I CANNOT forget my Joe,
I bid him be mine in sleep;
But battle and woe have changed him so
There ’s nothing to do but weep.

My mother rebukes me yet,
And I never was meek before;
His jacket is wet, his lip cold set,
He ’ll trouble our home no more.

Oh, breaker of reeds that bend!
Oh, quencher of tow that smokes!
I ’d rather descend to my sailor friend
Than prosper with lofty folks.

I ’m lying beside the gowan,
My Joe in the English bay;
I ’m Annie Rowan, his Annie Rowan,

Part One


The power of charity sows deep in my heart, and I reap and gather the wheat in bundles and give them to the hungry.

My soul gives life to the grapevine and I press its bunches and give the juice to the thirsty.

Heaven fills my lamp with oil and I place it at my window to direct the stranger through the dark.

I do all these things because I live in them; and if destiny should tie my hands and prevent me from so doing, then death would be my only desire. For I am a poet, and if I cannot give, I shall refuse to receive.

Art thou a Statist in the van
Of public conflicts trained and bred?
--First learn to love one living man;
'Then' may'st thou think upon the dead.

A Lawyer art thou?--draw not nigh!
Go, carry to some fitter place
The keenness of that practised eye,
The hardness of that sallow face.

Art thou a Man of purple cheer?
A rosy Man, right plump to see?
Approach; yet, Doctor, not too near,
This grave no cushion is for thee.

Or art thou one of gallant pride,
A Soldier and no man of chaff?

The dark wings of night enfolded the city upon which Nature had spread a pure white garment of snow; and men deserted the streets for their houses in search of warmth, while the north wind probed in contemplation of laying waste the gardens. There in the suburb stood an old hut heavily laden with snow and on the verge of falling. In a dark recess of that hovel was a poor bed in which a dying youth was lying, staring at the dim light of his oil lamp, made to flicker by the entering winds.

Long ere I knew thee—years of loveless days,
A shape would gather from my dreams, and pour
The soul-sweet influence of its gentle gaze
Into my heart, to thrill it to the core:
Then would I wake, with lonely heart to pine
For the nocturnal image—it was thine.
Thine—for though long with a fond moody heed
I sought to find it in the beauteous creatures
I met in the world’s ways, twas but to bleed
With disappointment, for all forms, all features,
Yet left it void of living counterpart—

'Tis fit SERENA shou'd be sung.
High-born SERENA, Fair and Young,
Shou'd be of ev'ry Muse and Voice
The pleasing, and applauded Choice.
But as the Meanest of the Show
Do First in all Processions go:
So, let my Steps pursue that Swain
The humblest of th' inspired Train;
Whose well-meant Verse did just appear,
To lead on the preceding Year:
So let my Pen, the next in Fame,
Now wait on fair SERENA's Name;
The second Tribute gladly pay,
And hail this blest returning Day.
But let it not attempt to raise

I cannot eat my porridge,
I weary of my play;
No longer can I sleep at night,
No longer romp by day!
Though forty pounds was once my weight,
I'm shy of thirty now;
I pine, I wither and I fade
Through love of Martha Clow.

As she rolled by this morning
I heard the nurse girl say:
"She weighs just twenty-seven pounds
And she's one year old to-day."
I threw a kiss that nestled
In the curls upon her brow,
But she never turned to thank me--
That bouncing Martha Clow!

She ought to know I love her,

THE TURN
Brave infant of Saguntum, clear
Thy coming forth in that great year,
When the prodigious Hannibal did crown
His rage with razing your immortal town.
Thou looking then about,
Ere thou wert half got out,
Wise child, didst hastily return,
And mad'st thy mother's womb thine urn.
How summ'd a circle didst thou leave mankind
Of deepest lore, could we the centre find!

THE COUNTER-TURN

Did wiser nature draw thee back,
From out the horror of that sack;

A Mother's breast:
Safe refuge from her childish fears,
From childish troubles, childish tears,
Mists that enshroud her dawning years!
see how in sleep she seems to sing
A voiceless psalm--an offering
Raised, to the glory of her King
In Love: for Love is Rest.


A Darling's kiss:
Dearest of all the signs that fleet
From lips that lovingly repeat
Again, again, the message sweet!
Full to the brim with girlish glee,
A child, a very child is she,
Whose dream of heaven is still to be

The murmur of the mourning ghost
That keeps the shadowy kine,
"Oh, Keith of Ravelston,
The sorrows of thy line!"

Ravelston, Ravelston,
The merry path that leads
Down the golden morning hill,
And thro' the silver meads;

Ravelston, Ravelston,
The stile beneath the tree,
The maid that kept her mother's kine,
The song that sang she!

She sang her song, she kept her kine,
She sat beneath the thorn,
When Andrew Keith of Ravelston
Rode thro' the Monday morn.