He knocked, and I beheld him at the door--
A vision for the gods to verify.
"What battered ancient is this," thought I,
"And when, if ever, did we meet before?"
But ask him as I might, I got no more
For answer than a moaning and a cry:
Too late to parley, but in time to die,
He staggered, and lay ahapeless on the floor.

When had I known him? And what brought him here?
Love, warning, malediction, fear?
Surely I never thwarted such as he?--
Again, what soiled obscurity was this:
Out of what scum, and up from what abyss,

All my past life is mine no more,
The flying hours are gone,
Like transitory dreams given o'er,
Whose images are kept in store
By memory alone.
II
What ever is to come is not,
How can it then be mine?
The present moment's all my lot,
And that as fast as it is got,
Phyllis, is wholly thine.
III
Then talk not of inconstancy,
False hearts, and broken vows,
Ii, by miracle, can be,
This live-long minute true to thee,
'Tis all that heaven allows.

All my past life is mine no more,
The flying hours are gone,
Like transitory dreams given o'er,
Whose images are kept in store
By memory alone.

What ever is to come is not,
How can it then be mine?
The present moment's all my lot,
And that as fast as it is got,
Phyllis, is wholly thine.

Then talk not of inconstancy,
False hearts, and broken vows,
Ii, by miracle, can be,
This live-long minute true to thee,
'Tis all that heaven allows.

All in the golden afternoon
Full leisurely we glide;
For both our oars, with little skill,
By little arms are plied,
While little hands make vain pretense
Our wanderings to guide.

Ah, cruel Three! In such an hour,
Beneath such dreamy weather,
To beg a tale of breath too weak
To stir the tiniest feather!
Yet what can one poor voice avail
Against three tongues together?

Imperious Prima flashes forth
Her edict to "begin it"--
In gentler tones Secunda hopes
"There will be nonsense in it"--

Like this alabaster box whose art
Is frail as a cassia-flower, is my heart,
Carven with delicate dreams and wrought
With many a subtle and exquisite thought.


Therein I treasure the spice and scent
Of rich and passionate memories blent
Like odours of cinnamon, sandal and clove,
Of song and sorrow and life and love.

When I think of the many people
who privately despise children,
I can't say I'm completely shocked,

having been one. I was not
exceptional, uncomfortable as that is
to admit, and most children are not

exceptional. The particulars of
cruelty, sizes Large and X-Large,
memory gnawing it like

a fat dog, are ordinary: Mean Miss
Smigelsky from the sixth grade;
the orthodontist who

slapped you for crying out. Children
frighten us, other people's and
our own. They reflect

When I am old, and comforted,
And done with this desire,
With Memory to share my bed
And Peace to share my fire,

I'll comb my hair in scalloped bands
Beneath my laundered cap,
And watch my cool and fragile hands
Lie light upon my lap.

And I will have a sprigged gown
With lace to kiss my throat;
I'll draw my curtain to the town,
And hum a purring note.

And I'll forget the way of tears,
And rock, and stir my tea.
But oh, I wish those blessed years
Were further than they be!

After the funeral, mule praises, brays,
Windshake of sailshaped ears, muffle-toed tap
Tap happily of one peg in the thick
Grave's foot, blinds down the lids, the teeth in black,
The spittled eyes, the salt ponds in the sleeves,
Morning smack of the spade that wakes up sleep,
Shakes a desolate boy who slits his throat
In the dark of the coffin and sheds dry leaves,
That breaks one bone to light with a judgment clout'
After the feast of tear-stuffed time and thistles
In a room with a stuffed fox and a stale fern,

I have an understanding with the hills
At evening when the slanted radiance fills
Their hollows, and the great winds let them be,
And they are quiet and look down at me.
Oh, then I see the patience in their eyes
Out of the centuries that made them wise.
They lend me hoarded memory and I learn
Their thoughts of granite and their whims of fern,
And why a dream of forests must endure
Though every tree be slain: and how the pure,
Invisible beauty has a word so brief
A flower can say it or a shaken leaf,

For I can snore like a bullhorn
or play loud music
or sit up talking with any reasonably sober Irishman
and Fergus will only sink deeper
into his dreamless sleep, which goes by all in one flash,
but let there be that heavy breathing
or a stifled come-cry anywhere in the house
and he will wrench himself awake
and make for it on the run - as now, we lie together,
after making love, quiet, touching along the length of our bodies,
familiar touch of the long-married,
and he appears - in his baseball pajamas, it happens,