HAST thou forgotten me? the days are dark—
Light ebbs from heaven, and songless soars the lark—
Vexed like my heart, loud moans the unquiet sea—
Hast thou forgotten me?

Hast thou forgotten me? O dead delight
Whose dreams and memories torture me to-night—
O love—my life! O sweet—so fair to see—
Hast thou forgotten me?

Hast thou forgotten? Lo, if one should say—
Noontide were night, or night were flaming day—
Grief blinds mine eyes, I know not which it be!

You never understood, O unknown one,
Why it was I repaid
Your devoted friendship and delicate ministrations
First with diminished thanks,
Afterward by gradually withdrawing my presence from you,
So that I might not be compelled to thank you,
And then with silence which followed upon
Our final Separation.
You had cured my diseased soul. But to cure it
You saw my disease, you knew my secret,
And that is why I fled from you.
For though when our bodies rise from pain
We kiss forever the watchful hands

For Margot


Snow that fallest from heaven, bear me aloft on thy wings
To the domes of the star-girdled Seven, the abode of
ineffable things,
Quintessence of joy and of strength, that, abolishing
future and past,
Mak'st the Present an infinite length, my soul all-One
with the Vast,
The Lone, the Unnameable God, that is ice of His
measureless cold,
Without being or form or abode, without motion or
matter, the fold
Where the shepherded Universe sleeps, with nor sense
nor delusion nor dream,

WILD and wet, and windy wet falls the night on Hamilton,
Hamilton that seaward looks unto the setting sun,
Lady of the patient face, lifted everlastingly,
Veiled and hushed and mystical as a cloistered nun.

O the days, the cruel days creeping over Hamilton
Like a train of haggard ghosts, homeless and accursed,
Moaning for a fleet o’ dream silver-sailed and wonderful,
Moaning for a sorrow’s sake, the fairest and the first.

O the moon, the lonely moon, leaning low on Hamilton,

Come you, cartoonists,
Hang on a strap with me here
At seven o’clock in the morning
On a Halsted street car.

Take your pencils
And draw these faces.

Try with your pencils for these crooked faces,
That pig-sticker in one corner—his mouth—
That overall factory girl—her loose cheeks.

Find for your pencils
A way to mark your memory
Of tired empty faces.

After their night’s sleep,
In the moist dawn
And cool daybreak,
Faces
Tired of wishes,
Empty of dreams.

Grey rocks, and greyer sea,
   And surf along the shore --
And in my heart a name
   My lips shall speak no more.

The high and lonely hills
   Endure the darkening year --
And in my heart endure
   A memory and a tear.

Across the tide a sail
   That tosses, and is gone --
And in my heart the kiss
   That longing dreams upon.

Grey rocks, and greyer sea,
   And surf along the shore --

A while we wandered (thus it is I dream!)
Through a long, sandy track of No Man's Land,
Where only poppies grew among the sand,
The which we, plucking, cast with scant esteem,
And ever sadlier, into the sad stream,
Which followed us, as we went, hand in hand,
Under the estranged stars, a road unplanned,
Seeing all things in the shadow of a dream.

And ever sadlier, as the stars expired,
We found the poppies rarer, till thine eyes
Grown all my light, to light me were too tired,
And at their darkening, that no surmise

Looking at an opal, a half-grey opal,
I remembered two beautiful grey eyes
I had seen it must have been twenty years before . . .

For a month we loved each other
Then he went away, I think to Smyrna,
To work there; we never saw each other again.

The grey eyes ---- if he lives ---- have lost their beauty;
The beautiful face will have been spoiled.

O Memory, preserve them as they were.
And, Memory, all you can of this love of mine
Whatever you can bring back to me tonight.

Tomb of a millionaire,
A multi-millionaire, ladies and gentlemen,
Place of the dead where they spend every year
The usury of twenty-five thousand dollars
For upkeep and flowers
To keep fresh the memory of the dead.
The merchant prince gone to dust
Commanded in his written will
Over the signed name of his last testament
Twenty-five thousand dollars be set aside
For roses, lilacs, hydrangeas, tulips,
For perfume and color, sweetness of remembrance
Around his last long home.

So this is what it's like when love
leaves, and one is disappointed
that the body and mind continue to exist,

exacting payment from each other,
engaging in stale rituals of desire,
and it would seem the best use of one's time

is not to stand for hours outside
her darkened house, drenched and chilled,
blinking into the slanting rain.

So this is what it's like to have to
practice amiability and learn
to say the orchard looks grand this evening

as the sun slips behind scumbled clouds