Their reward is
they become innocent again,

and when they reappear in memory
death has completely erased
the blurs, given them boundaries. They rise

and move through their new world with clean,
clear edges. My grandmother, in particular
has become buoyant, unattached finally

from her histories, from the trappings
of family. By no means was she

a good woman. But the dead don't care anymore for that.
Weightless, they no longer assume
responsibility, they no longer

have bodies. Once,

Take the name of the swain, a forlorn witless elf
Who was chang'd to a flow'r for admiring himself.
A part deem'd essential in each lady's dress
With what maidens cry when they wish to say yes.
A lullabye carriage, soft, cozy and light
With the name of the Poet who sang on the night.

The queen of Cairo, all lovely and winning
Whose blandishments ever kept Antony grinning.
The flow'r whose odors unremittingly please:
With the glory of forests, the king of the trees.
To the prince of the fairies, a jealous old knave,

This, then, is she,
My mother as she looked at seventeen,
When she first met my father. Young incredibly,
Younger than spring, without the faintest trace
Of disappointment, weariness, or tean
Upon the childlike earnestness and grace
Of the waiting face.
Those close-wound ropes of pearl
(Or common beads made precious by their use)
Seem heavy for so slight a throat to wear;
But the low bodice leaves the shoulders bare
And half the glad swell of the breast, for news
That now the woman stirs within the girl.
And yet,

On all Arcadia's sunny plain,
On all Arcadia's hill,
None were so blithe as BILL and JANE,
So blithe as JANE and BILL.

No social earthquake e'er occurred
To rack their common mind:
To them a Panic was a word -
A Crisis, empty wind.

No Stock Exchange disturbed the lad
With overwhelming shocks -
BILL ploughed with all the shares he had,
JANE planted all her stocks.

And learn in what a simple way
Their pleasures they enhanced -
JANE danced like any lamb all day,
BILL piped as well as danced.

A young man of strong body, weakened by hunger, sat on the walker's portion of the street stretching his hand toward all who passed, begging and repeating his hand toward all who passed, begging and repeating the sad song of his defeat in life, while suffering from hunger and from humiliation.

When night came, his lips and tongue were parched, while his hand was still as empty as his stomach.

Slipping softly through the sky
Little horned, happy moon,
Can you hear me up so high?
Will you come down soon?

On my nursery window-sill
Will you stay your steady flight?
And then float away with me
Through the summer night?

Brushing over tops of trees,
Playing hide and seek with stars,
Peeping up through shiny clouds
At Jupiter or Mars.

I shall fill my lap with roses
Gathered in the milky way,
All to carry home to mother.
Oh! what will she say!

Little rocking, sailing moon,

The biggest crane on earth, it lifts
Two hundred ton more easily
Than I can lift my heavy head:
And when it swings, the whole world shifts,
Or so, at least, it seems to me,
As, day and night, adream I lie
Upon my crippled back in bed,
And watch it against the sky.

My mother, hunching in her chair,
Day-long, and stitching trousers there--
At three-and-three the dozen pair . . .
She'd sit all night, and stitch for me,
Her son, if I could only wear . . .
She never lifts her eyes to see

My mother's maids, when they did sew and spin,
They sang sometime a song of the field mouse,
That for because her livelood was but thin
Would needs go seek her townish sister's house.
She thought herself endured to much pain:
The stormy blasts her cave so sore did souse
That when the furrows swimmed with the rain
She must lie cold and wet in sorry plight,
And, worse than that, bare meat there did remain
To comfort her when she her house had dight:
Sometime a barleycorn, sometime a bean,
For which she labored hard both day and night

Inscribed to Robert Aiken, Esq.

Let not Ambition mock their useful toil,
Their homely joys and destiny obscure;
Nor Grandeur hear with a disdainful smile,
The short and simple annals of the poor.
        (Gray, "Elegy Written in a Country Churchyard")

My lov'd, my honour'd, much respected friend!
No mercenary bard his homage pays;
With honest pride, I scorn each selfish end:
My dearest meed a friend's esteem and praise.
To you I sing, in simple Scottish lays,

For Jews, the Cossacks are always coming.
Therefore I think the sun spot on my arm
is melanoma. Therefore I celebrate
New Year's Eve by counting
my annual dead.

My mother, when she was dying,
spoke to her visitors of books
and travel, displaying serenity
as a form of manners, though
I could tell the difference.

But when I watched you planning
for a life you knew
you'd never have, I couldn't explain
your genuine smile in the face
of disaster. Was it denial

laced with acceptance? Or was it