The Shadow of God

To Mohács
in the marshlands, still in the pouring rain,
August 29th, 1526, where those summoned
and hastily gathered died in thousands
in the space of a moment the chronicler
scribbles, in the safety of distance,
cruel panthers in a moment to hell's pit.
That day the guns chained wheel to wheel,
smoke and the cries of men and horses,
the knights shot from their saddles, armour
dragging them into the mire, the hooves
stamping them in, the infantry butchered,
in the space of a moment the swift


The Sea Wind

I am a pool in a peaceful place,
I greet the great sky face to face,
I know the stars and the stately moon
And the wind that runs with rippling shoon--
But why does it always bring to me
The far-off, beautiful sound of the sea?

The marsh-grass weaves me a wall of green,
But the wind comes whispering in between,
In the dead of night when the sky is deep
The wind comes waking me out of sleep--
Why does it always bring to me
The far-off, terrible call of the sea?


The Rime Of The Ancient Mariner

IN SEVEN PARTS

Facile credo, plures esse Naturas invisibiles quam visibiles in rerum
universitate. Sed horum omnium familiam quis nobis enarrabit ? et gradus et
cognationes et discrimina et singulorum munera ? Quid agunt ? quae loca
habitant ? Harum rerum notitiam semper ambivit ingenium humanum, nunquam
attigit. Juvat, interea, non diffiteor, quandoque in animo, tanquam in
tabulâ, majoris et melioris mundi imaginem contemplari : ne mens assuefacta
hodiernae vitae minutiis se contrahat nimis, et tota subsidat in pusillas


The Rigs O' Barley

It was upon a Lammas night,
When corn rigs are bonnie,
Beneath the moon's unclouded light,
I held away to Annie:
The time flew by wi' tentless heed
Till 'tween the late and early,
Wi' sma' persuasion, she agreed
To see me thro' the barley.
Corn rigs, an' barley rigs,
An' corn rigs are bonnie:
I'll ne'er forget that happy night,
Amang the rigs wi' Annie.

The sky was blue, the wind was still,
The moon was shining clearly:


The Rhyme of the Three Greybeards

He'd been for years in Sydney "a-acting of the goat",
His name was Joseph Swallow, "the Great Australian Pote",
In spite of all the stories and sketches that he wrote.

And so his friends held meetings (Oh, narrow souls were theirs!)
To advertise their little selves and Joseph's own affairs.
They got up a collection for Joseph unawares.

They looked up his connections and rivals by the score –
The wife who had divorced him some twenty years before,
And several politicians he'd made feel very sore.


The Sea and the Hills

Who hath desired the Sea? -- the sight of salt water unbounded --
The heave and the halt and the hurl and the crash of the comber wind-hounded?
The sleek-barrelled swell before storm, grey, foamless, enormous, and growing --
Stark calm on the lap of the Line or the crazy-eyed hurricane blowing --
His Sea in no showing the same his Sea and the same 'neath each showing:
His Sea as she slackens or thrills?
So and no otherwise -- so and no otherwise -- hillmen desire their Hills!


The Romany Girl

The sun goes down, and with him takes
The coarseness of my por attire;
The fair moon mounts, and aye the flame
Of Gypsy beauty blazes higher.

Pale Northern girls! you scorn our race;
You captives of your air-tight halls,
Wear out in-doors your sickly days,
But leave us the horizon walls.

And if I take you, dames, to task,
And say it frankly without guile,
Then you are Gypsies in a mask,
And I the lady all the while.

If, on the heath, below the moon,


The Seasons Winter

See! Winter comes, to rule the varied Year,
Sullen, and sad; with all his rising Train,
Vapours, and Clouds, and Storms: Be these my Theme,
These, that exalt the Soul to solemn Thought,
And heavenly musing. Welcome kindred Glooms!
Wish'd, wint'ry, Horrors, hail! -- With frequent Foot,
Pleas'd, have I, in my cheerful Morn of Life,
When, nurs'd by careless Solitude, I liv'd,
And sung of Nature with unceasing Joy,
Pleas'd, have I wander'd thro' your rough Domains;
Trod the pure, virgin, Snows, my self as pure:


The Sea to the Shell

The sea, my mother, is singing to me,
   She is singing the old refrain,
Of passion, of love, and of mystery,
   And her world-old song of pain;
Of the mirk midnight and the dazzling day,
That trail their robes o'er the wet sea-way.

The sea, my mother, is singing to me
   With the white foam caught in her hair,
With the seaweed swinging its long arms free,
   To grapple the blown sea air:
The sea, my mother, with billowy swell,
Is telling her tale to the wave-washed shell.


The Sea and the Skylark

On ear and ear two noises too old to end
Trench—right, the tide that ramps against the shore;
With a flood or a fall, low lull-off or all roar,
Frequenting there while moon shall wear and wend.

Left hand, off land, I hear the lark ascend,
His rash-fresh re-winded new-skeinèd score
In crisps of curl off wild winch whirl, and pour
And pelt music, till none ’s to spill nor spend.

How these two shame this shallow and frail town!
How ring right out our sordid turbid time,


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