moon

The Crossing of the Rubicon

Wars worse than civil on Emathian plains,
And crime let loose we sing; how Rome's high race
Plunged in her vitals her victorious sword;
Armies akin embattled, with the force
Of all the shaken earth bent on the fray;
And burst asunder, to the common guilt,
A kingdom's compact; eagle with eagle met,
Standard to standard, spear opposed to spear.

Whence, citizens, this rage, this boundless lust
To sate barbarians with the blood of Rome?

Description of Peru, and of its Productions--Virtues of the People;
and of their Monarch, ATALIBA --His love for ALZIRA --Their Nup-
tials celebrated--Character of ZORAI , her Father--Descent of the
Genius of Peru--Prediction of the Fall of that Empire.


Where the Pacific deep in silence laves
The western shore, with slow, and languid waves,
There, lost PERUVlA ! bloom'd thy cultur'd bowers,
Thy vallies fragrant with perennial flowers;
There, far above, the Pine unbending rose,
Along the pathway of thy mountain snows;

IN a forest, far away,
One small creeklet, day by day,
Murmurs only this sad lay:
‘Peace be with thee, Lilian.’

One old box-tree bends his head,
One broad wattle shades her bed,
One lone magpie mourns the dead:
‘Peace be with thee, Lilian.’

Echoes come on every breeze,
Sighing through the ancient trees,
Whisp’ring in their melodies:
‘Peace be with thee, Lilian.’

Mellow sunbeams, morn and eve,
Quick to come and slow to leave,

Sun, moon, and stars, the ample air,
The birds shrill whistling everywhere,
Fields white with lambs and daisies;
The pearls of eve, the jewelled morn,
The rose rich blowing on the thorn,
The glow of blush-rose faces;
The silver glint of sun-smit rain,
The shattered sun-gold of the main,
And heaven's sweet breath that moves it;
The earth, our myriad-bosomed nurse,
This whole miraculous universe
Belongs to him who loves it!


Why fret then for the gold of this,

He. Dear, I must be gone
While night Shuts the eyes
Of the household spies;
That song announces dawn.

She. No, night's bird and love's
Bids all true lovers rest,
While his loud song reproves
The murderous stealth of day.

He. Daylight already flies
From mountain crest to crest

She. That light is from the moon.

He. That bird...

She. Let him sing on,
I offer to love's play
My dark declivities.

Listen, my children, and you shall hear
Of the midnight ride of Paul Revere,
On the eighteenth of April, in 'Seventy-five;
Hardly a man is now alive
Who remembers that famous day and year.

He said to his friend, "If the British march
By land or sea from the town to-night,
Hang a lantern aloft in the belfry arch
Of the North Church tower as a signal light, --
One, if by land, and two, if by sea;
And I on the opposite shore will be,
Ready to ride and spread the alarm
Through every Middlesex village and farm,

They did not recognize me in the shadows
That suck away my color in this Passport
And to them my wound was an exhibit
For a tourist Who loves to collect photographs
They did not recognize me,
Ah... Don't leave
The palm of my hand without the sun
Because the trees recognize me
Don't leave me pale like the moon!

All the birds that followed my palm
To the door of the distant airport
All the wheatfields
All the prisons
All the white tombstones
All the barbed Boundaries

ANOTHER METHOD

OF MAKING WALNUT CATSUP





And this is a very small cookbook for Trout Fishing in America

as if Trout Fishing in America were a rich gourmet and

Trout Fishing in America had Maria Callas for a girlfriend

and they ate together on a marble table with beautiful candles.



Compote of Apples



Take a dozen of golden pippins, pare them

nicely and take the core out with a small

penknife; put them into some water, and

Listened but couldn't hear
the subject hissing: looked up to
pages of stuttering rain (it tastes

green), warmer while the song decays
such weather full of precedent
A body made of water

dropped from a stratus
window mists over as it falls,
all hesitating sluice and flume

*

A water-worded book, muttering
foam of nouns, matte adjectives
and artifacts: torn pieces of

the visible, divisible by threes
A lot absorbed in rubble and the day's
debris litters the nocturne

From all of this I am the only one who leaves.
From this bench I go away, from my pants,
from my great situation, from my actions,
from my number split side to side,
from all of this I am the only one who leaves.

From the Champs Elysées or as the strange
alley of the Moon makes a turn,
my death goes away, my cradle leaves,
and, surrounded by people, alone, cut loose,
my human resemblance turns around
and dispatches its shadows one by one.

And I move away from everything, since everything