When I watch the living meet
And the moving pageant file
Warm and breathing through the street
Where I lodge a little while,

If the heats of hate and lust
In the house of flesh are strong,
Let me mind the house of dust
Where my sojourn shall be long.

In the nation that is not
Nothing stands that stood before;
There revenges are forgot,
And the hater hates no more;

Lovers lying two and two
Ask not whom they sleep beside,
And the bridegroom all night through
Never turns him to the bride

The construction of a woman:
a woman is not made of flesh
of bone and sinew
belly and breasts, elbows and liver and toe.
She is manufactured like a sports sedan.
She is retooled, refitted and redesigned
every decade.
Cecile had been seduction itself in college.
She wriggled through bars like a satin eel,
her hips and ass promising, her mouth pursed
in the dark red lipstick of desire.

She visited in '68 still wearing skirts
tight to the knees, dark red lipstick,
while I danced through Manhattan in mini skirt,

DANCINDA.

"NO, fair DANCINDA, no; you strive in vain
"To calm my care and mitigate my pain ;
"If all my sighs, my cares, can fail to move,
"Ah! sooth me not with fruitless vows of love."

Thus STREPHON spoke. DANCINDA thus reply'd :
`What must I do to gratify your pride?
`Too well you know (ungrateful as thou art)
`How much you triumph in this tender heart;
`What proof of love remains for me to grant?
Yet still you teize me with some new complaint.
Oh ! would to heav'n ! -- but the fond wish is vain --

We needs must be divided in the tomb,
   For I would die among the hills of Spain,
   And o'er the treeless, melancholy plain
Await the coming of the final gloom.
But thou -- O pitiful! -- wilt find scant room
   Among thy kindred by the northern main,
   And fade into the drifting mist again,
The hemlocks' shadow, or the pines' perfume.

Let gallants lie beside their ladies' dust
   In one cold grave, with mortal love inurned;

Break off! Dance no more!
Danger is at the door.
Music is in arms.
To signal war's alarms.

Hark, a sudden trumpet calling
Over the hill!
Why are you calling, trumpet, calling?
What is your will?

Men, men, men !
Men who are ready to fight
For their country's life, and the right
Of a liberty-loving land to be
Free, free, free!
Free from a tyrant's chain,
Free from dishonor's stain,
Free to guard and maintain
All that her fathers fought for,
All that her sons have wrought for,

In anguish we uplift
A new unhallowed song:
The race is to the swift;
The battle to the strong.

Of old it was ordained
That we, in packs like curs,
Some thirty million trained
And licensed murderers,

In crime should live and act,
If cunning folk say sooth
Who flay the naked fact
And carve the heart of truth.

The rulers cry aloud,
"We cannot cancel war,
The end and bloody shroud
Of wrongs the worst abhor,
And order's swaddling band:
Know that relentless strife
Remains by sea and land

[Skelton Laureat vppon a deedmans hed that was sent to hym from an honorable Ientyll-woman for a token Deuysyd this gostly medytacyon in Englysh Couenable in sentence Comendable, Lamentable, Lacrymable, Profytable for the soule.]

Youre vgly tokyn.
My mynd hath brokyn.
From worldly lust.
For I haue dyscust.
We ar but dust.
And dy we must.

It is generall.
To be mortall.
I haue well espyde.
No man may hym hyde.
From deth holow-eyed.
With synnews wyderyd.
With bonys shyderyd.
With hys worme-etyn maw.
And hys gastly Iaw.

Lord, I'm grey, my face is run,
But by old Harry, I've had my fun;
And all about, I seem to see
Lads and lassies that look like me;
Ice-blue eyes on every hand,
Handsomest youngsters in the land.

"Old Stud Horse" they say of me,
But back of my beard I laugh with glee.
Far and wide have I sown my seed,
Yet by the gods I've improved the breed:
From byre and stable to joiner's bench,
From landlord's daughter to serving wench.

Ice-blue eyes and blade-straight nose,
Stamp of my virile youth are those;

In two large columns on thy motley page
Where Roman wit is strip'd with English rage;
Where ribaldry to satire makes pretence,
And modern scandal rolls with ancient sense:
Whilst on one side we see how Horace thought,
And on the other how he never wrote;
Who can believe, who view the bad, the good,
That the dull copyist better understood
That spirit he pretends to imitate,
Than heretofore that Greek he did translate?
Thine is just such an image of his pen,
As thou thyself art of the sons of men,

DANCINDA.
" NO, fair DANCINDA, no ; you strive in vain
" To calm my care and mitigate my pain ;
" If all my sighs, my cares, can fail to move,
" Ah ! sooth me not with fruitless vows of love."


Thus STREPHON spoke. DANCINDA thus reply'd :
`What must I do to gratify your pride ?
`Too well you know (ungrateful as thou art)
`How much you triumph in this tender heart ;
`What proof of love remains for me to grant ?
Yet still you teize me with some new complaint.
Oh ! would to heav'n ! -- but the fond wish is vain --