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Poem

One cannot stay on the summit forever -
One has to come down again.
So why bother in the first place? Just this.
What is above knows what is below -
But what is below does not know what is above

One climb, one sees-
One descends and sees no longer
But one has seen!

There is an art of conducting one's self in
The lower regions by the memory of
What one saw higher up.

When one can no longer see,
One does at least still know.

Plutonian Ode

I

What new element before us unborn in nature? Is there
a new thing under the Sun?
At last inquisitive Whitman a modern epic, detonative,
Scientific theme
First penned unmindful by Doctor Seaborg with poison-
ous hand, named for Death's planet through the
sea beyond Uranus
whose chthonic ore fathers this magma-teared Lord of
Hades, Sire of avenging Furies, billionaire Hell-
King worshipped once
with black sheep throats cut, priests's face averted from
underground mysteries in single temple at Eleusis,

Playing At Priests

Within a town where parity
According to old form we see,--
That is to say, where Catholic
And Protestant no quarrels pick,
And where, as in his father's day,
Each worships God in his own way,
We Luth'ran children used to dwell,
By songs and sermons taught as well.
The Catholic clingclang in truth
Sounded more pleasing to our youth,
For all that we encounter'd there,
To us seem'd varied, joyous, fair.
As children, monkeys, and mankind
To ape each other are inclin'd,
We soon, the time to while away,
A game at priests resolved to play.

Phoebus with Admetus

WHEN by Zeus relenting the mandate was revoked,
   Sentencing to exile the bright Sun-God,
Mindful were the ploughmen of who the steer had yoked,
   Who: and what a track show'd the upturn'd sod!
Mindful were the shepherds, as now the noon severe
   Bent a burning eyebrow to brown evetide,
How the rustic flute drew the silver to the sphere,
   Sister of his own, till her rays fell wide.
   God! of whom music
   And song and blood are pure,

Peter Rugg the Bostonian

I

The mare is pawing by the oak,
The chaise is cool and wide
For Peter Rugg the Bostonian
With his little son beside;
The women loiter at the wheels
In the pleasant summer-tide.

"And when wilt thou be home, Father?"
"And when, good husband, say:
The cloud hangs heavy on the house
What time thou art away."
He answers straight, he answers short,
"At noon of the seventh day."

"Fail not to come, if God so will,
And the weather be kind and clear."
"Farewell, farewell! But who am I

Peter Quince at the Clavier

I

Just as my fingers on these keys
Make music, so the self-same sounds
On my spirit make a music, too.
Music is feeling, then, not sound;
And thus it is that what I feel,
Here in this room, desiring you,

Thinking of your blue-shadowed silk,
Is music. It is like the strain
Waked in the elders by Susanna;

Of a green evening, clear and warm,
She bathed in her still garden, while
The red-eyed elders, watching, felt

The basses of their beings throb
In witching chords, and their thin blood

Perdita

The sea coast of Bohemia
Is pleasant to the view
When singing larks spring from the grass
To fade into the blue,
And all the hawthorn hedges break
In wreaths of purest snow,
And yellow daffodils are out,
And roses half in blow.

The sea-coast of Bohemia
Is sad as sad can be,
The prince has ta’en our flower of maids
Across the violet sea;
Our Perdita has gone with him,
No more we dance the round
Upon the green in joyous play,
Or wake the tabor’s sound.

Pentecost

After the death of our son

Neither the sorrows of afternoon, waiting in the silent house,
Nor the night no sleep relieves, when memory
Repeats its prosecution.

Nor the morning's ache for dream's illusion, nor any prayers
Improvised to an unknowable god
Can extinguish the flame.

We are not as we were. Death has been our pentecost,
And our innocence consumed by these implacable
Tongues of fire.

Comfort me with stones. Quench my thirst with sand.
I offer you this scarred and guilty hand

Past and Future

The new hath come and now the old retires:
And so the past becomes a mountain-cell,
Where lone, apart, old hermit-memories dwell
In consecrated calm, forgotten yet
Of the keen heart that hastens to forget
Old longings in fulfilling new desires.


And now the Soul stands in a vague, intense
Expectancy and anguish of suspense,
On the dim chamber-threshold . . . lo! he sees
Like a strange, fated bride as yet unknown,
His timid future shrinking there alone,
Beneath her marriage-veil of mysteries.