Skip to main content

Thanksgiving

Gettin' together to smile an' rejoice,
An' eatin' an' laughin' with folks of your choice;
An' kissin' the girls an' declarin' that they
Are growin' more beautiful day after day;
Chattin' an' braggin' a bit with the men,
Buildin' the old family circle again;
Livin' the wholesome an' old-fashioned cheer,
Just for awhile at the end of the year.
Greetings fly fast as we crowd through the door
And under the old roof we gather once more
Just as we did when the youngsters were small;

Thank You Mother

Thank you very much mother
Your advices have cleansed my mind
Of uselessness I acquired while I was away from you
Thank you maman Balenga…
Thank you very much mother
Your advices have helped me to embrace
The entire humanity as whole, Regardless of…

Thanatos Basileos

The serpent dips his head beneath the sea
His mother, source of all his energy
Eternal, thence to draw the strength he needs
On earth to do indomitable dees
Once more; and they, who saw but understood
Naught of his nature of beatitude
Were awed: they murmured with abated breath;
Alas the Master; so he sinks in death.
But whoso knows the mystery of man
Sees life and death as curves of one same plan.

Temperance Reform Clubs

Air -- "Perhaps"

I
Some enterprising people,
In our cities and towns,
Have gone to organizing clubs
Of men that's fallen down;
In estimation fallen low --
Now they may rise again,
And be respected citizens
Throughout our native land.
II
CHORUS:

The temperance reform club,
Forever may it stand,
And everyone that loves strong drink
Pray, join it heart and hand.
Then many a home will be bright,
And many a heart made glad,
It will be the greatest blessing
This nation ever had.
III

Tasso Dying

What festival is ancient Rome preparing?
Where flow the crowds in noisy waves?
Why these aromas, myrrh's sweet smoke
And censers all around abrim with fragrant herbs?
From Capitoline Hill to Tiber's waves,
Above universal city's streets,
Why are the priceless rugs and purple stuffs
Spread among garlands, laurels?
Why all this noise? The crash and thump of timpani?
Are these heralds of joy or triumph?
Why wearing the miter hastes the holy father
With gonfalon to the prayer house?

Taking Off Emily Dickinson's Clothes

First, her tippet made of tulle,
easily lifted off her shoulders and laid
on the back of a wooden chair.

And her bonnet,
the bow undone with a light forward pull.

Then the long white dress, a more
complicated matter with mother-of-pearl
buttons down the back,
so tiny and numerous that it takes forever
before my hands can part the fabric,
like a swimmer's dividing water,
and slip inside.

You will want to know
that she was standing
by an open window in an upstairs bedroom,
motionless, a little wide-eyed,

Take the I Out

But I love the I, steel I-beam
that my father sold. They poured the pig iron
into the mold, and it fed out slowly,
a bending jelly in the bath, and it hardened,
Bessemer, blister, crucible, alloy, and he
marketed it, and bought bourbon, and Cream
of Wheat, its curl of butter right
in the middle of its forehead, he paid for our dresses
with his metal sweat, sweet in the morning
and sour in the evening. I love the I,
frail between its flitches, its hard ground
and hard sky, it soars between them
like the soul that rushes, back and forth,

Sweet And Low

Sweet and low, sweet and low,
Wind of the western sea,
Low, low, breathe and blow,
Wind of the western sea!
Over the rolling waters go,
Come from the dying moon, and blow,
Blow him again to me;
While my little one, while my pretty one, sleeps.

Sleep and rest, sleep and rest,
Father will come to thee soon;
Rest, rest, on mother's breast,
Father will come to thee soon;
Father will come to his babe in the best,
Silver sails all out of the west,
Under the silver moon:
Sleep, my little one, sleep, my pretty one, sleep.