What Semiramis Said

The moon's a steaming chalice,
Of honey and venom-wine.
A little of it sipped by night
Makes the long hours divine.
But oh, my reckless lovers,
They drain the cup and wail,
Die at my feet with shaking limbs
And tender lips all pale.
Above them in the sky it bends
Empty and gray and dead.
To-morrow night 'tis full again,
Golden, and foaming red.


What of the Night

To you, who look below,
   Where little candles glow --
Who listen in a narrow street,
Confused with noise of passing feet --

To you 'tis wild and dark;
   No light, no guide, no ark,
For travellers lost on moor and lea,
And ship-wrecked mariners at sea.

But they who stand apart,
   With hushed but wakeful heart --
They hear the lulling of the gale,
And see the dawn-rise faint and pale.

A dawn whereto they grope
   In trembling faith and hope,


What Cowboys Know About Love

Last night on the sports channel
I watched the rodeo.
Those cowboys have it right;
the best and the beauty of it.
You cannot win, so you ride
for as long as you can and enjoy it.
When you dismount,
whether it be on your own or not,
it won't look pretty. You'll limp off.
But you'll feel good; your heart
will be pounding like it never has,
and walking away, one crazy step
after another, your ears will ring
with the loud approval
of those who never felt so good.



Wet City Night

Light drunkenly reels into shadow;
Blurs, slurs uneasily;
Slides off the eyeballs:
The segments shatter.

Tree-branches cut arc-light in ragged
Fluttering wet strips.
The cup of the sky-sign is filled too full;
It slushes wine over.

The street-lamps dance a tarentella
And zigzag down the street:
They lift and fly away
In a wind of lights.


Submitted by Stephen Fryer


Westward Ho

There's a damper in the ashes, tea and sugar in the bags,
There's whips of feed and shelter on the sandridge for the nags,
There's gidya wood about us and water close at hand,
And just one bottle left yet of the good Glenlivet brand.

There are chops upon the embers, which same are close-up done,
From as fine a four-tooth wether as there is on Crossbred's run;
'Twas a proverb on the Darling, the truth of which I hold:
"That mutton's aye the sweetest which was never bought nor sold."


Welsh Landscape

To live in Wales is to be conscious
At dusk of the spilled blood
That went into the making of the wild sky,
Dyeing the immaculate rivers
In all their courses.
It is to be aware,
Above the noisy tractor
And hum of the machine
Of strife in the strung woods,
Vibrant with sped arrows.
You cannot live in the present,
At least not in Wales.
There is the language for instance,
The soft consonants
Strange to the ear.
There are cries in the dark at night
As owls answer the moon,


We'll go no more a-roving

SO, we'll go no more a-roving
   So late into the night,
Though the heart be still as loving,
   And the moon be still as bright.

For the sword outwears its sheath,
   And the soul wears out the breast,
And the heart must pause to breathe,
   And love itself have rest.

Though the night was made for loving,
   And the day returns too soon,
Yet we'll go no more a-roving
   By the light of the moon.


Welcome Home

The fire burns bright
And the hearth is clean swept,
As she likes it kept,
And the lamp is alight.
She is coming to-night.

The wind's east of late.
When she comes, she'll be cold,
So the big chair is rolled
Close up to the grate,
And I listen and wait.

The shutters are fast,
And the red curtains hide
Every hint of outside.
But hark, how the blast
Whistled then as it passed!

Or was it the train?
How long shall I stand,
With my watch in my hand,


Welcome And Farewell

Quick throbb'd my heart: to norse! haste, haste,

And lo! 'twas done with speed of light;
The evening soon the world embraced,

And o'er the mountains hung the night.
Soon stood, in robe of mist, the oak,

A tow'ring giant in his size,
Where darkness through the thicket broke,

And glared with hundred gloomy eyes.

From out a hill of clouds the moon

With mournful gaze began to peer:
The winds their soft wings flutter'd soon,

And murmur'd in mine awe-struck ear;


Week-Night Service

The five old bells
Are hurrying and eagerly calling,
Imploring, protesting
They know, but clamorously falling
Into gabbling incoherence, never resting,
Like spattering showers from a bursten sky-rocket dropping
In splashes of sound, endlessly, never stopping.

The silver moon
That somebody has spun so high
To settle the question, yes or no, has caught
In the net of the night’s balloon,
And sits with a smooth bland smile up there in the sky
Smiling at naught,


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