Sidekicks

They were never handsome and often came
with a hormone imbalance manifested by corpulence,
a yodel of a voice or ears big as kidneys.

But each was brave. More than once a sidekick
has thrown himself in front of our hero in order
to receive the bullet or blow meant for that
perfect face and body.

Thankfully, heroes never die in movies and leave
the sidekick alone. He would not stand for it.
Gabby or Pat, Pancho or Andy remind us of a part
of ourselves,

the dependent part that can never grow up,


Shiela

When I played my penny whistle on the braes above Lochgyle
The heather bloomed about us, and we heard the peewit call;
As you bent above your knitting something fey was in your smile,
And fine and soft and slow the rain made silver on your shawl.
Your cheeks were pink like painted cheeks, your eyes a pansy blue . . .
My heart was in my playing, but my music was for you.

And now I play he organ in this lordly London town;
I play the lovely organ with a thousand folks in view.
They're wearing silk and satin, but I see a woolen gown,


Shells

Reaching down arm-deep into bright water
I gathered on white sand under waves
Shells, drifted up on beaches where I alone
Inhabit a finite world of years and days.
I reached my arm down a myriad years
To gather treasure from the yester-milliennial sea-floor,
Held in my fingers forms shaped on the day of creation.

Building their beauty in three dimensions
Over which the world recedes away from us,
And in the fourth, that takes away ourselves
From moment to moment and from year to year


Shelley

Knight-errant of the Never-ending Quest,
And Minstrel of the Unfulfilled Desire;
For ever tuning thy frail earthly lyre
To some unearthly music, and possessed
With painful passionate longing to invest
The golden dream of Love's immortal fire
In mortal robes of beautiful attire,
And fold perfection to thy throbbing breast!

What wonder, Shelley, if the restless wave
Should claim thee and the leaping flame consume
Thy drifted form on Viareggio's beach?
Fate to thy body gave a fitting grave,


She

I know her, her bitter silence,
Her tiredness of her words and cries,
Lives in the secret changing brightness
Of widened pupils of her eyes.

Her heart is opened with craving
Only to music of the verse,
Before the life of joy and playing,
She stands aloof and won’t converse.

Her steps aren’t heard or ever hurried:
They’re quiet, oddly smooth and fine,
She can’t be called a beauty, starry,
But keeps all happiness of mine.

And, if I might be selfish ever,
Or brave and proud, as I could –


Shakespeare's Kingdom

When Shakespeare came to London
He met no shouting throngs;
He carried in his knapsack
A scroll of quiet songs.

No proud heraldic trumpet
Acclaimed him on his way;
Their court and camp have perished;
The songs live on for ay.

Nobody saw or heard them,
But, all around him there,
Spirits of light and music
Went treading the April air.

He passed like any pedlar,
Yet he had wealth untold.
The galleons of th' armada
Could not contain his gold.


Shadow river

MUSKOKA

A stream of tender gladness,
Of filmy sun, and opal tinted skies;
Of warm midsummer air that lightly lies
In mystic rings,
Where softly swings
The music of a thousand wings
That almost tones to sadness.

Midway 'twixt earth and heaven,
A bubble in the pearly air, I seem
To float upon the sapphire floor, a dream
Of clouds of snow,
Above, below,
Drift with my drifting, dim and slow,
As twilight drifts to even.

The little fern-leaf, bending


Servant Girl and Grocer's Boy

Her lips' remark was: "Oh, you kid!"
Her soul spoke thus (I know it did):

"O king of realms of endless joy,
My own, my golden grocer's boy,

I am a princess forced to dwell
Within a lonely kitchen cell,

While you go dashing through the land
With loveliness on every hand.

Your whistle strikes my eager ears
Like music of the choiring spheres.

The mighty earth grows faint and reels
Beneath your thundering wagon wheels.

How keenly, perilously sweet


September in Australia

Grey Winter hath gone, like a wearisome guest,
   And, behold, for repayment,
September comes in with the wind of the West
   And the Spring in her raiment!
The ways of the frost have been filled of the flowers,
   While the forest discovers
Wild wings, with the halo of hyaline hours,
   And the music of lovers.

September, the maid with the swift, silver feet!
   She glides, and she graces
The valleys of coolness, the slopes of the heat,
   With her blossomy traces;


Senlin His Futile Preoccupations

1

I am a house, says Senlin, locked and darkened,
Sealed from the sun with wall and door and blind.
Summon me loudly, and you'll hear slow footsteps
Ring far and faint in the galleries of my mind.
You'll hear soft steps on an old and dusty stairway;
Peer darkly through some corner of a pane,
You'll see me with a faint light coming slowly,
Pausing above some gallery of the brain . . .

I am a city . . . In the blue light of evening
Wind wanders among my streets and makes them fair;


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