paris

He gives me such a bold and curious look,
That young American across the way,
As if he'd like to put me in a book
(Fancies himself a poet, so they say.)
Ah well! He'll make no "document" of me.
I lock my door. Ha! ha! Now none shall see. . . .

Pictures, just pictures piled from roof to floor,
Each one a bit of me, a dream fulfilled,
A vision of the beauty I adore,
My own poor glimpse of glory, passion-thrilled . . .
But now my money's gone, I paint no more.

For three days past I have not tasted food;

In Paris on a morn of May
I sent a radio transalantic
To catch a steamer on the way,
But oh the postal fuss was frantic;
They sent me here, they sent me there,
They were so courteous yet so canny;
Then as I wilted in despair
A Frenchman flipped me on the fanny.

'Twas only juts a gentle pat,
Yet oh what sympathy behind it!
I don't let anyone do that,
But somehow then I didn't mind it.
He seemed my worry to divine,
With kindly smile, that foreign mannie,
And as we stood in waiting line

IN ev'ry age, at Naples, we are told,
Intrigue and gallantry reign uncontrolled;
With beauteous objects in abundance blessed.
No country round so many has possessed;
Such fascinating charms the FAIR disclose,
That irresistibly soft passion flows.

'MONG these a belle, enchanting to behold,
Was loved by one, of birth and store of gold;
Minutolo (and Richard) was his name,
In Cupid's train a youth of brilliant fame:
'Tween Rome and Paris none was more gallant,
And num'rous hearts were for him known to pant.

Some people, and it doesn't matter whether they are paupers or millionaires, Think that anything they have is the best in the world just because it is theirs. If they happen to own a 1921 jalopy, They look at their neighbor's new de luxe convertible like the wearer of a 57th Street gown at a 14th Street copy. If their seventeen-year-old child is still in the third grade they sneer at the graduation of the seventeen-year-old children of their friends, Claiming that prodigies always come to bad ends, And if their roof leaks, It's because the shingles are antiques.

[Polyhymnia: Describing, The honourable Triumph at Tylt,
before her Maiestie, on the 17. of Nouember, last past,
being the first day of the three and thirtith yeare of
her Highnesse raigne. With Sir Henrie Lea, his resignation
of honour at Tylt, to her Maiestie, and receiued by the right
honourable, the Earle of Cumberland.]

[Polyhimnia. Entituled, with all dutie to the Right
Honourable, Lord Compton of Compton.]


Therefore, when thirtie two were come and gone,

138

Pigmy seraphs—gone astray—
Velvet people from Vevay—
Balles from some lost summer day—
Bees exclusive Coterie—
Paris could not lay the fold
Belted down with Emerald—
Venice could not show a check
Of a tint so lustrous meek—
Never such an Ambuscade
As of briar and leaf displayed
For my little damask maid—

I had rather wear her grace
Than an Earl's distinguished face—
I had rather dwell like her
Than be "Duke of Exeter"—
Royalty enough for me

Behold! three sister-wonders, in whom met,
Distinct and chast, the splendrous counterfeit
Of Juno, Venus and the warlike Maid,
Each in their three divinities array'd;
The majesty and state of Heav'ns great Queen,
And when she treats the gods, her noble meen;
The sweet victorious beauties and desires
O' th' sea-born princess, empresse too of fires;
The sacred arts and glorious lawrels torn
From the fair brow o' th' goddesse father-born;
All these were quarter'd in each snowy coat,

Behold! three sister-wonders, in whom met,
Distinct and chast, the splendrous counterfeit
Of Juno, Venus and the warlike Maid,
Each in their three divinities array'd;
The majesty and state of Heav'ns great Queen,
And when she treats the gods, her noble meen;
The sweet victorious beauties and desires
O' th' sea-born princess, empresse too of fires;
The sacred arts and glorious lawrels torn
From the fair brow o' th' goddesse father-born;
All these were quarter'd in each snowy coat,

The city's all a-shining
Beneath a fickle sun,
A gay young wind's a-blowing,
The little shower is done.
But the rain-drops still are clinging
And falling one by one --
Oh it's Paris, it's Paris,
And spring-time has begun.

I know the Bois is twinkling
In a sort of hazy sheen,
And down the Champs the gray old arch
Stands cold and still between.
But the walk is flecked with sunlight
Where the great acacias lean,
Oh it's Paris, it's Paris,
And the leaves are growing green.

From all of this I am the only one who leaves.
From this bench I go away, from my pants,
from my great situation, from my actions,
from my number split side to side,
from all of this I am the only one who leaves.

From the Champs Elysées or as the strange
alley of the Moon makes a turn,
my death goes away, my cradle leaves,
and, surrounded by people, alone, cut loose,
my human resemblance turns around
and dispatches its shadows one by one.

And I move away from everything, since everything