Sin

1

Sin!
O only fatal woe,
That mak'st me sad and mourning go!
That all my joys dost spoil,
His Kingdom and my Soul defile!
I never can agree
With thee!


2

Thou!
Only thou! O thou alone,
And my obdurate heart of stone,
The poison and the foes
Of my enjoyments and repose,
The only bitter ill,
Dost kill !


3

Oh!
I cannot meet with thee,
Nor once approach thy memory,
But all my joys are dead,
And all my sacred Treasures fled


Sic transit gloria mundi

3

"Sic transit gloria mundi,"
"How doth the busy bee,"
"Dum vivimus vivamus,"
I stay mine enemy!

Oh "veni, vidi, vici!"
Oh caput cap-a-pie!
And oh "memento mori"
When I am far from thee!

Hurrah for Peter Parley!
Hurrah for Daniel Boone!
Three cheers, sir, for the gentleman
Who first observed the moon!

Peter, put up the sunshine;
Patti, arrange the stars;
Tell Luna, tea is waiting,
And call your brother Mars!

Put down the apple, Adam,


Signet of Eternity

The day was when I did not keep myself in readiness for thee;
and entering my heart unbidden even as one of the common crowd,
unknown to me, my king, thou didst press the signet of eternity upon
many a fleeting moment of my life.

And today when by chance I light upon them and see thy signature,
I find they have lain scattered in the dust mixed with the memory of
joys and sorrows of my trivial days forgotten.

Thou didst not turn in contempt from my childish play among dust,
and the steps that I heard in my playroom


She, to Him, III

I will be faithful to thee; aye, I will!
And Death shall choose me with a wondering eye
That he did not discern and domicile
One his by right ever since that last Good-bye!

I have no care for friends, or kin, or prime
Of manhood who deal gently with me here;
Amid the happy people of my time
Who work their love’s fulfilment, I appear

Numb as a vane that cankers on its point,
True to the wind that kissed ere canker came;
Despised by souls of Now, who would disjoint


She, to Him, II

Perhaps, long hence, when I have passed away,
Some other’s feature, accent, thought like mine,
Will carry you back to what I used to say,
And bring some memory of your love’s decline.

Then you may pause awhile and think, “Poor jade!”
And yield a sigh to me—as gift benign,
Not as the tittle of a debt unpaid
To one who could to you her all resign—

And thus reflecting, you will never see
That your thin thought, in two small words conveyed,
Was no such fleeting phantom-thought to me,


She Has Made Me Wayside Posies

She has made me wayside posies: here they stand,
Bringing fresh memories of where they grew.
As new-come travellers from a world we knew
Wake every while some image of their land,
So these whose buds our woodland breezes fanned
Bring to my room the meadow where they blew,
The brook-side cliff, the elms where wood-doves coo--
And every flower is dearer for her hand.

Oh blossoms of the paths she loves to tread,
Some grace of her is in all thoughts you bear:
For in my memories of your homes that were


Shadows on the Down

When daffodils danced in Chuck Hatch, and white clouds
Drew their own shadowy purple across the hills,
Darkening the valley where the small flint church
The Saxon built stood roofless to the sun,
Believe me, Memory, it was not a shadow!
No shadow of a cloud you saw that day
Flowing across the smooth deep-breasted downs,
But something darker, sweeter,--the wild thyme
Of Sussex, flowing like a river of joy
That tossed a hundred skylarks up.


Shade

‘What does a certain woman know of the hour of her death?’ - Mandelstam



Tallest, suavest of us, why Memory,
forcing you to appear from the past, pass
down a train, swaying, to find me
clear profiled through the window-glass?
Angel or bird? How we debated!
The poet thought you like translucent straw.
Through dark lashes, your eyes, Georgian,
looking, with gentleness, on it all.
Shade, forgive. Blue skies, Flaubert,
Insomnia, late-blooming lilac flower,
bring you, and the magnificence of the year,


Seth Compton

When I died, the circulating library
Which I built up for Spoon River,
And managed for the good of inquiring minds,
Was sold at auction on the public square,
As if to destroy the last vestige
Of my memory and influence.
For those of you who could not see the virtue
Of knowing Volney's "Ruins" as well as Butler's "Analogy"
And "Faust" as well as "Evangeline,"
Were really the power in the village,
And often you asked me,
"What is the use of knowing the evil in the world?"
I am out of your way now, Spoon River,


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