memory

Telling you all would take too long.
Besides, we read in the Bible
how the good is harmful
and how misfortune is good.

Let's invite something new
by unifying our silences;
if, then and there, we advance,
we'll know it soon enough.

And yet towards evening,
when his memory is persistent,
one belated curiousity
stops him before the mirror.

We don't know if he is frightened.
But he stays, he is engrossed,
and, facing his reflection,
transports himself somewhere else.

TELL me why, behind thee,
I see always the shadow of another lover?
Is it real
Or is this the thrice-damned memory of a better happiness?
Plague on him if he be dead
Plague on him if he be alive
A swinish numbskull
To intrude his shade
Always between me and my peace.

in memory of
the spring now passing
I drew
the long clusters of wisteria
that move like waves

Sweet Innisfallen, fare thee well,
May calm and sunshine long be thine!
How fair thou art let others tell --
To feel how fair shall long be mine.

Sweet Innisfallen, long shall dwell
In memory's dream that sunny smile,
Which o'er thee on that evening fell,
When first I saw thy fairy isle.

'Twas light, indeed, too blest for one,
Who had to turn to paths of care --
Through crowded haunts again to run,
And leave thee bright and silent there;

No more unto thy shores to come,

Orpheus liked the glad personal quality
Of the things beneath the sky. Of course, Eurydice was a part
Of this. Then one day, everything changed. He rends
Rocks into fissures with lament. Gullies, hummocks
Can't withstand it. The sky shudders from one horizon
To the other, almost ready to give up wholeness.
Then Apollo quietly told him: "Leave it all on earth.
Your lute, what point? Why pick at a dull pavan few care to
Follow, except a few birds of dusty feather,
Not vivid performances of the past." But why not?

By the waters of Babylon we sat down and wept,
Remembering thee,
That for ages of agony hast endured, and slept,
And wouldst not see.

By the waters of Babylon we stood up and sang,
Considering thee,
That a blast of deliverance in the darkness rang,
To set thee free.

And with trumpets and thunderings and with morning song
Came up the light;
And thy spirit uplifted thee to forget thy wrong
As day doth night.

And thy sons were dejected not any more, as then

Will God indeed with fragments bear,
Snatched late from the decaying year?
Or can the Saviour's blood endear
The dregs of a polluted life?
When down th' o'erwhelming current tossed
Just ere he sink for ever lost,
The sailor's untried arms are crossed
In agonizing prayer, will Ocean cease her strife?

Sighs that exhaust but not relieve
Heart-rending sighs, O spare to heave
A bosom freshly taught to grieve
For lavished hours and love misspent!
Now through her round of holy thought

This poem, which, properly speaking, is a continuation of the last, opens with an address to Sul-malla, the daughter of the king of Inis-huna, whom Ossian met at the chase, as he returned from the battle of Rath-col. Sul-malla invites Ossian and Oscar to a feast, at the residence of her father, who was then absent on the wars. Upon hearing their names and family, she relates an expedition of Fingal into Inis-huna.

When Youth's warm heart beats high, my friend,
And Youth's blue sky is bright,
And shines in Youth's clear eye, my friend,
Love's early dawning light,
Let the free soul spurn care's control,
And while the glad days shine,
We'll use their beams for Youth's gay dreams
Of Love and Song and Wine.

Let not the bigot's frown, my friend,
O'ercast thy brow with gloom,
For Autumn's sober brown, my friend,
Shall follow Summer's bloom.
Let smiles and sighs and loving eyes
In changeful beauty shine,

The literate are ill-prepared for this
snap in the line of life:
the day turns a trick
of twisted tongues and is
untiable, the month by no mere root
moon-ridden, and the yearly eloquences yielding more
than summer's part of speech times four. We better learn

the buried meaning in the grave: here
all we see of its alphabet is tracks
of predators, all we know of its tense
the slow seconds and quick centuries
of sex. Unletter the past and then
the future comes to terms. One late fall day