The Sea-Child

Into the world you sent her, mother,
Fashioned her body of coral and foam,
Combed a wave in her hair's warm smother,
And drove her away from home

In the dark of the night she crept to the town
And under a doorway she laid her down,
The little blue child in the foam-fringed gown.

And never a sister and never a brother
To hear her call, to answer her cry.
Her face shone out from her hair's warm smother
Like a moonkin up in the sky.

She sold her corals; she sold her foam;


The Right To Grief

To Certain Poets About to Die

Take your fill of intimate remorse, perfumed sorrow,
Over the dead child of a millionaire,
And the pity of Death refusing any check on the bank
Which the millionaire might order his secretary to
scratch off
And get cashed.

Very well,
You for your grief and I for mine.
Let me have a sorrow my own if I want to.

I shall cry over the dead child of a stockyards hunky.
His job is sweeping blood off the floor.
He gets a dollar seventy cents a day when he works


The Rowers

1899 -- When Germany proposed that England should help her in a naval demonstration to collect debts from Venezuela.


The banked oars fell an hundred strong,
And backed and threshed and ground,
But bitter was the rowers' song
As they brought the war-boat round.

They had no heart for the rally and roar
That makes the whale-bath smoke --
When the great blades cleave and hold and leave
As one on the racing stroke.

They sang:--What reckoning do you keep,
And steer by what star,


The Return

Peace is declared, and I return
To 'Ackneystadt, but not the same;
Things 'ave transpired which made me learn
The size and meanin' of the game.
I did no more than others did,
I don't know where the change began;
I started as a average kid,
I finished as a thinkin' man.

If England was what England seems
An' not the England of our dreams,
But only putty, brass, an' paint,
'Ow quick we'd drop 'er!
But she ain't!

Before my gappin' mouth could speak
I 'eard it in my comrade's tone;


The Secret Police

They are listening in the wires,
in the walls, under the eaves
in the wings of house martins,
in the ears of old women,
in the mouths of children.

They are listening to this now.

So let's hear it for the secret police,
a much misunderstood minority.
After all, they have their rights,
their own particular ways of seeing things,
saying things, cooking things,
they too have a culture uniquely their own.

      &nbsp ;            And we think


The Secret People

Smile at us, pay us, pass us; but do not quite forget;
For we are the people of England, that never have spoken yet.
There is many a fat farmer that drinks less cheerfully,
There is many a free French peasant who is richer and sadder than we.
There are no folk in the whole world so helpless or so wise.
There is hunger in our bellies, there is laughter in our eyes;
You laugh at us and love us, both mugs and eyes are wet:
Only you do not know us. For we have not spoken yet.


The Secret of the Universe

AN ODE
(By a Western Spinning Dervish)


I SPIN, I spin, around, around,
And close my eyes,
And let the bile arise
From the sacred region of the soul’s Profound;
Then gaze upon the world; how strange! how new!
The earth and heaven are one,
The horizon-line is gone,
The sky how green! the land how fair and blue!
Perplexing items fade from my large view,
And thought which vexed me with its false and true
Is swallowed up in Intuition; this,


The Scissors-Grinder

The old man had his box and wheel
For grinding knives and shears.
No doubt his bell in village streets
Was joy to children's ears.
And I bethought me of my youth
When such men came around,
And times I asked them in, quite sure
The scissors should be ground.
The old man turned and spoke to me,
His face at last in view.
And then I thought those curious eyes
Were eyes that once I knew.

"The moon is but an emery-wheel
To whet the sword of God,"
He said. "And here beside my fire


The School-mistress. In Imitation of Spenser excerpt

Auditæ voces, vagitus et ingens,Infantunque animæ flentes in limine primo. Virg.ADVERTISEMENT
What particulars in Spenser were imagined most proper for the author's imitationon this occasion, are his language, his simplicity, his manner of description,and a peculiar tenderness of sentiment remarkable throughout his works.
Ah me! full sorely is my heart forlorn,
To think how modest worth neglected lies;
While partial fame doth with her blasts adorn
Such deeds alone, as pride and pomp disguise;


The Sacrifice

Oh all ye, who pass by, whose eyes and mind
To worldly things are sharp, but to me blind;
To me, who took eyes that I might you find:
Was ever grief like mine?

The Princes of my people make a head
Against their Maker: they do wish me dead,
Who cannot wish, except I give them bread:
Was ever grief like mine?

Without me each one, who doth now me brave,
Had to this day been an Egyptian slave.
They use that power against me, which I gave:
Was ever grief like mine?


Pages

Subscribe to RSS - peace