A little leaf just in the forest's edge,
All summer long, had listened to the wooing
Of amorous brids that flew across the hedge,
Singing their blithe sweet songs for her undoing.
So many were the flattering things they told her,
The parent tree seemed quite too small to hold her.

At last one lonesome day she saw them fly
Across the fields behind the coquette summer,
They passed her with a laughing light good-bye,
When from the north, there strode a strange new comer;
Bold was his mien, as he gazed on her, crying,

Hee that his mirth hath loste,
Whose comfort is dismaid,
Whose hope is vaine, whose faith is scorned,
Whose trust is all betraid,


If he have held them deare,
And cannot cease to moane,
Come, let him take his place by me;
He shall not rue alone.


But if the smalest sweete
Be mixt with all his sowre;
If in the day, the moneth, the yeare,
He finde one lightsome hower,


Then rest he by himself;
He is noe mate for me,
Whose hope is falen, whose succor voyde,
Whose hart his death must be.

The deck of an ancient ship. At the right of the stage is the mast, with a large square sail hiding a great deal of the sky and sea on that side. The tiller is at the left of the stage; it is a long oar coming through an opening in the bulwark. The deck rises in a series of steps hehind the tiller, and the stern of the ship curves overhead. When the play opens there are four persons upon the deck. Aibric stands by the tiller. Forgael sleeps upon the raised portion of the deck towards the front of the stage. Two Sailors are standing near to the mast, on which a harp is hanging.

They are rhymes rudely strung with intent less
Of sound than of words,
In lands where bright blossoms are scentless,
And songless bright birds;
Where, with fire and fierce drought on her tresses,
Insatiable Summer oppresses
Sere woodlands and sad wildernesses,
And faint flocks and herds.
Where in drieariest days, when all dews end,
And all winds are warm,
Wild Winter's large floodgates are loosen'd,
And floods, freed by storm;
From broken-up fountain heads, dash on
Dry deserts with long pent up passion--

The plums tasted
sweet to the unlettered desert-tribe girl-
but what manners! To chew into each! She was ungainly,
low-caste, ill mannered and dirty,
but the god took the
fruit she'd been sucking.
Why? She'd knew how to love.
She might not distinquish
splendor from filth
but she'd tasted the nectar of passion.
Might not know any Veda,
but a chariot swept her away-
now she frolics in heaven, esctatically bound
to her god.
The Lord of Fallen Fools, says Mira,
will save anyone

No master sage, nor orator I know,
Who can success, like gentle Cupid show;
His ways and arguments are pleasing smiles,
Engaging looks, soft tears, and winning wiles.
Wars in his empire will at times arise,
And, in the field, his standard meet the eyes;
Now stealing secretly, with skilful lure.
He penetrates to hearts supposed secure,
O'erleaps the ramparts that protect around,
And citadels reduces, most renowned.

I dare engage, two fortresses besiege
Leave one to Mars, and t'other to this liege.
And though the god of war should numbers bring,

Forth from Calais, at dawn of night, when sunset summer on autumn shone,
Fared the steamer alert and loud through seas whence only the sun was gone:
Soft and sweet as the sky they smiled, and bade man welcome: a dim sweet hour
Gleamed and whispered in wind and sea, and heaven was fair as a field in flower,
Stars fulfilled the desire of the darkling world as with music: the star-bright air
Made the face of the sea, if aught may make the face of the sea, more fair.

Let it not your wonder move,
Less your laughter, that I love.
Though I now write fifty years,
I have had, and have, my peers;
Poets, though divine, are men,
Some have lov'd as old again.
And it is not always face,
Clothes, or fortune, gives the grace;
Or the feature, or the youth.
But the language and the truth,
With the ardour and the passion,
Gives the lover weight and fashion.
If you then will read the story,
First prepare you to be sorry
That you never knew till now

You say we bushmen cannot love—
Our lives are too prosaic: hence
We lose or lack that finer sense
That raises some few men above
Their fellows, setting them apart
As vessels of a finer make—
The acme of the potter’s art—
Are placed apart upon the shelf.
So he is more than common delf,
And, more than brute in human guise,
Who, seeking, finds his nobler self
Twin-mirrored in a woman’s eyes!
Yet these things bring their penalty:
For oft the merest touch will break
These vessels of a finer make;
And throats attuned to noblest key

Dear Cloe, how blubber'd is that pretty Face?
Thy cheek all on fire, and thy hair all uncurl'd:
Pr'ythee quit this caprice; and (as old Falstaf says)
Let us e'en talk a little like folks of this world.

How can'st thou presume, thou hast leave to destroy
The beauties, which Venus but lent to thy keeping?
Those looks were design'd to inspire love and joy:
More ord'nary eyes may serve people for weeping.

To be vexed at a trifle or two that I writ,
Your judgment at once, and my passion you wrong: