mirror

In the dim chamber whence but yesterday
Passed my belovèd, filled with awe I stand;
And haunting Loves fluttering on every hand
Whisper her praises who is far away.
A thousand delicate fancies glance and play
On every object which her robes have fanned,
And tenderest thoughts and hopes bloom and expand
In the sweet memory of her beauty's ray.
Ah! could that glass but hold the faintest trace
Of all the loveliness once mirrored there,
The clustering glory of the shadowy hair

In the mid-city, under an oiled sky,
I lay in a garden of such dusky green
It seemed the dregs of the imagination.
Hedged round by elegant spears of iron fence
My face became a moon to absent suns.
A low heat beat upon my reading face;
There rose no roses in that gritty place
But blue-gray lilacs hung their tassels out.
Hard zinnias and ugly marigolds
And one sweet statue of a child stood by.

A gutter of poetry flowed outside the yard,
Making me think I was a bird of prose;

They lie in parallel rows,
on ice, head to tail,
each a foot of luminosity
barred with black bands,
which divide the scales'
radiant sections

like seams of lead
in a Tiffany window.
Iridescent, watery

prismatics: think abalone,
the wildly rainbowed
mirror of a soap-bubble sphere,

think sun on gasoline.
Splendor, and splendor,
and not a one in any way

distinguished from the other
--nothing about them
of individuality. Instead

Such insignificance: a glance
at your record on the doctor's desk
or a letter not meant for you.
How could you have known? It's not true
that your life passes before you
in rapid motion, but your watch
suddenly ticks like an amplified heart,
the hands freezing against a white
that is a judgment. Otherwise nothing.
The face in the mirror is still yours.
Two men pass on the sidewalk
and do not stare at your window.
Your room is silent, the plants
locked inside their mysterious lives

Ho, a day
Whereon we may up and away,
With a fetterless wind that is out on the downs,
And there piping a call to the fallow and shore,
Where the sea evermore
Surgeth over the gray reef, and drowns
The fierce rocks with white foam;
It is ours with untired feet to roam
Where the pines in green gloom of wide vales make their murmuring home,
Or the pools that the sunlight hath kissed
Mirror back a blue sky that is winnowed of cloud and of mist!

Ho, a day
Whereon we may up and away

It will not always be like this,
The air windless, a few last
Leaves adding their decoration
To the trees’ shoulders, braiding the cuffs
Of the boughs with gold; a bird preening

In the lawn’s mirror. Having looked up
From the day’s chores, pause a minute,
Let the mind take its photograph
Of the bright scene, something to wear
Against the heart in the long cold.

While the sun stops, or
seems to, to define a term
for the indeterminable,
the human aspect, here
in the West Village, spindles
to a mutilated dazzle—

niched shards of solitude
embedded in these brownstone
walkups such that the Hudson
at the foot of Twelfth Street
might be a thing that's
done with mirrors: definition

by deracination—grunge,
hip-hop, Chinese takeout,
co-ops—while the globe's
elixir caters, year by year,
to the resurgence of this

You say we bushmen cannot love—
Our lives are too prosaic: hence
We lose or lack that finer sense
That raises some few men above
Their fellows, setting them apart
As vessels of a finer make—
The acme of the potter’s art—
Are placed apart upon the shelf.
So he is more than common delf,
And, more than brute in human guise,
Who, seeking, finds his nobler self
Twin-mirrored in a woman’s eyes!
Yet these things bring their penalty:
For oft the merest touch will break
These vessels of a finer make;

From the first it had been like a
Ballad. It had the beat inevitable. It had the blood.
A wildness cut up, and tied in little bunches,
Like the four-line stanzas of the ballads she had never quite
understood--the ballads they had set her to, in school.


Herself: the milk-white maid, the "maid mild"
Of the ballad. Pursued
By the Dark Villain. Rescued by the Fine Prince.
The Happiness-Ever-After.
That was worth anything.
It was good to be a "maid mild."
That made the breath go fast.

In every presence there is absence.

When we're together, the spaces between
Threaten to enclose our bodies
And isolate our spirits.
The mirror reflects what we are not,
And we wonder if our mate
Suspects a fatal misreading
Of our original text,
Not to mention the dreaded subtext.
Reality, we fear, mocks appearance.
Or is trapped in a hall of mirrors
Where infinite regress prevents
A grateful egress. That is,
We can never know the meaning
Of being two-in-one,
Or if we are one-in-two.