Tear forever the garland of Homer, and number the fathers
Of the immortal work, that through all time will survive!
Yet it has but one mother, and bears that mother's own feature,
'Tis thy features it bears,--Nature,--thy features eterne!
Taped to the wall of my cell are 47 pictures: 47 black
faces: my father, mother, grandmothers (1 dead), grand-
fathers (both dead), brothers, sisters, uncles, aunts,
cousins (1st and 2nd), nieces, and nephews.They stare
across the space at me sprawling on my bunk.I know
their dark eyes, they know mine.I know their style,
they know mine.I am all of them, they are all of me;
they are farmers, I am a thief, I am me, they are thee.
I have at one time or another been in love with my mother,
We sent a word across the seas that said,
"The house is finished and the doors are wide,
Come, enter in.
A stately house it is, with tables spread,
Where men in liberty and love abide
With hearts akin.
"Behold, how high our hands have lifted it!
The soil it stands upon is pure and sweet
As are our skies.
Our title deeds in holy sweat are writ,
Not red accusing blood -- and 'neath our feet
No foeman lies."
And England, Mother England, leans her face
'Draw three cards, and I will tell your future . . .
Draw three cards, and lay them down,
Rest your palms upon them, stare at the crystal,
And think of time . . . My father was a clown,
My mother was a gypsy out of Egypt;
And she was gotten with child in a strange way;
And I was born in a cold eclipse of the moon,
With the future in my eyes as clear as day.'
I sit before the gold-embroidered curtain
And think her face is like a wrinkled desert.
The crystal burns in lamplight beneath my eyes.
A milk-white Hind, immortal and unchang'd,
Fed on the lawns, and in the forest rang'd;
Without unspotted, innocent within,
She fear'd no danger, for she knew no sin.
Yet had she oft been chas'd with horns and hounds
And Scythian shafts; and many winged wounds
Aim'd at her heart; was often forc'd to fly,
And doom'd to death, though fated not to die.
Not so her young; for their unequal line
Was hero's make, half human, half divine.
Their earthly mold obnoxious was to fate,
In city shop a hat I saw
That to my fancy seemed to strike,
I gave my wage to buy the straw,
And make myself a one the like.
I wore it to the village fair;
Oh proud I was, though poor was I.
The maids looked at me with a stare,
The lads looked at me with a sigh.
I wore it Sunday to the Mass.
The other girls wore handkerchiefs.
I saw them darkly watch and pass,
With sullen smiles, with hidden griefs.
And then with sobbing fear I fled,
But they waylayed me on the street,
Like a drift of faded blossoms
Caught in a slanting rain,
His fingers glimpsed down the strings of his harp
In a tremulous refrain:
Patter and tinkle, and drip and drip!
Ah! but the chords were rainy sweet!
And I closed my eyes and I bit my lip,
As he played there in the street.
Patter, and drip, and tinkle!
And there was the little bed
In the corner of the garret,
And the rafters overhead!
And there was the little window --
Tinkle, and drip, and drip!--
Midnight; bells toll, and along the cloud-high towers
The golden lights go out . . .
The yellow windows darken, the shades are drawn,
In thousands of rooms we sleep, we await the dawn,
We lie face down, we dream,
We cry aloud with terror, half rise, or seem
To stare at the ceiling or walls . . .
Midnight . . . the last of shattering bell-notes falls.
A rush of silence whirls over the cloud-high towers,
A vortex of soundless hours.
'The bells have just struck twelve: I should be sleeping.
There fared a mother driven forth
Out of an inn to roam;
In the place where she was homeless
All men are at home.
The crazy stable close at hand,
With shaking timber and shifting sand,
Grew a stronger thing to abide and stand
Than the square stones of Rome.
For men are homesick in their homes,
And strangers under the sun,
And they lay on their heads in a foreign land
Whenever the day is done.
Here we have battle and blazing eyes,
And chance and honour and high surprise,
I paced alone on the road across the field while the sunset was
hiding its last gold like a miser.
The daylight sank deeper and deeper into the darkness, and the
widowed land, whose harvest had been reaped, lay silent.
Suddenly a boy's shrill voice rose into the sky. He traversed
the dark unseen, leaving the track of his song across the hush of
the evening.
His village home lay there at the end of the waste land,
beyond the sugar-cane field, hidden among the shadows of the banana
