mother

It was my thirtieth year to heaven
Woke to my hearing from harbour and neighbour wood
And the mussel pooled and the heron
Priested shore
The morning beckon
With water praying and call of seagull and rook
And the knock of sailing boats on the net webbed wall
Myself to set foot
That second
In the still sleeping town and set forth.

My birthday began with the water-
Birds and the birds of the winged trees flying my name
Above the farms and the white horses
And I rose
In rainy autumn

The lump of coal my parents teased
I'd find in my Christmas stocking
turned out each year to be an orange,
for I was their sunshine.

Now I have one C. gave me,
a dense node of sleeping fire.
I keep it where I read and write.
"You're on chummy terms with dread,"

it reminds me. "You kiss ambivalence
on both cheeks. But if you close your
heart to me ever I'll wreathe you in flames
and convert you to energy."

I don't know what C. meant me to mind
by her gift, but the sun returns

About the size of an old-style dollar bill,
American or Canadian,
mostly the same whites, gray greens, and steel grays
-this little painting (a sketch for a larger one?)
has never earned any money in its life.
Useless and free., it has spent seventy years
as a minor family relic handed along collaterally to owners
who looked at it sometimes, or didn't bother to.

It must be Nova Scotia; only there
does one see abled wooden houses
painted that awful shade of brown.
The other houses, the bits that show, are white.

For oh, when the war will be over
We'll go and we'll look for our dead;
We'll go when the bee's on the clover,
And the plume of the poppy is red:
We'll go when the year's at its gayest,
When meadows are laughing with flow'rs;
And there where the crosses are greyest,
We'll seek for the cross that is ours.

For they cry to us: Friends, we are lonely,
A-weary the night and the day;
But come in the blossom-time only,
Come when our graves will be gay:
When daffodils all are a-blowing,

Phyllida. CORYDON, arise, my Corydon!
   Titan shineth clear.
Corydon. Who is it that calleth Corydon?
   Who is it that I hear?
Phyl. Phyllida, thy true love, calleth thee,
   Arise then, arise then,
   Arise and keep thy flock with me!
Cor. Phyllida, my true love, is it she?
   I come then, I come then,
   I come and keep my flock with thee.

Phyl. Here are cherries ripe for my Corydon;
   Eat them for my sake.
Cor. Here 's my oaten pipe, my lovely one,
   Sport for thee to make.

All afternoon my brothers and I have worked in the orchard,
Digging this hole, laying you into it, carefully packing the soil.
Rain blackened the horizon, but cold winds kept it over the Pacific,
And the sky above us stayed the dull gray
Of an old year coming to an end.

In Sicily a father plants a tree to celebrate his first son's birth--
An olive or a fig tree--a sign that the earth has one more life to bear.
I would have done the same, proudly laying new stock into my father's orchard,

If Pliny, Lord High Treasurer of al
Natures exchequer shuffled in this our ball,
Peinture her richer rival did admire,
And cry'd she wrought with more almighty fire,
That judg'd the unnumber'd issue of her scrowl,
Infinite and various as her mother soul,
That contemplation into matter brought,
Body'd Ideas, and could form a thought.
Why do I pause to couch the cataract,
And the grosse pearls from our dull eyes abstract,
That, pow'rful Lilly, now awaken'd we
This new creation may behold by thee?

Musings of a Police Reporter in the Identification Bureau

You have loved forty women, but you have only one thumb.
You have led a hundred secret lives, but you mark only
one thumb.
You go round the world and fight in a thousand wars and
win all the world's honors, but when you come back
home the print of the one thumb your mother gave
you is the same print of thumb you had in the old
home when your mother kissed you and said good-by.
Out of the whirling womb of time come millions of men

Desponding Phillis was endu'd
With ev'ry Talent of a Prude,
She trembled when a Man drew near;
Salute her, and she turn'd her Ear:
If o'er against her you were plac't
She durst not look above your Wa[i]st;
She'd rather take you to her Bed
Than let you see her dress her Head;
In Church you heard her thro' the Crowd
Repeat the Absolution loud;
In Church, secure behind her Fan
She durst behold that Monster, Man:
There practic'd how to place her Head,
And bit her Lips to make them red:

In a vision Liberty stood
By the childless charm-stricken bed
Where, barren of glory and good,
Knowing nought if she would not or would,
England slept with her dead.

Her face that the foam had whitened,
Her hands that were strong to strive,
Her eyes whence battle had lightened,
Over all was a drawn shroud tightened
To bind her asleep and alive.

She turned and laughed in her dream
With grey lips arid and cold;
She saw not the face as a beam
Burn on her, but only a gleam