.

Whispered love and muttered fears,
How their echoes fly about!
None escape his watchful ears,
Every sigh might be a shout.

No kind words nor angry cries
Turn away this grim spoilsport;
No fine lady’s pleading eyes,

DRAMATIS PERSONAE

Sir Marmaduke Pointdextre, an Elderly Baronet

Alexis, of the Grenadier Guards--His Son

Dr. Daly, Vicar of Ploverleigh

John Wellington Wells, of J. W. Wells & Co., Family Sorcerers

Lady Sangazure, a Lady of Ancient Lineage

Aline, Her Daughter--betrothed to Alexis

Mrs. Partlet, a Pew-Opener

Constance, her Daughter

Chorus of Villagers


(Twelve hours are supposed to elapse between Acts I and II)

Though the world keeps changing its form
as fast as a cloud, still
what is accomplished falls home
to the Primeval.

Over the change and the passing,
larger and freer,
soars your eternal song,
god with the lyre.

Never has grief been possesed,
never has love been learned,
and what removes us in death

is not revealed.
Only the song through the land
hallows and heals.


Translated by Stephen Mitchell

Music, music with throb and swing,
Of a plaintive note, and long;
'Tis a note no human throat could sing,
No harp with its dulcet golden string,--
Nor lute, nor lyre with liquid ring,
Is sweet as the robin's song.

He sings for love of the season
When the days grow warm and long,
For the beautiful God-sent reason
That his breast was born for song.

Calling, calling so fresh and clear,
Through the song-sweet days of May;
Warbling there, and whistling here,