I--THE EXPLANATION

"You thought we knew," she said, "but we were wrong.
This we can say, the rest we do not say;
Nor do I let you throw yourself away
Because you love me. Let us both be strong,
And we shall find in sorrow, before long,
Only the price Love ruled that we should pay:
The dark is the end of every day,
And silence is the end of every song.

"You ask me for one more proof that I speak right,
But I can answer only what I know;
You look for just one lie to make black white,

High the vanes of Shrewsbury gleam
Islanded in Severn stream;
The bridges from the steepled crest
Cross the water east and west.

The flag of morn in conqueror's state
Enters at the English gate:
The vanquished eve, as night prevails,
Bleeds upon the road to Wales.

Ages since the vanquished bled
Round my mother's marriage-bed;
There the ravens feasted far
About the open house of war:

When Severn down to Buildwas ran
Coloured with the death of man,
Couched upon her brother's grave

With her fingers she turns paint
into flowers, with her body
flowers into a remembrance
of herself. She is at work
always, mending the garment
of our marriage, foraging
like a bird for something
for us to eat. If there are thorns
in my life, it is she who
will press her breast to them and sing.

Her words, when she would scold,
are too sharp. She is busy
after for hours rubbing smiles
into the wounds. I saw her,
when young, and spread the panoply
of my feathers instinctively
to engage her. She was not deceived,

Even this heavenly pair were unequally match'd when united:
Psyche grew older and wise, Amor remain'd still a child,

Reality is a question
of realizing how real
the world is already.

Time is Eternity,
ultimate and immovable;
everyone's an angel.

It's Heaven's mystery
of changing perfection :
absolute Eternity

changes! Cars are always
going down the street,
lamps go off and on.

It's a great flat plain;
we can see everything
on top of a table.

Clams open on the table,
lambs are eaten by worms
on the plain. The motion

of change is beautiful,
as well as form called

Mr Jeremiah Jeffers
Owned a pair of spotted heifers
These he sold for two pounds ten
To Mr Robert Raymond Wren
Who reared them in the lucerne paddocks
Owned by Mr Martin Maddox,
And sold them, when they grew to cows,
To Mr Donald David Dowse.
A grazier, Mr Egbert Innes,
Bought them then for twenty guineas,
Milked the cows, and sold the milk
To Mr Stephen Evan Silk.
Who rents a butter factory
From Mr Laurence Lampard-Lee.
Here, once a week, come for his butter
The grocer, Mr Roland Rutter,
Who keeps a shop in Sunny Street

DRAMATIS PERSONAE

Sir Marmaduke Pointdextre, an Elderly Baronet

Alexis, of the Grenadier Guards--His Son

Dr. Daly, Vicar of Ploverleigh

John Wellington Wells, of J. W. Wells & Co., Family Sorcerers

Lady Sangazure, a Lady of Ancient Lineage

Aline, Her Daughter--betrothed to Alexis

Mrs. Partlet, a Pew-Opener

Constance, her Daughter

Chorus of Villagers


(Twelve hours are supposed to elapse between Acts I and II)

ACT II-- Grounds of Sir Marmaduke's Mansion, Midnight

DRAMATIS PERSONAE

Sir Marmaduke Pointdextre, an Elderly Baronet

Alexis, of the Grenadier Guards--His Son

Dr. Daly, Vicar of Ploverleigh

John Wellington Wells, of J. W. Wells & Co., Family Sorcerers

Lady Sangazure, a Lady of Ancient Lineage

Aline, Her Daughter--betrothed to Alexis

Mrs. Partlet, a Pew-Opener

Constance, her Daughter

Chorus of Villagers


ACT I -- Grounds of Sir Marmaduke's Mansion, Mid-day


SCENE -- Exterior of Sir Marmaduke's Elizabethan Mansion, mid-day.

A Dramatic Poem

The deck of an ancient ship. At the right of the stage is the mast,
with a large square sail hiding a great deal of the sky and sea
on that side. The tiller is at the left of the stage; it is a long oar
coming through an opening in the bulwark. The deck rises in a
series of steps hehind the tiller, and the stern of the ship curves
overhead. When the play opens there are four persons upon the
deck. Aibric stands by the tiller. Forgael sleeps upon the raised
portion of the deck towards the front of the stage. Two Sailors

Lo, I have loved thee long, long have I yearned and entreated!
Tell me how I may win thee, tell me how I must woo.
Shall I creep to thy white feet, in guise of a humble lover ?
Shall I croon in mild petition, murmuring vows anew ?

Shall I stretch my arms unto thee, biding thy maiden coyness,
Under the silver of morning, under the purple of night ?
Taming my ancient rudeness, checking my heady clamor­
Thus, is it thus I must woo thee, oh, my delight?

Nay, 'tis no way of the sea thus to be meekly suitor­