The Widow and Her Son XXI

Night fell over North Lebanon and snow was covering the villages surrounded by the Kadeesha Valley, giving the fields and prairies the appearance of a great sheet of parchment upon which the furious Nature was recording her many deeds. Men came home from the streets while silence engulfed the night.

In a lone house near those villages lived a woman who sat by her fireside spinning wool, and at her side was her only child, staring now at the fire and then at his mother.


The White Moth

IF a leaf rustled, she would start:
And yet she died, a year ago.
How had so frail a thing the heart
To journey where she trembled so?
And do they turn and turn in fright,
Those little feet, in so much night?

The light above the poet’s head
Streamed on the page and on the cloth,
And twice and thrice there buffeted
On the black pane a white-winged moth:
’T was Annie’s soul that beat outside
And “Open, open, open!” cried:

“I could not find the way to God;


The White Flag

I sent my love two roses, one
As white as driven snow,
And one a blushing royal red,
A flaming Jacqueminot.

I meant to touch and test my fate;
That night I should divine,
The moment I should see my love,
If her true heart were mine.

For if she holds me dear, I said,
She'll wear my blushing rose;
If not, she'll wear my cold Lamarque,
As white as winter's snows.

My heart sank when I met her: sure
I had been overbold,
For on her breast my pale rose lay


The Whistling Girl

Back of my back, they talk of me,
Gabble and honk and hiss;
Let them batten, and let them be-
Me, I can sing them this:

"Better to shiver beneath the stars,
Head on a faithless breast,
Than peer at the night through rusted bars,
And share an irksome rest.

"Better to see the dawn come up,
Along of a trifling one,
Than set a steady man's cloth and cup
And pray the day be done.

"Better be left by twenty dears
Than lie in a loveless bed;
Better a loaf that's wet with tears


The Welsh Marches

High the vanes of Shrewsbury gleam
Islanded in Severn stream;
The bridges from the steepled crest
Cross the water east and west.

The flag of morn in conqueror's state
Enters at the English gate:
The vanquished eve, as night prevails,
Bleeds upon the road to Wales.

Ages since the vanquished bled
Round my mother's marriage-bed;
There the ravens feasted far
About the open house of war:

When Severn down to Buildwas ran
Coloured with the death of man,


The Well Dressed Man With A Beard

After the final no there comes a yes
And on that yes the future world depends.
No was the night. Yes is this present sun.
If the rejected things, the things denied,
Slid over the western cataract, yet one,
One only, one thing that was firm, even
No greater than a cricket's horn, no more
Than a thought to be rehearsed all day, a speech
Of the self that must sustain itself on speech,
One thing remaining, infallible, would be
Enough. Ah! douce campagna of that thing!
Ah! douce campagna, honey in the heart,


The Weeper

HAIL, sister springs,
Parents of silver-footed rills!
   Ever bubbling things,
Thawing crystal, snowy hills!
   Still spending, never spent; I mean
   Thy fair eyes, sweet Magdalene.

   Heavens thy fair eyes be;
Heavens of ever-falling stars;
   'Tis seed-time still with thee,
And stars thou sow'st whose harvest dares
   Promise the earth to countershine
   Whatever makes Heaven's forehead fine.

   Every morn from hence
A brisk cherub something sips
   Whose soft influence


The Wedding Night

Within the chamber, far away

From the glad feast, sits Love in dread
Lest guests disturb, in wanton play,

The silence of the bridal bed.
His torch's pale flame serves to gild

The scene with mystic sacred glow;
The room with incense-clouds is fil'd,

That ye may perfect rapture know.

How beats thy heart, when thou dost hear

The chime that warns thy guests to fly!
How glow'st thou for those lips so dear,

That soon are mute, and nought deny!
With her into the holy place


The Weary Blues

Droning a drowsy syncopated tune,
Rocking back and forth to a mellow croon,
I heard a Negro play.
Down on Lenox Avenue the other night
By the pale dull pallor of an old gas light
He did a lazy sway ....
He did a lazy sway ....
To the tune o' those Weary Blues.
With his ebony hands on each ivory key
He made that poor piano moan with melody.
O Blues!
Swaying to and fro on his rickety stool
He played that sad raggy tune like a musical fool.
Sweet Blues!
Coming from a black man's soul.


The Waster Singing at Midnight

After Longfellow

Loud he sang the song Ta Phershon
For his personal diversion,
Sang the chorus U-pi-dee,
Sang about the Barley Bree.

In that hour when all is quiet
Sang he songs of noise and riot,
In a voice so loud and queer
That I wakened up to hear.

Songs that distantly resembled
Those one hears from men assembled
In the old Cross Keys Hotel,
Only sung not half so well.

For the time of this ecstatic
Amateur was most erratic,
And he only hit the key


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