music

Elected Silence, sing to me
And beat upon my whorlèd ear,
Pipe me to pastures still and be
The music that I care to hear.

Shape nothing, lips; be lovely-dumb:
It is the shut, the curfew sent
From there where all surrenders come
Which only makes you eloquent.

Be shellèd, eyes, with double dark
And find the uncreated light:
This ruck and reel which you remark
Coils, keeps, and teases simple sight.

Palate, the hutch of tasty lust,
Desire not to be rinsed with wine:

Oh, weren't they the fine boys! You never saw the beat of them,
Singing all together with their throats bronze-bare;
Fighting-fit and mirth-mad, music in the feet of them,
Swinging on to glory and the wrath out there.
Laughing by and chaffing by, frolic in the smiles of them,
On the road, the white road, all the afternoon;
Strangers in a strange land, miles and miles and miles of them,
Battle-bound and heart-high, and singing this tune:

It's a long way to Tipperary,
It's a long way to go;

'Tis finished! 'tis ended!
The dread and awful task is done;
Tho' wounded and bleeding,
'tis ours to sing the vict'ry won,
Our nation is ransom'd--our enemies are overthrown
And now, now commoners, the brightest era ever known.

Then sing hallelujah! sing hallelujah!
Glory be to God on high!
For the old flag with the high white flag
is hanging in the azure sky.

Ye joy bells! ye peace-bells!
Oh never, never music rang,
So sweetly, so grandly, since angels in the advent sang,

He travels after a winter sun,
Urging the cattle along a cold red road,
Calling to them, a voice they know,
He drives his beasts above Cabra.

The voice tells them home is warm.
They moo and make brute music with their hoofs.
He drives them with a flowering branch before him,
Smoke pluming their foreheads.

Boor, bond of the herd,
Tonight stretch full by the fire!
I bleed by the black stream
For my torn bough!

501

This World is not Conclusion.
A Species stands beyond—
Invisible, as Music—
But positive, as Sound—
It beckons, and it baffles—
Philosophy—don't know—
And through a Riddle, at the last—
Sagacity, must go—
To guess it, puzzles scholars—
To gain it, Men have borne
Contempt of Generations
And Crucifixion, shown—
Faith slips—and laughs, and rallies—
Blushes, if any see—
Plucks at a twig of Evidence—
And asks a Vane, the way—
Much Gesture, from the Pulpit—

I

As long as Fame's imperious music rings
Will poets mock it with crowned words august;
And haggard men will clamber to be kings
As long as Glory weighs itself in dust.

II

Drink to the splendor of the unfulfilled,
Nor shudder for the revels that are done:
The wines that flushed Lucullus are all spilled,
The strings that Nero fingered are all gone.

III

We cannot crown ourselves with everything,
Nor can we coax the Fates for us to quarrel:

first time my father overheard me listening to
this bit of music he asked me,
"what is it?"
"it's called Love For Three Oranges,"
I informed him.
"boy," he said, "that's getting it
cheap."
he meant sex.
listening to it
I always imagined three oranges
sitting there,
you know how orange they can
get,
so mightily orange.
maybe Prokofiev had meant
what my father
thought.
if so, I preferred it the
other way
the most horrible thing
I could think of

I gave my thoughts a golden peach,
A silver citron tree;
They clustered dumbly out of reach
And would not sing for me.

I built my thoughts a roof of rush,
A little byre beside;
They left my music to the thrush
And flew at eveningtide.

I went my way and would not care
If they should come and go;
A thousand birds seemed up in air,
My thoughts were singing so.

We sighing said, "Our Pan is dead;
His pipe hangs mute beside the river
Around it wistful sunbeams quiver,
But Music's airy voice is fled.
Spring mourns as for untimely frost;
The bluebird chants a requiem;
The willow-blossom waits for him;
The Genius of the wood is lost."

Then from the flute, untouched by hands,
There came a low, harmonious breath:
"For such as he there is no death;
His life the eternal life commands;
Above man's aims his nature rose.
The wisdom of a just content

Lingo of birds was easier than lingo of peasants-
they were elusive, though, the birds, for excellent reasons.
He thought of Virgil, Virgil who wasn't there to chat with.

History he never forgave for letting Latin
lapse into Italian, a renegade jabbering
musical enough but not enough to call music

So he conversed with stones, imperial and papal.
Even the preposterous popes he could condone
a moment for the clean arrogance of their inscriptions.

He asked the Italians only to leave him in the past